from my easily contented conscience. I had wanted to compromise with Fate: to escape occasional great agonies by submitting to a whole life of privation and small pains. Fate would not so be pacified; nor would Providence sanction this shrinking sloth and cowardly indolence.
One February night—I remember it well—there came a voice near Miss Marchmont's house, heard by every inmate, but translated, perhaps, only by one. After a calm winter, storms were ushering in the spring. I had put Miss Marchmont to bed; I sat at the fireside sewing. The wind was wailing at the windows: it had wailed all day; but, as night deepened, it took a new tone—an accent keen, piercing, almost articulate to the ear; a plaint, piteous and disconsolate to the nerves, trilled in every gust.
"Oh, hush! hush!" I said in my disturbed mind, dropping my work, and making a vain effort to stop my ears against that subtle, searching cry. I had heard that very voice ere this, and compulsory observation had forced on me a theory as to what it boded. Three times in the course of my life, events had taught me that these strange accents in the storm—this restless, hopeless cry—denote a coming