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Page:Vol 3 History of Mexico by H H Bancroft.djvu/496

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476
VICEROY REVILLA GIGEDO THE YOUNGER.

dor. The most prominent architectural structure in the city was then, as it is now, the cathedral; and as to the palace of the viceroys, it was said that no edifice in Madrid could compare with it in size.[1] Adjoining, and on the side fronting toward the palace of the archbishop, stood the mint, a large and imposing structure. The custom-house, fronting on the plaza Santo Domingo, was also a fine edifice. The botanic garden in one of the courts of the viceregal palace, though small, was famous for its collection of rare plants, and of such as were important to industry and commerce. Here Viceroy Bucareli would pitch his tent during certain seasons of the year, receive visitors day and night, and transact his business.

Another large building was the tobacco factory, in which more than five thousand persons were employed. A structure of historical interest was the famous acordada building, erected during Bucareli's administration, and situated between the alameda and the paseo bearing that viceroy's name.[2] The municipality buildings were also of imposing proportions, situated on the principal plaza and facing the parian,[3] which had taken the place of the baratillo and occupied an area of a hundred and forty varas. Other edifices of note were the college of San Ildefonso, and the mining school with its physical, mechanical, and mineralogical collections; the university building and public library, and the academy of fine arts with its collection of gypsum casts; the celebrated hospices, and the buildings of the inquisition. The least favored of all the public buildings was the theatre.[4]

The principal entrances to the city were those of Guadalupe, Angeles, Traspana, Chapultepec, San

  1. 'No hay en Madrid edificio comparable en extension con el palacio del Virey.' Estalla, xxvi. 278.
  2. Id, 279.
  3. See Villa-Señor y Sanchez, Teatro, i. 53-61; Mex., Not. Ciudad Mex., 8 et seq.; Ortiz, Mex. Indep. Libre, 485 et seq.; Estalla, xxvi. 281.
  4. 'El coliseo ó teatro es indigno de México, y no se puede ponderar su deformidad sino afirmando que es abominable el edificio, y lo peor esque amenaza desplomarse.' Ortiz, Mex. Ind. Libre, 497.