the theatre—or rather how much more theatrical real life is than the theatre can ever hope to be. But you're all right, Mr. Harkness—I won't forget that you're an American citizen. You shall have special privileges. That I promise you."
Dunbar then did a foolish thing. He made a dash for the farther end of the hall. What he had in mind no one knows—in all probability to find a window, hurl himself through it and escape to give the alarm. But the alarm to whom? That was, as far as things had yet gone, the foolishness of their position. A policeman arriving at the house would find nothing out of order, only that there two gentlemen had broken in, barbarously, at a midnight hour to abscond with the married lady of the family.
Dunbar's effort was foolish in any case; its issue was that, in a moment of time, without noise or a word spoken, the two Japanese servants had him held, one hand on either arm. He looked stupid enough, there in the middle of the hall, his eyes dim with tears of rage, his body straining ineffectively against that apparently light and casual hold.
But it was strange to perceive how that movement of Dunbar's had altered all the situation. Before that the three were at least the semblance of visitors demanding of their host that they should be allowed to go; now they were prisoners and knew it. Although Hesther and Harkness were still
