vince me. One can imagine how badly I wanted to be convinced.
She mixed me another highball, and a short one for herself. Over it she told me her name—Miss Dolby—and finally she left me with a last comforting assurance. But, nightmare or no, I did not sleep again that night. I sat in the parlor among the lamps, smoking and dipping into book after book. Countless times I felt my gaze drawn back to the painting over the fireplace, with the cross and the nail-pierced wretch and the shimmering pink dancers.
After the rising sun had filled the apartment with its honest light and cheer I felt considerably calmer. I slept all morning, and in the afternoon was disposed to agree with Miss Dolby that the whole business had been a bad dream, nothing more. Dressing, I went down the hall, knocked on her door and invited her to dinner with me.
It was a good dinner. Afterward we went to an amusing motion picture, with Charles Butterworth in it as I remember. After bidding her good-night, I went to my own place. Undressed and in bed, I lay awake. My late morning slumber made my eyes slow to close. Thus it was that I heard the faint shuffle of feet and, sitting up against my pillows, saw the glowing silhouettes of the Golgotha dancers. Alive and magnified, they were creeping into my bedroom.
I did not hesitate or shrink this time. I sprang up, tense and defiant.
"No, you don't!" I yelled at them. As they seemed to hesitate before the impact of my wild voice, I charged frantically. For a moment I scattered them and got through the bedroom door, as on the previous night. There was another shindy in the entry; this time they all got hold of me, like a pack of hounds, and wrestled me back against the wall. I writhe even now when I think of the unearthly hardness of their little gripping paws. Two on each arm were spread-eagling me upon the plaster. The cruciform position again!
I swore, yelled and kicked. One of them was in the way of my foot. He floated back, unhurt. That was their strength and horror—their ability to go flabby and non-resistant under smashing, flattening blows. Something tickled my palm, pricked it. The point of a spike....
"Miss Dolby!" I shrieked, as a child might call for its mother. "Help! Miss D——"
The door flew open; I must not have locked it. "Here I am," came her unafraid reply.
She was outlined against the rectangle of light from the hall. My assailants let go of me to dance toward her. She gasped but did not scream. I staggered along the wall, touched a light-switch, and the parlor just beyond us flared into visibility. Miss Dolby and I ran in to the lamp, rallying there as stone-age folk must have rallied at their fire to face the monsters of the night. I looked at her; she was still fully dressed, as I had left her, apparently had been sitting up. Her rouge made flat patches on her pale cheeks, but her eyes were level.
This time the dancers did not retreat or vanish; they lurked in the comparative gloom of the entry, jigging and trembling as if mustering their powers and resolutions for another rush at us.
"You see," I chattered out to her, "it wasn't a nightmare."
She spoke, not in reply, but as if to herself. "They have no faces," she whispered. "No faces!" In the half-light that was diffused upon them from our lamp they presented the featurelessness of so many huge gingerbread boys, covered with pink icing. One of them, some kind
