without being told that those ringlets weren't put in with a hot iron. Her face was pale, colorless and fine-textured as a magnolia petal, but her lips were brilliant crimson. There was something reminiscent of those ladies you see pictured in Directoire prints about her; small, regular features, straight, white, high-waisted gown tied with a wide girdle underneath her bosom, low, round-cut neck and tiny, ball-puff sleeves that left her lovely arms uncovered to the shoulder. She was like Rose Beauharnais or Madame de Fontenay, except for her fair hair, and her eyes. Her eyes were like an Eastern slave's, languishing and passionate, even when she laughed. And she was laughing then, with a throaty, almost caressing laugh as I tossed the flower up to her and she leant across the iron railing, snatching at it futilely as it fell just short of reach.
"'C'est sans profit,' she laughed at last. "Your skill is too small or my arm too short, m'sieur. Bring it up to me.'
"'You mean for me to come up there?' I asked.
"'But certainly. I have teeth, but will not bite you—maybe.'
"The street door to the house was open; I pushed it back, groped my way along a narrow hall and climbed a flight of winding stairs. She was waiting for me on the balcony, lovelier, close up, if that were possible, than when I'd seen her from the sidewalk. Her gown was China silk, so sheer and clinging that the shadow of her charming figure showed against its rippling folds like a lovely silhouette; the sash which bound it was a six-foot length of rainbow ribbon tied coquettishly beneath her shoulders and trailing in fringed ends almost to her dress-hem at the back; her feet were stockingless and shod with sandals fastened with cross-straps of purple grosgrain laced about the ankles. Save for the small gold rings that scintillated in her ears, she wore no ornaments of any kind.
"'Mon fleur, m'sieur,' she ordered haughtily, stretching out her hand; then her eyes lighted with sudden laughter and she turned her back to me, bending her head forward. "But no, it fell into your hands; it is that you must put in its place again,' she ordered, pointing to a curl where she wished the flower set. 'Come, m'sieur, I wait upon you.'
"On the settee by the wall a guitar lay. She picked it up and ran her slim, pale fingers twice across the strings, sounding a soft, melancholy chord. When she began to sing, her words were slurred and languorous, and I had trouble understanding them; for the song was ancient when Bienville turned the first spadeful of earth that marked the ramparts of New Orleans:
O knights of gay Toulouse
And sweet Beaucaire,
Greet me my own true love
And speak him fair...
"Her voice had the throaty, velvety quality one hears in people of the Southern countries, and the words of the song seemed fairly to yearn with the sadness and passionate longing of the love-bereft. But she smiled as she put by her instrument, a curious smile, which heightened the mystery of her face, and her wide eyes seemed suddenly half questing, half drowsy, as she asked, 'Would you ride off upon your grim, pale horse and leave poor little Julie d'Ayen famishing for love, m'sieur?'
"'Ride off from you?' I answered gallantly. 'How can you ask?' A verse from Burns came to me:
Then fare thee well, my bonny lass.
And fare thee well awhile.
And I will come to thee again
An it were ten thousand mile.
"There was something avid in the look she gave me. Something more than mere gratified vanity shone in her eyes as she
