to expect no good to come of it. I asked him how he would know when I had finished with the book, and I shall never forget that evil smile and disdainful shrug of his response.
"'I shall know well enough when I read the newspapers,* he told me. 'This rime it will be six or seven—in about four months from now.'
"Do you understand what he meant by those words? He knew what would happen! And yet he let me carry that book away with me! In the name of God, what kind of a man is he?"
"Why didn't you destroy the book?" I demanded of him.
"I couldn't! It was too fascinating, too powerful to destroy. I read that book with the reverence of an ecclesiastic until I knew every word between the covers, and the whole ghastly parade of Drukker's sixteen murders passed before my eyes like figures on a stage. Ten weeks ago I began to have nightmares that reconstructed the crimes of Drukker, going chronologically from Number One to Number Sixteen, then beginning all over again.
'"When I returned to America seven weeks ago I still had the book with me, and the contents were so deeply engraved on my brain that I could think of nothing else. Day and night I thought about it, until at length I found myself actually imagining how I would go about emulating his crimes. Then I began to get the horrible impulse to fondle a butcher knife—Drukker used a butcher knife, you know!—and more than once I was struck with the scarcely resistible urge to cut off someone's head. It didn't matter whose head—but just a head!"
"Easy, Carse!" I cried with a wary glance at the kitchen table. "Tell me the rest, but don't excite yourself. What happened then?"
He slid back in a sort of stupor, shook his head several times, then passed his hand across his eyes in a gesture of despair.
"You ought to know damned well what happened if you were listening at your door last night. Six weeks ago I went to bed and dreamed horribly. I had just finished reading the first confession in the diary—some strange impulse made me read that confession and no other—and in my sleep I saw a human head staring at me. It was a cruel, Teutonic head, and I knew that it was Emil Drukker's head hanging in a gallows rope. Then he smiled at me; a horrible, vivid, real smile, and the head vanished. From then on, for how long I cannot say, I sat as a spectator and watched the complete action of Drukker's Number One.
"I saw Drukker leave his house and walk down a dark street with no other illumination than a few scattered electric lights. I tried to imagine how they were electric lights, for they had only gas in his day, but nevertheless they were modern lights, and the street looked like the street in front of my own house. He walked about ten blocks; then he saw a woman standing on a street corner. There wasn't another soul in sight. He crept closer to her, then drew out his butcher knife, and hid it in the folds of his coat—a coat which looked strangely like my own wind-breaker. He first tried to talk with the woman, but she was not interested; so he pulled out the knife and brought it sweeping down across her throat. The blood spurted like a fountain and overran Drukker's hand, but he only laughed and pushed the woman to the ground, then knelt over her and began a horrible sawing movement with his knife. When he had finished, he drew a towel from his pocket and wrapped the head tightly to prevent the blood from trailing him home. He came
