THE FERMATA.
HUMMEL'S[1] amusing, vivacious picture, "Company in an Italian Inn," became known by the Art Exhibition at Berlin in the autumn of 1814, where it appeared, to the delight of all who saw and studied it. An arbour almost hidden in foliage—a table covered with wine-flasks and fruits—two Italian ladies sitting at it opposite each other, one singing, the other playing a guitar; between them, more in the background, stands an abbot, acting as music-director. With his baton raised, he is awaiting the moment when the Signora shall end, in a long trill, the cadence which, with her eyes directed heavenwards, she is just in the midst of; then down will come his hand, whilst the guitarist gaily dashes off the dominant chord. The abbot is filled with admiration—with exquisite delight—and at the same time his attention is painfully on the stretch. He wouldn't miss the proper downward beat for the world. He hardly dare breathe. He would like to stop the mouth and wings of every buzzing bee and midge. So much the more therefore is he annoyed at the bustling
- ↑ Johann Erdmann Hummel, born 1769, died 1852, a German painter, studied in Italy, painted various kinds of pieces, and also wrote treatises on perspective and kindred subjects. The picture here referred to became perhaps almost as much celebrated from the fact of its having suggested this amusing sketch to Hoffmann as for its intrinsic merits as a work of art.
