xvi TRANSLATOR'S PREFACE
which definition should be kept well in mind while read- ing the rest of the book.
No doubt most of those to whom it is an end in itself, who live by it, or make it their chief occupation, will read this book (or leave it unread) and go on in their former way, much as Pharaoh, of old, hardened his heart, and did not sympathize with what Moses had to say on the labor question. But for those of us who have felt that art is too valuable a matter to be lost out of our lives, and who, in their quest for social justice, have met the reproach that they were sacrificing the pleasures and advantages of art, this book is of inesti- mable value, in that it solves a perplexed question of far-reaching importance to practical life.
To this class of readers neither the masterly elucida- tion of the former theories contained in the opening chapters, nor the explanation of how it has come about that such great importance is attached to the activity we call art (Chapters VI. and VII.), nor the explanation and illustrations of the perversion that art has under- gone, nor even the elucidation of the terrible evils this perversion is producing (XVI I.), will equal in significance the remaining chapters of the book. These show us what to look for in art, how to distinguish it from coun- terfeits (XV., XVI., and XVIIL), treat of the true art of the future (XIX.), and explain how science and art are linked together in man's life, are directed by his perception of the meaning of life, and inevitably react on all he thinks and feels.
