yer was seized and gagged; how dexterously she ascertained the weak point in the character of the "King's Lieutenant" (jeune premier), who was deputed by his royal master to aid the Remorseless Baron in trouncing the Bandit; how cunningly she learned that he was in love with the Baron's ward (jeune amureuse), whom that unworthy noble intended to force into a marriage with himself on account of her fortune; how prettily she passed notes to and fro, the Lieutenant never suspecting that she was the Bandit's child, and at last got the King's soldier on her side, as the event proved. And oh how gayly, and with what mimic art, she stole into the Baron's castle, disguised herself as a witch, startled his conscience with revelations and predictions, frightened all the vassals with blue lights and chemical illusions, and venturing even into the usurper's own private chamber while that tyrant was tossing restless on the couch, over which hung his terrible sword, abstracted from his coffer the deeds that proved the better rights of the persecuted Bandit. Then, when he woke before she could escape with her treasure, and pursued her with his sword, with what glee she apparently set herself on fire, and skipped out of the casement in an explosion of crackers. And when the drama approached its denouement, when the Baron's men, and the royal officers of justice, had, despite all her arts, tracked the Bandit to the cave, in which, after various retreats, he lay hidden, wounded by shots, and bruised by a fall from a precipice—with what admirable by-play she hovered around the spot, with what pathos she sought to decoy away the pursuers—it was the sky-lark playing round the nest. And when all was vain—when, no longer to be deceived, the enemies sought to seize her, how mockingly she eluded them, bounded up the rock, and shook her slight finger at them in scorn.
Surely she will save that estimable Bandit still! Now, hitherto though the Bandit was the nominal hero of the piece, though you were always hearing of him—his wrongs, virtues, hair-breadth escapes—he had never been seen. Not Mrs. Harris, in the immortal narrative, was more quoted and more mythical. But in the last scene there was the Bandit, there in his cavern, helpless with bruises and wounds, lying on a rock. In rushed the enemies, Baron, High Sheriff, and all, to seize him. Not a word spoke the Bandit, but his attitude was sublime—even Vance cried "Bravo;" and just as he is seized, halter round his neck, and about to be hanged, down from the chasm above leaps his child, holding the title-deeds, filched from the Baron, and by her side the King's Lieutenant, who proclaims the Bandit's pardon,
