between the porch and the river—a couple of pleasure-boats moored to the bank; and now all the waves rippling under moonlight.
"Supper and lights in the arbor," cried Vance to the waiting-maid, "hey, presto—quick! while we turn in to wash our hands. And harkye, a quart jug of that capital whiskey-toddy."
CHAPTER IV.
Being a Chapter that links the Past to the Future by the gradual elucidation of Antecedents.
O Wayside inns, pedestrian rambles! O summer nights, under honey-suckle arbors, on the banks of starry waves! O Youth, Youth!
Vance ladled out the toddy and lighted his cigar, and then, leaning his head on his hand, and his elbow on the table, he looked with an artist's eye along the glancing river.
"After all," said he, "I am glad I am a painter; and I hope I may live to be a great one."
"No doubt, if you live, you will be a great one," cried Lionel, with cordial sincerity. "And if I, who can only just paint well enough to please myself, find that it gives a new charm to nature—"
"Cut sentiment," quoth Vance, "and go on."
"What," continued Lionel, unchilled by the admonitory interruption, "must you feel who can fix a fading sunshine—a fleeting face—on a scrap of canvas, and say, 'Sunshine and Beauty, live there forever!'"
Vance. "Forever! no! Colors perish, canvas rots. What remains to us of Zeuxis? Still it is prettily said on behalf of the poetic side of the profession; there is a prosaic one—we'll blink it. Yes; I am glad to be a painter. But you must not catch the fever of my calling. Your poor mother would never forgive me if she thought I had made you a dauber by my example."
Lionel (gloomily). "No. I shall not be a painter! But what can I be? How shall I ever build on the earth one of the castles I have built in the air? Fame looks so far—Fortune so impossible! But one thing I am bent upon" (speaking with knit brow and clenched teeth), "I will gain an independence somehow, and support my mother."
