fortless. Nor was this an idle promise. George, though his inquiries were unceasing, crippled by the restraint imposed on them, was so acute in divining, and so active in following up each clew to the wanderer's artful doublings, that more than once he had actually come upon the track, and found the very spot where Waife or Sir Isaac had been seen a few days before, Still, up to the day on which Morley had last reported progress, the ingenious ex-actor, fertile in all resources of stratagem, and disguise, had baffled his research. At first, however, Waife had greatly relieved the minds of these anxious friends, and cheered even Sophy's heavy heart, by letters, gay though brief. These letters having, by their post-marks, led to his trace, he had stated, in apparent anger, that reason for discontinuing them. And for the last six weeks no line from him had been received. In fact, the old man, on resolving to consummate his self-abnegation, strove more and more to wean his grandchild's thoughts from his image. He deemed it so essential to her whole future, that, now she had found a home in so secure and so elevated a sphere, she should gradually accustom herself to a new rank of life, from which he was an everlasting exile: should lose all trace of his very being; efface a connection that, ceasing to protect, could henceforth only harm and dishonor her; that he tried, as it were, to blot himself out of the world which now smiled on her. He did not underrate her grief in its first freshness; he knew that, could she learn where he was, all else would be forgotten—she would insist on flying to him. But he continually murmured to himself, "Youth is ever proverbially short of memory; its sorrows poignant, but not enduring; now the wounds are already scarring over—they will not reopen if they are left to heal."
He had, at first, thought of hiding somewhere not so far but that once a week, or once a month, he might have stolen into the grounds, looked at the house that held her—left, perhaps, in her walks some little token of himself. But, on reflection, he felt that that luxury would be too imprudent, and it ceased to tempt him in proportion as he reasoned himself into the stern wisdom of avoiding all that could revive her grief for him. At the commencement of this tale, in the outline given of that grand melo-drama in which Juliet Araminta played the part of the Bandit's child, her efforts to decoy pursuit from the lair of the persecuted Mime were likened to the arts of the sky-lark to lure eye and hand from the nest of its young. More appropriate that illustration now to the parent-bird than then to the fledgling. Farther and farther from the nest in which all his