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Whirligigs

little womanly touch, serene as if the begrimed pier were a summer garden. Lorison poked the rotting boards with his cane.

He began by telling her that he was in love with some one to whom he durst not speak of it. “And why not?” she asked, accepting swiftly his fatuous presentation of a third person of straw. “My place in the world,” he answered, “is none to ask a woman to share. I am an outcast from honest people; I am wrongly accused of one crime, and am, I believe, guilty of another.”

Thence he plunged into the story of his abdication from society. The story, pruned of his moral philosophy, deserves no more than the slightest touch. It is no new tale, that of the gambler’s declension. During one night’s sitting he lost, and then had imperilled a certain amount of his employer’s money, which, by accident, he carried with him. He continued to lose, to the last wager, and then began to gain, leaving the game winner to a somewhat formidable sum. The same night his employer’s safe was robbed. A search was had; the winnings of Lorison were found in his room, their total forming an accusative nearness to the sum purloined. He was taken, tried and, through incomplete evidence, released, smutched with the sinister devoirs of a disagreeing jury.

“It is not in the unjust accusation,” he said to the girl, “that my burden lies, but in the knowledge that from the moment I staked the first dollar of the firm’s money I was a criminal—no matter whether I lost or won. You