THE TURNING-POINT
stairs in the Kimball house, and on stormy evenings a dull, smoky light in the living-room.
From the illumination in the Dalton sink window, Caleb thought Amanda sat in the kitchen evenings, but she didn’t. She said she kept the second light there because she could afford it, and because the cat liked it. The cat enjoyed the black haircloth sofa in the sitting-room, afternoons, but she greatly preferred the kitchen for evening use; it made a change, and the high-backed cushioned rocker was then vacant. Amanda had nobody to consider but the cat, so she naturally deferred to her in every possible way. It was bad for the cat’s character, but at least it kept Amanda from committing suicide, so what would you? Here was a woman of insistent, unflagging, unending activity. Amanda Dalton had energy enough to attend to a husband and six children—cook, wash, iron, churn, sew, nurse—and she lived alone with a cat. The village was a mile, and her nearest female neighbor, the
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