Following the Gleam
the illumination suggested that somebody had been lending additional lamps and candles for the occasion. The original equipment of clothes possessed by the Careys on their arrival in Beulah still held good, and looked well by lamplight, so that the toilettes were fully worthy of so important a function.
Olive's picture of Nancy was finished, and she announced the absolute impossibility of keeping it until Christmas, so it reached the Yellow House on Thanksgiving morning. When it was unwrapped by Nancy and displayed for the first time to the family, Mother Carey's lips parted, her eyes opened in wonder, but no words came for an instant, in the bewilderment of her mind. Olive had written the title "Young April" under the picture. Nancy stood on a bit of dandelion-dotted turf, a budding tree in the background, her arm flung over the neck of a Jersey calf. The calf had sat for his portrait long before, but Nancy had been added since May. Olive, by a clever inspiration, had turned Nancy's face away and painted her with the April breeze blowing her hair across her cheek. She was not good at painting features, her art was too crude, but somehow the real thing was there; and the likeness to Nancy, in figure, pose, and hair, was so unmistakable that her mother caught her breath.
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