Thus prophesies Blake, in a fury of supra-Christian dogmatism.
Here ends the "Song of the Bard" in the First Book. "Many condemned the high-toned song, saying, Pity and Love are too venerable for the imputation of guilt. Others said, If it is true!" Let us say the same, and pass on: listening only to the Bard's answer:—
"I am inspired! I know it is Truth! for I sing
According to the Inspiration of the Poetic Genius
Who is the Eternal all-protecting divine Humanity
To whom be Glory and Power and Dominion evermore. Amen."
Then follows the incarnation and descent into earth and hell of Milton, who represents here the redemption by inspiration, working in pain and difficulty before the expiration of the six thousand Satanic years. His words are worth quoting:—
"When will the Resurrection come, to deliver the sleeping body
From corruptibility? O when, Lord Jesus, wilt thou come?
Tarry no longer; for my soul lies at the gates of death:
I will arise and look forth for the morning of the grave:
I will go down to the sepulchre and see if morning breaks.
I will go down to self-annihilation and eternal death
Lest the Last Judgment come and find me unannihilate
And I be seized and given into the hands of my own selfhood."
This grand dogma, that personal love and selfishness make up the sin which defies redemption, is in a manner involved in that former one of the necessary "eternity of sacrifice," for
I in my selfhood am that Satan; I am that Evil One;
He is my Spectre."
Now by the light of these extracts let any student examine the great figure at p. 13, where "he beheld his own
