and innate. That may well be said of the one which was said of the other: that "he looks like a man." And in externals and details the work of these two constantly and inevitably coheres and coincides. A sound as of a sweeping wind; a prospect as over dawning continents at the fiery instant of a sudden sunrise; a splendour now of stars and now of storms; an expanse and exultation of wing across strange spaces of air and above shoreless stretches of sea; a resolute and reflective love of liberty in all times and in all things where it should be; a depth of sympathy and a height of scorn which complete and explain each other, as tender and as bitter as Dante's; a power, intense and infallible, of pictorial concentration and absorption, most rare when combined with the sense and the enjoyment of the widest and the highest things; an exquisite and lyrical excellence of form when the subject is well in keeping with the poet's tone of spirit; a strength and security of touch in small sweet sketches of colour and outline, which bring before the eyes of their student a clear glimpse of the thing designed—some little inlet of sky lighted by moon or star, some dim reach of windy water or gentle growth of meadow-land or wood; these are qualities common to the work of either. Had we place or time or wish to touch on their shortcomings and errors, it might be shown that these too are nearly akin; that their poetry has at once the 'melody and the laxity of a fitful storm-wind; that, being oceanic, it is troubled with violent groundswells and sudden perils of ebb and reflux, of shoal and reef, perplexing to the swimmer or the sailor; in a word, that it partakes the powers and the faults of
