tradesman who, by their own account, swindled Blake and robbed Scott can hardly expect to be allowed safe harbourage under the compassionate shelter of complete oblivion or behind the weather-tight screen of simple contempt. It may be worth while to condense the evidence as to his dealings with Blake and Stothard. One alone of these three comes out clear from the involved network of suspicious double-dealing. In the matter of the engravings to Blair, Cromek had entrapped and cheated Blake from the first. In the matter of the drawing from Chaucer, he had gone a step further down the steep slope of peculation. After the proposal to employ Schiavonetti, Blake might at once have thrown him over as a self-detected knave. He did not; and was accordingly plundered again in a less dexterous and a more direct manner. It is fortunate that the shameful little history has at last been tracked through all its scandalous windings by so keen an eye and so sure a hand as Mr. Gilchrist's. Two questions arise at first sight; did Cromek give Blake a commission for his design of the "Pilgrims"? did Stothard, when Cromek proposed that he should take up the same subject, know that the proposal was equivalent to the suggestion of a theft? Both these questions Blake would have answered in the affirmative; and in his dialect the affirmative mood was distinct and strong. Further evidence on the first head can be wanted by no one of decent insight or of decent candour. That Cromek, with more than professional impudence, denied the charge, is an incident in the affair neither strange nor important. The manner of his denial may be matched
