WILLIAM BLAKE
CHAPTER I
Preliminary observations—Blake's Birth—Education—Marriage—Early Poems—Drawings and Engravings.
The position of William Blake among artists is exceptional. Of no other painter of like distinction, save Dante Rossetti, can it be said that his fame as a poet has fully rivalled his fame as a painter; much less that, in the opinion of some, his fame as a seer ought to have exceeded both. Many painters, from Reynolds downwards, have written admirably upon art; in some instances, notably Haydon's, the worth of their precepts greatly exceeds that of their performance. But, Rossetti always excepted, perhaps no other painter of great distinction, save Michael Angelo alone, has achieved high renown in poetry, and the compass of Michael Angelo's poetical work is infinitesimal in comparison with his work as an artist. Again, the literary achievements of an Angelo or a Reynolds admit of clear separation from their performances as artists. The critic who approaches them from the artistic side may, if he pleases, omit the literary side entirely from consideration. This is impossible with Blake, for not only do the artistic and the poetical monuments of his genius nearly balance each other in merit and in their claim upon the attention of posterity, but they are the offspring of the same creative impulse, and are indissolubly fused together by the process adopted for their execution. A study of Blake, therefore, must include more literary discussion than would be allowable in a monograph on any other artist. The poet and painter in Blake, moreover, are but manifestations of the
