those of Dante or Shakespeare an infinite number. But when he has done this, let him not say that he knows better than his master, for he only holds a candle in sunshine.' With Paracelsus it is doubtful if Blake was ever more than slightly acquainted; the influence of Behmen, whom he had certainly read in William Law's translation is difficult to define, and seems to have been of the most accidental or partial kind, but Swedenborg had been a sort of second Bible to him from childhood, and the influence even of his 'systematic reasoning' remained with him as at least a sort of groundwork, or despised model; 'foundations for grand things,' as he says in the Descriptive Catalogue. When Swedenborg says, 'Hell is divided into societies in the same manner as heaven, and also into as many societies as heaven; for every society in heaven has a society opposite to it in hell, and this for the sake of equilibrium,' we see in this spirit of meek order a matterof-fact suggestion for Blake's 'enormous wonders of the abysses,' in which heavens and hells change names and alternate through mutual annihilations.
