angel,' but this he himself interpreted body and soul. Of the Old Testament he seemed to think not favourably. 'Christ,' said he, 'took much after his mother (the law), and in that respect was one of the worst of men.' On my requiring an explanation, he said, 'There was his turning the money changers out of the Temple. He had no right to do that.' Blake then declared against those who sat in judgement on others. 'I have never known a very bad man who had not something very good about him.' He spoke of the Atonement. Said, 'It is a horrible doctrine. If another man pay your debt, I do not forgive it,' etc. etc. etc. He produced Sintram by Fouqué—' This is better than my things.'
1827
February
Friday, 2nd. Götzenberger, the young painter from Germany, called on me, and I accompanied him to Blake. We looked over Blake's Dante. Götzenberger seemed highly gratified by the designs, and Mrs. Aders says Götzenberger considers Blake as the first and Flaxman as the second man he had seen in England. The conversation was slight—I was interpreter between them. And nothing remarkable was said by Blake—he was interested apparently by Götzenberger. . . .
