the reviewing stand. A special feature of the parade was a detachment of Red Army soldier girls. Uniformed, and carrying bayonetted rifles like veterans—which many of them no doubt were—they marched in the same general units as the men. With their cloth hats, khaki jackets and short skirts they cut a dashing figure. They received a great ovation. Americans, having in mind their own pampered, weak women, are inclined to smile when they hear talk of women soldiers. But those who have followed the course of events in this country, and who are acquainted with the wonderfully strong Russian women, look upon the matter quite differently. A constant marvel of visiting Americans was the magnificent physique and vigor of the Russian women and girls.
After the parade came what are termed massed military exercises. These were much the same as one finds in Germany, Sweden, and other countries where the ruling class can take its mind off money chasing long enough to devote a little time to the upbuilding of the people's health. Thousands of youngsters drew up in detachments along the theatre greensward. Then at flag signals from the director, they deployed step by step until each individual occupied about an eight foot square. In this formation they then went through an elaborate set of exercises, the beauty of which needs no telling to those who have witnessed such performances.
Following these exercises there were many kinds of bayonet drills, ring games, cavalry evolutions, etc. all well done by picked crews. But the "piece de resistance," it seemed to me, was the "rhythmic exercises." These are a peculiar combination of calisthenics and dancing, performed in time with band music. I was told that they were originally developed in Switzerland and had some vogue among the Russian upper classes before the revolution. The Bolsheviki brought them to the masses of the people.
There are many varieties of rhythmic exercises. The general principle of them all, however, is that the performing teams go through a long list of calisthenic movements, working them in series of three or four pausing slightly after each series, and finishing exactly with the last beat of the band music accompanying them. The effect is indescribably curious and pleasing.
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