selves. The Catholic Provinces of the South, and especially the official and noble class, however hostile they might be to Spanish oppression, clung to the ascendency of their ancient Church. The Belgian nobles, with the Duke of Aerschot at their head, were secretly jealous of the Prince's authority; they hated his Calvinism; they feared his alliance with the people. The people were the only element where he could find support, or which he could rouse to enthusiasm. And the people of the cities, both North and South, Protestant or Catholic, were constantly a prey to unscrupulous demagogues or foreign adventurers. The Catholic nobles by a secret intrigue brought in the young Archduke Matthias, brother of the Emperor, as a rival at once of Don John and the Prince. The Southern Catholic cities again brought in the Duke of Anjou, brother of the French King, for the same purpose. And the Calvinists on their side brought in John Casimir, son of the Puritan Elector Palatine. They were all mischievous and selfish schemers, without capacity or influence—the Archduke and Anjou without courage or character of any kind. Each of these rivals in turn was courteously welcomed by the Prince, who made them his puppets, checkmated their schemes, used them for his own ends, and politely induced them to withdraw.
Down to the successes of the terrible Prince of Parma, the popularity of Orange with the burghers amounted to extravagance. "They love him, they fear him, they want to make him their master," wrote Don John to Philip. "The people believe in no god but in him," wrote Kenon de France. "They welcome him as
