outer edge of the floor untidily exposing its dull stain; no gilt and onyx table bore its sculptured fantasy by the busy Rogers. The mantel and shelves were bare of those fixed ornaments that should decorate the waste places of all true homes; there were no flint arrow-heads, no "specimens," no varnished pine cones, no "Rock of Ages," no waxen lilies, not even a china cup goldenly emblazoned with "Love the Giver," in German script. And there were no beautiful chairs with delicate gilded spindles—not an elegant and impracticable chair in the whole big room—not one chair which could not be occupied as comfortably as any common kitchen rocker. It was indeed a poor place; obviously the woman's best room, yet showing careless traces of almost daily use. To ladies who never opened their best rooms save to dust and air them on days when company was expected, and who would as soon have lounged in them informally as they would have desecrated a church, this laxity was heinous.
And ordinarily, in the best rooms of one another, the ladies became spontaneously, rigidly formal as they assembled, speaking in tones suitably stiff of the day's paper, or viewing with hushed esteem those art treasures that surrounded them.
But so difficult was it to attain this formality amid the homely surroundings of Miss Caroline that to-day they not only lounged with negligent ease in the big chairs and on the poor, broad sofas, but they talked familiarly of their household concerns quite as if
