Jump to content

Page:Withgodbookofpra00las.djvu/797

From Wikisource
This page needs to be proofread.

in his private chapel. After a short time he bestowed them on the church of Santa Maria delle Grazie.

Here a side chapel was prepared to receive them, and an altar erected, beneath which they were henceforth to rest for public veneration.

On the feast of St. Michael the Archangel, September 25, 1805, after the celebration of High Mass, the relics were carried in procession, and solemnly deposited in their appointed place.

Mass was again chanted at the new altar, and thus ended the translation of the relics of St. Philomena. To the zeal and sanctity of the Cure of Ars may be ascribed, in great measure, the rapid and universal spread of devotion to St. Philomena throughout France. Medals and other memorials of the virgin-martyr distributed by him were fruitful of many miracles. The story of the extinction of a fire at his house (caused by the agency of the devil) , through the presence of a statue of St. Philomena, will be remembered by many readers of Monsieur Manney's life.

Among the clients of the martyr, whose special holiness has distinguished them in the annals of this century, may be named — Pere Varin, one of the restorers of the Society of Jesus in France; Venerable Mother Barat, foundress of the Congregation of the Sacred Heart; Madame d'Houet, foundress of the Faithful Companion of Jesus and Mary; Pere Eymard, founder of the Priests of the Most Holy Sacrament.

As regards the shrine at Mugnano, the present beautiful church, surmounted by its dome and towers, was underttaken in 1853, and completed three years later. Its great attraction is the chapel containing the relics of St. Philomena. A profusion of the finest marbles, mingled with agate and porphyry, cover the walls from floor to ceiling. Stately columns, supporting Corinthian capitals of white marble, impart an appearance of chaste splendor to the whole interior. Over the white marble altar stands the case containing the relics, revealing the figure of the saint, half sitting, half reclining on her couch, radiant in jewels and costly attire. Above is the familiar picture of our Lady of Good Counsel. At the opposite side of the nave