Of Emily Carlen's novels "The Rose of Thistle Island" and "The Magic Goblet" are most appreciated. Anna Maria Lenngren belongs likewise to the most popular Swedish writers. The Swedish Academy ordered a medal cast in her honor. And of the Swedish authors of the 20th Century Selma Lagerloef was in 1909 awarded the Nobel Prize for her beautiful modern saga "Goesta Berling."
Finland and Poland too have noteworthy women-writers. Finland, "Country of the thousand lakes," was the birth-place of Sarah Wacklin, Wilhelmina Nordström and Helen Westermark. The literature of Poland was enriched by the poems and novels of Elizabeth Jaraczewska, Lucya Rautenstrauss, Narcyza Zwichowska and Comtesse Mostowska. Spain has produced in modern times several remarkable woman authors: Gertrudis de Avellaneda, Maria de Pinar-Sinues, and Angela Grassi. Italy has the excellent novelists Rosa Taddei, Francesca Lutti, Matilda Serao, Grazia Pierantoni-Mancini, Fanny Zampini-Salazar, and the Marchesa Vincenza de Felice-Lancellotti. Furthermore Ada Negri, one of the most powerful poets of all times.
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Having glanced at woman's part in world's literature, a few words should be said about women journalists. During the middle of the last century the publishers of several leading newspapers of England and America, desiring to infuse new life into their papers, added a number of women to their staffs. The complete success of this experiment was confirmed by the rapid increase in the number of such women journalists. Whereas in 1845 England had only 15 of them, this number grew to more than 800 in 1891. In the United States the number increased from 350 in 1889 to 2193 in 1910. Many of these women journalists received careful training in the special schools of journalism at the universities of New York, Philadelphia, and elsewhere.
Jeannette Gilder, herself a journalist, writes about her profession: "Woman as a mere fashion writer is a thing of the past. To-day she expects to rank with the man writer. In the future she will expect to be his superior, for a woman is not stationary in her ambitions, she likes variety. A man is wedded to his old clothes. He sighs when he has to throw aside the old and comfortably fitting coat for a new one not so comfortably fitting. A woman sighs when she has to wear an old dress. She would like fashions to change every week instead of every three months, as they do now. This love for variety in personal matters is carried into her professional life. If she reports a Salvation Army meeting to-day she hails with glee an opportunity to report an automobile race to-morrow. With boundless ambition, with adaptability, energy and a
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