WHAT WOMEN HAVE ACCOMPLISHED IN ART.
As is familiar to every student of the classic past the Greeks and Romans hailed a female deity, Pallas Athene, or Minerva, as the protectress of their arts and industries. She was believed to have invented spinning, weaving, embroidering, painting, and every other handicraft that has brought mankind comfort and happiness.
Of course this goddess had many eager women disciples. There was hardly any Greek or Roman woman without a thorough command of the above named crafts. Since the days of Homer, who praised Penelope, the beautiful wife of Ulysses, for her skill in tapestry-weaving, all women devoted themselves to useful arts. In Ephesus Pliny admired a picture of Diana, painted by Timarata, the gifted daughter of an able artist. He also praises Laya for her excellent miniature portraits on ivory, which were held in great favor by the rich ladies of Rome. The names of several other female artists are known, but unfortunately none of their works have come down to us.
Enthusiastic authors of the Middle Ages glorify Agnes, Abbess of Quedlinburg, for her great skill in illuminating manuscripts with figures, beautiful initial letters and elaborate border ornaments, which she enriched with all the splendor of color and gilding.
It was only natural, that the magnificent works of art, produced by Raphael, Leonardo da Vinci, Titian, Correggio, Tintoretto and other great masters of the Italian Renaissance, inspired the women who came in daily contact with these men; especially their daughters, many of whom inherited their fathers' enthusiasm for beauty and art. Constantly witnessing the origin and progress of the products of their fathers' genius, it could not fail that such women likewise devoted themselves to art. As did Lavinia Fontana, the daughter of Prospero Fontana of Bologna, whom Michael Angelo recommended to Pope Julius III., in whose service he remained for many years. Lavinia was born in Rome in 1552. Inspired by her father's art, she too won great fame. The old patrician palaces of Rome, Bologna, and other Italian cities still contain many portraits of beautiful women and illustrious men, who once were among her sitters. She likewise painted various other works which show great care and delicacy.
Among her most admired works are a Venus, now in the Museum at Berlin; the Virgin lifting a veil from the sleeping infant Christ, now in the Escurial; and the Queen of Sheba visiting Solomon. Her masterpiece, however, is her own portrait, which shows her in all her radiant beauty.
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