the famous architect of the magnificent cathedral at Strassburg, in Alsace. After the southern portal of this minster had been erected, Sabina adorned it with the statues of the apostles, one of which, that of John, held in his hands a scroll with the following inscription:
"Gratia divinae pietatis adesto Savinae,
De petra dura per quam sum facta figura."
"The grace of God be with thee, O Sabina,
Whose hands from this hard stone have formed my image."
Nothing further is known about this artist of the end of the 13th Century.
Properzia de Rossi was an Italian woman sculptor, born near the end of the 15th Century at Bologna or Modena. The first-named city cherishes still a number of her works, among them a fine marble statue of Count Guido de Pepoli, and several figures that adorn the three gates of the facade of St. Petroneus. Vasari in his biographies of celebrated artists calls her "a virtuous maiden, possessing every merit of her sex, together with science and learning all men may envy." And when she died in 1530, the following epitaph was written in her praise:
Fero splendor di due begit occhi accrebbe
Gia marmi a marmi; e stupor nuovo e strano Ruvidi marmi delicta mano
Fea dianzi vivi, ahi! morte invidia n'ebbe.
In modern Germany Anna von Kahle, Marie Schlafhorst, Dora Beer, Helene Quitmann, Henny Geyer Spiegel and Lilly Finzelberg have done much excellent work.
In France several statues by Jeanne Hasse, a Parisian, have been purchased by the government and presented to various provincial museums.
In England Mary Thornycroft, daughter and pupil of John Francis, the scuptor, has won the praise of the severest critics.
In America Annie Whitney's statue of "Lady Godiva" as well as her "Africa" and "Roma" have been much praised.
Helen Farnworth Mears is well known for her "Fountain of Life." Vinnie Ream Hoxie modelled a life-size statue of Lincoln, which stands in the rotunda of the Capitol at Washington. A statue of Farragut in Farragut Square is by the same artist.
Another American woman sculptor of renown was Harriet Hosmer, born in 1830 in Watertown, Mass. Having received her first instruction in Boston and St. Louis, she went to Rome in 1852 where she became a pupil of Gibson. Of her various works, the best known are "Beatrice Cenci in Her Cell"; 'Will-
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