WOMAN IN ART
first people to build homes for the orphan and the aged. That canvas, when at the World's Columbian Fair in Chicago, produced a world-wide sympathy that has had its influence in helping to make this present the "Age of the Child." It is now in the Rijks Museum at Amsterdam.
In recent years, Miss Schwartz's work has been largely of so-called society portraits, of both men and women, and in 1910 she received an order for that of H. M. Queen Wilhelmina of Holland.
The portrait of the Queen speaks for itself. The setting for her queenly personality is all it should be in the matters of robe and gems. She is the Queen, listening to what you have to say. A glimpse of The Hague is seen from the window. A commanding portrait.
Miss Schwartz has given the world a most attractive representation of Frl. Dr. Van Dorpp. It is a work of art, freely and suggestively painted, portraying a woman of charm, a woman of straight-forward outlook on life and duty, of happy disposition, with that strength of character especially needful to a physician.
The Doctor looks ready to be your friend.
Therese Schwartz has the honor of having her self-portrait in the Uffizi Gallery, Florence. There is force—vital force in the fine-featured face that she is shielding from the strong light with her left hand, which is holding her brush as she looks directly at her sitter. Palette and brushes are in the other hand, and one feels that the artist is just ready to make the next masterly stroke on the canvas.
One of Miss Schwartz's strongest portraits is of General Piet Joubert in the National Gallery at Amsterdam.
Virginia Demont-Breton found herself in the home of her father, Jules Breton, who gave to the world that soulful picture, "The Song of the Lark." Born to the environment of art, the sequence naturally followed. As a child Virginia Breton always painted; painted in the open, painted peasants and little children and incidents; studied with her illustrious father till she was spoken of as the daughter of her father. She painted until she gained honors at the Salon, and now that her work is represented in the Luxembourg, and her father has passed on, he is spoken of as the father of Virginia Demont-Breton. Her grandfather was Felix Virenalt, a Belgian painter.
So far we have noticed that women of achievement in the art of any country have been sporadic and in harmony with national thought and
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