WOMAN IN ART
childhood lived in the atmosphere of the studio, the wide out-of-doors, and with the breath and nature of the kindly cows. She painted from the same life that her father did, learning technique and observation from him, one result being the difficulty in later years of telling their pictures apart if they were not signed. Her work, however, is signed with her married name, Marie van Marcke-Dieterle.
As early as 1874 she exhibited excellent work in the Paris Salon, and has since received honorable mention and medals. Several of her paintings may be seen in American Galleries.
Unlike Rosa Bonheur, the animal world as a whole has not interested her, but she has confined her allegiance to the bovine family.
Doubtless France had many women working along the lines of art during the latter half of the nineteenth century and has even at this present time; but this is not an encyclopedia of artists. However, walking through field and forest, by hedgerow and in highly groomed gardens, we find variety in form and color, en masse at times, till groves and field seem carpeted with blue lupin or the gold and white of daisies and buttercups; or the sweetbrier climbing above its hedgerow leafage nods and showers the breeze with its pink petals and exquisite perfume. Thus tall flowers or the pansies in their shade, or the scented valley lillies all but hidden in their sheath of green, are flowers, heaven endowed with beauty and God's thought for the uplift and happiness of humanity.
So it is with woman and her manifold gifts; wherever she finds herself and her work, that is her home, her sphere, her center for radiating her best.
Kate Greenaway was born at No. 1 Cavendish Street, Hoxton, England, on the 17th of March, 1846—the daughter of John Greenaway, wood-engraver and draughtsman, whose chief work is to be found in the Illustrated London News.
At the age of twelve Kate won a prize at the South Kensington Art School (the Islington branch) and later won several medals, including the "National" medal. She attended life classes at Heatherley, and the newly opened Slade School. Among her fellow students and friends were Elizabeth Thompson (Lady Butler) and Helen Paterson (Mrs. Allingham).
Kate Greenaway's first work was designing Christmas Cards and Valentines. Not until 1868 did she exhibit her work, and then it was at the Dudley Gallery. Six little drawings on wood attracted the attention of Rev.
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