WOMAN IN ART
Miss Genth is not confined to any convention, nor has she mannerisms, but works with great freedom.
A few years ago she spent some time in Spain, where she fell in love with color and gave more freedom to her brush work. Finding fresh inspiration in a new country she originated many subjects, using models at hand. The names of a few of her Spanish paintings will, in a measure, convey the mind to that oriental country, to "The Kashbah," "Old Arch, Morocco," "Arab Quarters in Tangiers" and "A Window in the Alhambra," but minus the wealth of color.
To appreciate with understanding the paintings from Miss Genth's well-trained brush, we quote a paragraph from Miss Lena McCally concerning the painting of the nude, for which Miss Genth has been noted: "While Miss Genth was drawing 'Woodland Nude,' 'Summer Breezes,' and 'The Glen,' she was learning the secrets of filtered sunlight, of exquisite greens in shadow and when transfigured by light, and she had mastered the drawing of the human form, and the lovely lights that play upon human flesh, so that some time when venturing into strange lands, she could take her palette and paint what pleased her, and so give us the romance of Spain and of mysterious Africa."
Some of our American artists were born a long way from home, but the call for education eventually brings them home. So it happened with one of our artists who comes near to being one of the World War painters. Felicie Waldo Howell was born at Honolulu, Hawaii, September 8, 1897, and has made wonderfully good use of her time and advantages. She became a pupil in the Corcoran Art School, Washington, D. C., and later in the Philadelphia School of Design for Women. The steps of her progress so far are memberships in the Association of National Artists, Philadelphia Women's City Club, Concord Art Association, Painters' and Sculptors' Gallery Association in 1916; a silver medal was awarded her work by Washington artists, 1921, and a silver medal the same year from the Water Color Club of Washington; also the same year the Peabody prize from the Chicago Art Institute. A bronze medal from the Washington Artists was awarded her in 1922, and honorable mention at the State Fair at Aurora, Illinois, in 1922.
Miss Howell's work shows rather unusual subjects: "A New England Street" is in the Corcoran Gallery; "The Return of the 27th Division" is also in Washington, the National Gallery; "The Avenue of the Allies" is in the American Legion Building, Gloucester, Massachusetts; "Gramercy Park, New York" is in Herron Art Institute, Indianapolis; "The Flower Woman" is owned by the Tel-
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