he began to be conscious that he was getting sleepy; whereupon he took his nightcap out of the pocket in which he had had the precaution to stow it in the morning, and, leisurely undressing himself, got into bed, and fell asleep.
"Bravo! Heel over toe—cut and shuffle—pay away at it, Zephyr! I'm smothered if the Opera House isn't your proper hemisphere. Keep it up! Hooray!" These expressions, delivered in a most boisterous tone, and accompanied with loud peals of laughter, roused Mr. Pickwick from one of those sound slumbers which, lasting in reality some half hour, seem to the sleeper to have been protracted for three weeks or a month.
The voice had no sooner ceased than the room was shaken with such violence that the windows rattled in their frames, and the bedsteads trembled again. Mr. Pickwick started up, and remained for some minutes fixed in mute astonishment at the scene before him.
On the floor of the room, a man in a broad-skirted green coat, with corderoy knee smalls and grey cotton stockings, was performing the most popular steps of a hornpipe, with a slang and burlesque caricature of grace and lightness, which, combined with the very appropriate character of his costume, was inexpressibly absurd. Another man, evidently very drunk, who had probably been tumbled into bed by his companions, was sitting up between the sheets, warbling as much as he could recollect of a comic song, with the most intensely sentimental feeling and expression; while a third, seated on one of the bedsteads, was applauding both performers with the air of a profound connoisseur, and encouraging them by such ebullitions of feeling as had already roused Mr. Pickwick from his sleep.
This last man was an admirable specimen of a class of gentry which never can be seen in full perfection but in such places;—they may be met with, in an imperfect state, occasionally about stable-yards and public-houses; but they never attain their full bloom except in these hot-beds, which
