meaning, and the disaster which it will entail. That is the natural consequence of that half-way policy, that vacillating between heaven and hell, or of that Robert-the-devilish just-milieuism. Louis Philippe should beware[1] lest he should unguardedly tread upon a loose trap-door, for he stands on most uncertain ground. He has by his own fault lost his best support. He has committed the common error of hesitating, half-hearted men, who wish to be well with their enemies, and so offend their friends. He cajoled the aristocracy who hate him, and angered the people who were his best reliance. His sympathy for the hereditary rights of the peerage has alienated from him many hearts in this France who yearn for equality, and his trouble with the privileged for life will cause the former much malicious joy. But it is only when the question rises, "What was it that the Revolution of July meant?" that the mocking discontent disappears, and gloomy anger breaks forth in threatening speech. That is the most biting of the sarcasms which bursts forth to light when both parties drop disguise altogether. I believe that we could wake from their slumber
- ↑ The following here occurs in the original letter to the Augsburger Allgemeine Zeitung: "As Nourrit, when he acted Robert the Devil, on the first performance of the opera, fell through a trap in the stage by which his father had descended to hell, so should Louis Philippe beware," &c.—Note by the German Editor.
