upon the floor. With the aid of an enamel bucket, Mr. Abraham Levinsky filled the bath.
Leaving him to his ablutions, let us glance around the dressing-room. Although there was no easel in the studio, and no indication of artistic activity, the dressing-room was well stocked with costumes. Two huge dress-baskets were piled in one corner, and their contents hung upon hooks around the three available walls. A dressing table, with a triplicate mirror and a suitably shaded light, presented a spectacle reminiscent less of a model’s dressing-room than of an actor’s.
At the expiration of some twenty-five minutes, the door of this dressing-room opened; and although Abraham Levinsky had gone in, Abraham Levinsky did not come out!
Carefully flicking a particle of ash from a fold of his elegant, silk-lined cloak, a most distinguished looking gentleman stepped out onto the bleak and dirty studio. He wore, in addition to a graceful cloak, which was lined with silk of cardinal red, a soft black hat, rather wide brimmed and dented in a highly artistic manner, and irreproachable evening clothes; his linen was immaculate; and no valet in London could have surpassed the perfect knotting of his tie. His pearl studs were elegant and valuable; and a single eyeglass was swung about his neck by a thin, gold chain. The white gloves, which fitted perfectly, were new; and if the glossy boots were rather long in the toe-cap from an Eng-
