Page:Yellow Claw 1920.djvu/221

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THE STUDIO IN SOHO
213

to order vehicles or who did not possess private conveyances, found themselves in a quandary tonight, and amongst those thus unfortunately situated, M. Max, watching the scene with interest, detected a lady whom he knew—none other than the delightful American whose conversation had enlivened his recent journey from Paris—Miss Denise Ryland. She was accompanied by a charming companion, who, although she was wrapped up in a warm theater cloak, seemed to be shivering disconsolately as she and her friend watched the interminable stream of vehicles filing up before the theater, and cutting them off from any chance of obtaining a cab for themselves.

M. Max acted promptly.

“Drive into that side turning!” he directed the cabman, leaning out of the window. The cabman followed his directions, and M. Max, heedless of the inclement weather, descended from the cab, dodged actively between the head lamps of a big Mercedes and the tail-light of a taxi, and stood bowing before the two ladies, his hat pressed to his bosom with one gloved hand, the other, ungloved, resting upon the gold knob of the malacca.

“Why!” cried Miss Ryland, “if it isn’t…M. Gaston! My dear…M. Gaston! Come under the awning, or”—her head was wagging furiously—“you will be…simply drowned.”

M. Max smilingly complied.

“This is M. Gaston,” said Denise Ryland, turn-