A WOMAN'S WRATH
The small room is dingy as the poverty that clings to its walls. There is a hook fastened to the crumbling ceiling, relic of a departed hanging lamp. The old, peeling stove is girded about with a coarse sack, and leans sideways toward its gloomy neighbor, the black, empty fireplace, in which stands an inverted cooking pot with a chipped rim. Beside it lies a broken spoon, which met its fate in unequal contest with the scrapings of cold, stale porridge.
The room is choked with furniture; there is a four-post bed with torn curtains. The pillows visible through their holes have no covers.
There is a cradle, with the large, yellow head of a sleeping child; a chest with metal fittings and an open padlock nothing very precious left in there, evidently; further, a table and three chairs (originally painted red), a cupboard, now somewhat damaged. Add to these a pail of clean water and one of dirty water, an oven rake with a shovel, and you will understand that a pin could hardly drop onto the floor.
And yet the room contains him and her beside.
She, a middle-aged Jewess, sits on the chest that fills the space between the bed and the cradle.
To her right is the one grimy little window, to her left, the table. She is knitting a sock, rocking the cradle with her foot, and listens to him reading the Talmud at the table, with a tearful, Wallachian, sing-
