The Principal Boy.
I.
To sit out a play is a bore; to sit out a dance demands less patience. Even when you do it merely to prevent your partner dancing with you, it is the less disagreeable alternative. But it sometimes makes you giddier than galoping. Frank Redhill lost his head—a well-built head—completely through indulging in it; and without the head to look after it, the heart soon goes. He held Lucy's little hand in his hot clasp. She wished he would get himself gloves large enough not to split at the thumbs, and felt quite affectionate towards the dear, untidy boy. As a woman almost out of her teens, she could permit herself a motherly feeling for a lad who had but just attained his majority. The little thing looked very sweet in a demure dress of nun's veiling, which Frank would have described as "white robes." For he was only an undergraduate. Some undergraduates are past masters in the science and art of woman; but Frank was not in that set. Nor did he herd with the athletic, who drift mainly into the unpaid magistracy, nor with the worldly, who usually go in for the church. He was a reading man. Only he did not stick to the curriculum, but fed himself on the conceits of the poets, and thirsted to redeem mankind. So he got a second-class. But this is anticipating. Perhaps Lucy had been anticipating, too. At any rate she went through the scene as admirably as if
242
