proceeds with marvellous rapidity. Mirabeau, indeed, is no more; but, mort Diable! the French people are now a Mirabeau themselves." With this remark, Monsieur Nicot proceeded to read and to comment upon several animated and interesting passages in his correspondence, in which the word Virtue was introduced twenty-seven times, and God not once. And then, warmed by the cheering prospects thus opened to him, he began to indulge in those anticipations of the future, the outline of which we have already seen in the eloquent extravagance of Condorcet. All the Old Virtues were dethroned for a new Pantheon: Patriotism was a narrow sentiment; Philanthropy was to be its successor. No love that did not embrace all mankind, as warm for Indus and the Pole as for the hearth of home, was worthy the breast of a generous man. Opinion was to be free as air; and in order to make it so, it was necessary to exterminate all those whose opinions were not the same as Mons. Jean Nicot's. Much of this amused, much revolted Glyndon; but when the Painter turned to dwell upon a science that all should comprehend — and the results of which all should enjoy — a science that, springing from the soil of equal institutions and equal mental cultivation, should give to all the races of men wealth without labour, and a life longer than the Patriarchs', without care — then Glyndon listened with interest and admiration, not unmixed with awe. "Observe," said Nicot, "how much that we now cherish as a virtue will then be rejected as meanness. Our oppressors, for instance,
