CHAPTER VI.
Tu vegga o per violenzia o per inganno
Patire o disonore o mortal danno.[1]
IT was a small cabinet; the walls were covered with pictures, one of which was worth more than the whole lineage of the owner of the palace. Oh, yes! Zanoni was right. The painter is a magician; the gold heat least wrings from his crucible is no delusion. A Venetian noble might be a fribble, or an assassin — a scoundrel, or a dolt; worthless, or worse than worthless, yet he might have sat to Titian, and his portrait may be inestimable! — A few inches of painted canvass a thousand times more valuable than a man with his veins and muscles, brain, will, heart, and intellect!
In this cabinet sat a man of about three-and-forty; dark-eyed, sallow, with short, prominent features, a massive conformation of jaw, and thick, sensual, but resolute lips; this man was the Prince di———. His form, above the middle height, and rather inclined to corpulence, was clad in a loose dressing-robe of rich brocade. On a table before him lay an old-fashioned
- ↑ Thou art about, either through violence or artifice, to suffer either dishonour or mortal loss.
