Page talk:The thirty-six dramatic situations (1921).djvu/21

A(1) The Avenging of a Slain Ancestor

Tchang-koue-pin is most likely the Yuan dynasty playwright Zhang Guobin (simplified Chinese: 张国宾; traditional Chinese: 張國賓; pinyin: Zhāng Guóbīn; French: Tchang1 Kuo2pin1; Wade-Giles: Chang1 Kuo2pin1 — conversions verified at http://www.mandarintools.com/pyconverter.html).

"The Tunic Confronted" could possibly be the play known as Hanshan ji due to the similarity of the word "Tunic" to the translation "The Sweatshirt" given in an abstract of the 1996 Annual Meeting of the Association for Asian Studies on the web page http://www.aasianst.org/absts/1996abst/china/c53.htm. The site explains that a married couple are victims of a criminal. That explanation does not account for slaying that is avenged. Other pieces of literature that could be indicated are Luoshan Ji (Story of the Robe) or Hehan Shan (Reunion of the Robes). DZAuthor (talk) 04:07, 22 October 2011 (UTC)

"The Argives" (Aeschylus) may be Seven Against Thebes (Ancient Greek: Ἑπτά ἐπὶ Θήβας; Romanization: Hepta epi Thēbas)

"Atilla": Attila, König der Hunnen, romantische Tragödie (Atilla, King of the Huns) (1809, Friedrich Ludwig Zacharias Werner [November 18, 1768 – January 17, 1823])

"Le Maquignon" (Le Virgile Josz and Louis Dumur [1864-1933]

"Colomba" (1841, Prosper Mérimée) DZAuthor (talk) 04:41, 23 October 2011 (UTC)

A(2) Avenging of a Slain Child or Descendant

"Sainte-Helene": A Sainte-Helene: piece en deux actes, en prose DZAuthor (talk) 16:29, 23 October 2011 (UTC)