Perdita (Hebblethwaite)
The sea-coast of Bohemia
Is pleasant to the view
When singing larks spring from the grass
To fade into the blue,
And all the hawthorn hedges break
In wreaths of purest snow,
And yellow daffodils are out,
And roses half in blow.
The sea-coast of Bohemia
Is sad as sad can be,
The prince has ta’en our flower of maids
Across the violet sea;
Our Perdita has gone with him,
No more we dance the round
Upon the green in joyous play,
Or wake the tabor’s sound.
The sea-coast of Bohemia
Has many wonders seen,
The shepherd lass wed with a king,
The shepherd with a queen;
But such a wonder as my love
Was never seen before,
It is my joy and sorrow now
To love her evermore.
The sea-coast of Bohemia
Is haunted by a light
Of memory fair of lady’s eyes,
And fame of gallant knight;
The princes seek its charmèd strand,
But ah, it was our knell
When o’er the sea our Perdita
Went with young Florizel.
The sea-coast of Bohemia
Is not my resting-place,
For with her waned from out the day
A beauty and a grace:
O had I kissed her on the lips
I would no longer weep,
But live by that until the day
I fall to shade and sleep.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
- published non-government works whose author died before January 1, 1955,
- anonymous or pseudonymous works and photographs published before January 1, 1955, and
- government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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