Royal Highness/Chapter 5

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2528593Royal Highness — Chapter 5A. Cecil CurtisThomas Mann


CHAPTER V ALBRECHT II

Grand Duke Johann Albrecht died of a terrible illness, which had something, naked and abstract about it, and to which no other name but just that of death could be given. It seemed as if death, sure of its prey, in this case disdained any mask or gloss, and came on the scene as its very self, as dissolution by and for itself. What actually happened was a decomposition of the blood, caused by internal haemorrhages; and an exploratory operation, which was conducted by the Director of the University Hospital, a famous surgeon, could not arrest the corroding progress of the gangrene. The end soon came, all the sooner that Johann Albrecht made little resistance to the approach of death. He showed signs of an unutterable weariness, and often remarked to his attendants, as well as to the surgeons attending him, that he was "dead sick of the whole thing"—meaning, of course, his princely existence, his exalted life in the glare of publicity. His cheek-furrows, those two lines of arrogance and boredom, resolved in his last days into an exaggerated, grotesque grimace, and continued thus until death smoothed them out.

The Grand Duke's illness fell in the winter. Albrecht, the Heir Apparent, called away from his warm dry resort, arrived in snowy wet weather, which was as bad for his health as it could be. His brother, Klaus Heinrich, interrupted his educational tour, which was anyhow nearing its close, and returned with Captain von Braunbart-Schellendorf in all haste from the fair land of the South to the capital. Besides the two prince-sons, the Grand Duchess Dorothea, the Princesses Catherine and Ditlinde, Prince Lambert without his lovely wife—the surgeons in attendance and Prahl the valet-de-chambre waited at the bedside, while the Court officials and Ministers on duty were collected in the adjoining room. If credence might be given to the assertions of the servants, the ghostly noise in the "Owl Chamber" had been exceptionally loud in the last weeks and days. According to them it was a rattling and a shaking noise, which recurred periodically, and whose meaning could not be distinguished outside the room.

Johann Albrecht's last act of Highness consisted in giving with his own hand to the professor, who had performed the useless operation with the greatest skill, his patent of nomination to the Privy Council. He was terribly exhausted, "sick of the whole thing," and his consciousness even in his more lucid moments was not at all clear; but he carried out the act with scrupulous care and made a ceremony of it. He had himself propped up, made a few alterations, shading his eyes with his wax-coloured hands, in the chance disposition of those present, ordered his sons to place themselves on both sides of his canopied bed—and while his soul was already tugging at her moorings, and floating here and there on unknown currents, he composed his features with mechanical skill into his smile of graciousness for the handing of the diploma to the Professor, who had left the room for a short time.

Quite towards the end, when the dissolution had already attacked the brain, the Grand Duke made one wish clear, which, though scarcely understood, was hastily complied with, although its fulfilment could not do the slightest good to the Grand Duke. Certain words, apparently disconnected, kept recurring in the murmurings of the sick man. He named several stuffs, silk, satin, and brocade, mentioned Prince Klaus Heinrich, used a technical expression in medicine, and said something about an Order, the Albrecht Cross of the Third Class with Crown. Between whiles one caught quite ordinary remarks, which apparently referred to the dying man's princely calling, and sounded like "extraordinary obligation" and "comfortable majority"; then the descriptions of the stuffs began again, to which was appended in a louder voice the word "Sammet."[1] At last it was realized that the Grand Duke wanted Doctor Sammet to be called in, the doctor who had happened to be present at the Grimmburg at the time of Klaus Heinrich's birth, twenty years before, and had, for a long time now, been practising in the capital.

The doctor was really a children's doctor, but he was summoned and came: already nearly grey on the temples, with a drooping moustache, surmounted by a nose which was rather too flat at the bottom, clean-shaven otherwise and with cheeks rather sore from shaving. With head on one side, his hand on his watch-chain, and elbows close to his sides, he examined the situation, and began at once to busy himself in a practical, gentle way about his exalted patient, whereat the latter expressed his satisfaction in no uncertain fashion. Thus it was that it fell to Doctor Sammet to administer the last injections to the Grand Duke, with his supporting hand to ease the final spasms, and to be, more than any of the other doctors, his helper in death—a distinction which indeed provoked some secret irritation amongst the others, but on the other hand resulted in the doctor's appointment shortly afterwards to the vacancy in the important post of Director and Chief Physician of the "Dorothea," a Children's Hospital, in which capacity he was destined later to play some part in certain developments.

So died Johann Albrecht the Third, uttering his last sigh on a winter's night. The old castle was brightly illuminated while he was passing away. The stern furrows of boredom were smoothed out in his face, and, relieved of any exertion on his own part, he was subjected to for malities which surrounded him for the last time, carried him along, and made his wax-like shell just once more the focus and object of theatrical rites.… Herr von Bühl zu Bühl showed his usual energy in organizing the funeral, which was attended by many princely guests. The gloomy ceremonies, the different exposures and identifications, corpse-parades, blessings, and memorial services at the catafalque took days to complete, and Johann Albrecht's corpse was for eight hours exposed to public view, sur rounded by a guard of honour consisting of two colonels, two first lieutenants, two cavalry sergeants, two infantry sergeants, two corporals, and two chamberlains.

Then at last came the moment when the zinc shell was brought by eight lackeys from the altar recess of the Court Church, where it had been on show between crape-covered candelabra and six-foot candles, to the entry-hall, placed by eight foresters in the mahogany coffin, carried by eight Grenadier Guardsmen to the six-horsed and black-draped hearse, which set off for the mausoleum amidst cannon salvos and the tolling of bells. The flags hung heavy with rain from the middle of their poles. Although it was early morning, the gas-lamps were burning in the streets along which the funeral was to pass. Johann Albrecht's bust was displayed amongst mourning decorations in the shop-windows, and postcards with the portrait of the deceased ruler, which were everywhere for sale, were in great demand. Behind the rows of troops, the gymnastic clubs, and veteran associations which kept the road, stood the people on tiptoe in the snow-brash and gazed with bowed heads at the slowly passing coffin, preceded by the wreath-bearing lackeys, the Court officials, the bearers of the insignia and Dom Wislezenus, the Court preacher, and covered with a silver-worked pall, whose corners were held by Lord Marshal von Bühl, Master of the Royal Hunt von Stiegtitz, Adjutant-General Count Schmettern, and Minister of the Household von Knobelsdorff.

By the side of his brother Klaus Heinrich, immediately behind the charger which was led in rear of the hearse, and at the head of the other mourners, walked Grand Duke Albrecht II. His clothes, the tall stiff plume in the front of his busby, the long boots under his gaudy, ample Hussar's pelisse, with the crape band, did not become him. He walked as if embarrassed by the eyes of the crowd, and his shoulder-blades, naturally rather crooked, were twisted in an awkward nervous way as he walked. Repugnance at having to be chief actor in this funeral pomp was clearly written on his pale face. He did not raise his eyes as he walked, and he sucked his short rounded lower lip against the upper.…

His demeanour remained the same during the Curialia accompanying his accession, which were so arranged as to spare him as much as possible. The Grand Duke signed the oath in the Silver Hall of the Gala Rooms before the assembled Ministers, and read aloud in the Throne-room, standing in front of the rounded chair under the baldachin, the Speech from the Throne, which Herr von Knobelsdorff had drawn up. The economic condition of the country was touched upon in it with earnestness and delicacy, while appreciative mention was made of the unanimity which despite all troubles existed between the princes and the country—at which place a prominent functionary, who was apparently discontented about promotion, was said to have whispered to his neighbour that the unanimity consisted in the Prince being as deeply in debt as the country—a caustic remark which was much repeated, and ended by getting into hostile newspapers.… To end up, the President of the Landtag called for a cheer for the Grand Duke, a service was held in the Court Chapel, and that was all.

Further, Albrecht signed an edict, by virtue of which a number of sentences of fines and imprisonment, which had been imposed for the less serious misdemeanours, chiefly infringement of the forest laws, were remitted. The solemn procession through the city and the acclamation in the Town Hall were omitted altogether, as the Grand Duke felt too tired for them. Having been a captain hitherto, he was promoted on the occasion of his accession at once to the colonelcy à la suite of his Hussar regiment, but scarcely ever put the uniform on, and kept as far away as possible from his sphere as a soldier. He made no change whatever in his staff, perhaps out of respect to his father's memory, either among the Court appointments or in the Ministry.

The public saw him but rarely. His proud and bashful disinclination to show himself, to put himself forward, to allow others to acclaim him, was so clearly shown from the very beginning as to shock public opinion. He never appeared in the large box at the Court Theatre. He never took part in the park parade. When in residence at the Old Schloss, he had himself driven in a closed carriage to a remote and empty part of the suburbs, where he got out to take a little exercise; and in the summer at Hollerbrunn he only left the hedged walks of the parks on exceptional occasions.

Did the people catch a glimpse of him—at the Albrechtstor it might be, when, wrapped in his heavy fur coat, which his father had worn before him, and on whose thick collar his delicate head now rested, he stepped into his carriage—timid glances were levelled at him, and the cheering was faint and hesitating. For the lower classes felt that with a prince like this there could be no question of cheering him and thereby cheering themselves at the same time. They looked at him, and did not recognize themselves in him; his refined superiority made it clear that they were of different clay from his. And they were not accustomed to that. Was there not a commissionaire posted in the Albrechtsplatz that very day, who with his high cheek-bones and grey whiskers looked a coarse and homely replica of the late Grand Duke? And did one not similarly meet with Prince Klaus Heinrich's features in the lower classes?

It was not so with his brother. The people could not see in him an idealized version of themselves, whom it could make them happy to cheer—as it meant cheering themselves too! The Grand Duke's Highness—his un doubted Highness!—was a nobility of the usual kind, undomestic, and without the stamp of the graciousness which inspires confidence. He too knew that; and the consciousness of his Highness, together with that of his want of popular graciousness, were quite enough to account for his shyness and haughtiness. He began already to delegate as far as possible his duties to Prince Klaus Heinrich. He sent him to open the new spring at Immenstadt and to the historical town-pageant at Butterburg. Indeed, his contempt for any exhibition of his princely person went so far that Herr von Knobelsdorff had the greatest difficulty in persuading him to receive the Presidents of the two Chambers in the Throne-room himself, and not, "for reasons of health," as he was minded, to give place to his brother on this solemn occasion.

Albrecht II lived a lonely life in the Old Schloss; that was unavoidable in the nature of things. In the first place, Prince Klaus Heinrich, since Johann Albrecht's death, kept a Court of his own. That was demanded by etiquette, and he had been given the "Hermitage" as a residence, that Empire Schloss on the fringe of the northern suburbs, which, reposeful and charming, but long uninhabited and neglected, in the middle of its over grown park next the Town Gardens, looked down on its, little mud-thick pond. Some time ago, when Albrecht came of age, the "Hermitage" had been freshened up and for form's sake destined to be the Heir Apparent's palace; but as Albrecht had always come in summer straight from his warm, dry foreign resort to Hollerbrunn, he had never used his palace.…

Klaus Heinrich lived there without unnecessary expense, with one major-domo, who superintended the household, a Baron von Schulenburg-Tressen, nephew of the Mistress of the Robes. Besides his valet, Neumann, he had two other lackeys for his daily needs; he borrowed the game keeper when necessary for ceremonial shoots, from the Grand Duke's Court. One coachman and a couple of grooms in red waistcoats looked after the carriages and horses, which consisted of one pony-cart, one brougham, one dog-cart, two riding and two carriage horses. One gardener, helped by two boys, looked after the park and the garden; and one cook with her kitchen-maid, as well as two chambermaids, made up the female staff of the "Hermitage."

It was Court Marshal von Schulenburg's business to keep his young master's establishment going on the apanage which the Landtag, after Albrecht's accession, had voted the Grand Duke's brother after a serious debate. It amounted to two thousand five hundred pounds. For the sum of four thousand pounds, which had been the original demand, had never had any prospect of recommending itself to the Landtag, and so a wise and magnanimous act of self-denial had been credited to Klaus Heinrich, which had made an excellent impression in the country. Every winter Herr von Schulenburg sold the ice from the pond. He had the hay in the park mowed twice every summer and sold. After the harvests the surface of the fields looked almost like English turf.

Further, Dorothea, the Dowager Grand Duchess, no longer lived in the Old Schloss, and the causes of her retirement were both sad and uncomfortable. For she too, the Princess whom the much-travelled Herr von Knobelsdorff had described more than once as one of the most beautiful women he had ever seen, the Princess whose radiant smiles had evoked joy, enthusiasm, and cheers whenever she had shown herself to the longing gaze of the toil-worn masses, she too had had to pay her tribute to time. Dorothea had aged, her calm perfection, the admiration and joy of everybody, had during recent years withered so fast and steadily that the woman in her had been unable to keep pace with the transformation. Nothing, no art, no measures, even the painful and repulsive ones, with which she tried to stave off decay, had availed to prevent the sweet brightness of her deep blue eyes from fading, rings of loose yellow skin from forming under them, the wonderful little dimples in her cheeks from turning into furrows, and her proud and hard mouth from looking drawn and bitter.

But since her heart had been hard as her beauty, and had been absorbed in that beauty, since her beauty had been her very soul and she had had no wish, no love, beyond the effect of that beauty on the hearts of others, while her own heart never beat the faster for anything or anyone, she was now disconsolate and lost, could not accommodate herself to the change and rebelled against it. Surgeon-General Eschrich said something about mental disturbance resulting from an unusually quick climacteric, and his opinion was undoubtedly correct in a sense. The sad truth at any rate was that Dorothea during the last years of her husband's life had already shown signs of profound mental disturbance and trouble.

She became light-shy, gave orders that at the Thursday concerts in the Marble Hall all the lights should be shaded red, and flew into a passion because she could not have the same thing done at all other festivities, the Court Ball, the Private Ball, the Dinner Party, and the Great Court, as the kind of twilight feeling in the Marble Hall had been enough by itself to call forth many cutting remarks. She spent whole days before her looking-glasses, and it was noticed that she fondled with her hands those which for some reason or other reflected her image in a more favourable light. Then again she had all the looking-glasses removed from her rooms, and those fixed in the wall draped, went to bed and prayed for death.

One day Baroness von Schulenburg found her quite distracted and feverish with weeping in the Hall of the Twelve Months before the big portrait which represented her at the height of her beauty.… At the same time a diseased misanthropy began to take possession of her, and both Court and people were distressed to notice how the bearing of this erstwhile goddess began to lose its assurance, her deportment became strangely awkward, and a pitiful look came into her eyes.

At last she shut herself up altogether, and, at the last Court Ball he attended, Johann Albrecht had escorted his sister Catherine instead of his "indisposed Consort." His death was from one point of view a release for Dorothea, as it relieved her from all her duties as a sovereign. She chose as dower-house Schloss Segenhaus, a monastic-looking old hunting-seat, which lay in a solemn park about one and a half hour's drive from the capital, and had been decorated by some pious old sportsman with religious and sporting emblems curiously intermixed. There she lived, eclipsed and odd, and excursionists could often watch her from afar, walking in the park with Baroness von Schulenburg-Tressen, and bowing graciously to the trees on each side of the path.

Lastly, Princess Ditlinde had married at the age of twenty, one year after her father's death. She bestowed her hand on a prince of a mediatised house, Prince Philipp zu Ried-Hohenried, a no longer young, but well-preserved, cultured little man of advanced views, who paid her flattering attentions for some considerable time, did all his courting at first-hand, and offered the Princess his heart and hand in an honest bourgeois way at a charity function.

It would be wrong to say that this alliance evoked wild enthusiasm in the country. It was received with indifference; it disappointed. It is true, more ambitious hopes had been secretly entertained for Johann Albrecht's daughter, and all the critics could say was that the marriage could not be called a mésalliance in so many words. It was a fact that Ditlinde, in giving her hand to the Prince—which she did of her own free will, and quite uninfluenced by others—had undoubtedly descended out of her sphere of Highness into a more free and human atmosphere. Her noble spouse was not only a lover and collector of oil paintings, but also a business man and tradesman on a large scale.

The dynasty had ceased to exercise any sovereign right hundreds of years ago, but Philipp was the first of his house to make up his mind to exploit his private means in a natural way. After spending his youth in travelling, he had looked around for a sphere of activity which would keep him busy and contented, and at the same time (a matter of necessity) would increase his income. So he launched out into various enterprises, started farms, a brewery, a sugar factory, several saw-mills on his property, and began to exploit his extensive peat deposits in a methodical way. As he brought expert knowledge and sound business instincts to all his enterprises, they soon began to pay, and returned profits which, if their origin was not very princely, at any rate provided him with the means of leading a princely existence which he would otherwise not have had.

On the other hand the critics might have been asked what sort of a match they could expect for their Princess, if they viewed the matter soberly. Ditlinde, who brought her husband scarcely anything except an inexhaustible store of linen, including dozens of out-of-date and useless articles such as night-caps and neckerchiefs, which however by hallowed tradition formed part of her trousseau—she by this marriage acquired a measure of riches and comfort such as she had never been accustomed to at home: and no sacrifice of her affections was necessary to pay for them. She took the step into private life with obvious contentment and determination, and retained, of the trappings of Highness, nothing but her title. She remained on friendly terms with her ladies-in-waiting, but divested her relations with them of everything which suggested service, and avoided giving her household the character of a Court.

That might evoke surprise, especially in a Grimmburg and in Ditlinde in particular, but there was no doubt that it was her own choice. The couple spent the summer on the princely estates, the winter in the capital in the stately palace in the Albrechtstrasse, which Philipp zu Ried had inherited; and it was here, not in the Old Schloss, that the Grand Ducal family—Klaus Heinrich and Ditlinde, occasionally Albrecht as well—met now and again for a confidential talk.

So it happened that one day at the beginning of autumn, not quite two years after the death of Johann Albrecht, the Courier, well-informed as usual, published in its evening edition the news that this afternoon his Royal Highness the Grand Duke and his Grand Ducal Highness Prince Klaus Heinrich had been to tea with her Grand Ducal Highness the Princess zu Ried-Hohenried. That was all. But on that afternoon several topics of importance for the future were discussed between the brothers and sister.

Klaus Heinrich left the Hermitage shortly before five o'clock. As the weather was sunny, he had ordered the dog-cart, and the open brown-varnished vehicle, clean and shining, if not over-new or smart to look at, came slowly up the broad drive of the Schloss, at a quarter to five, from the stables, which with their asphalt yard lay in the right wing of the home farm. The home farm, yellow-painted, old-fashioned buildings of one story, made one long line with, though at some distance from, the plain white mansion, the front of which, adorned with laurels at regular intervals, faced the muddy pond and the public part of the park.

For the front portion of the estate, that which marched with the town gardens, was open to pedestrians and light traffic, and all that was enclosed was the gently rising flower-garden, at the top of which lay the Schloss and the very unkempt park behind, which was divided by hedges and fences from the rubbish-encumbered waste ground at the edge of the town suburbs. So the cart came up the drive between the pond and the home farm, turned through the high garden gates, adorned with lamps which had once been gilt, passed on up the drive and waited in front of the stiff little laurel-planted terrace which led to the garden-room.

Klaus Heinrich came out a few minutes before five. He wore as usual the tight-fitting uniform of a lieutenant of the Grenadier Guards, and his sword-hilt hung on his arm. Neumann, in a violet coat whose arms were too short, ran in front of him down the steps and with his red barber's hands packed his master's folded grey over-coat into the cart. Then, while the coachman, his hand to his cockaded hat, inclined a little sideways on the box, the valet arranged the light carriage rug over Klaus Heinrich's knees and stepped back with a silent bow. The horses started off.

Outside the garden gates a few promenaders had collected. They greeted Klaus Heinrich, smiling with knitted brows and hats lifted, and Klaus Heinrich thanked them by raising his white-gloved right hand to the peak of his cap and making a succession of lively nods.

They skirted a piece of waste ground along a birch avenue, whose leaves were already turning, and then drove through the suburb, between poverty-stricken houses, over unpaved streets, where the ragged children left their hoops and tops for a moment to gaze at the carriage with curious eyes. Some cried, Hurrah! and ran for a while by the side of the carriage, with heads turned towards Klaus Heinrich. The carriage might have taken the road by the Spa-gardens; but that through the suburb was shorter, and time pressed. Ditlinde was particular on points of regularity, and easily put out if anybody disturbed her household arrangements by unpunctuality.

Yonder was the Dorothea Children's Hospital of which Doctor Sammet, Ueberbein's friend, was the Director; Klaus Heinrich drove by it. And then the carriage left the squalid neighbourhood and reached the Gartenstrasse, a stately tree-planted avenue, in which lay the houses and villas of wealthy citizens, and along which ran the tram-line from the Spa Gardens to the centre of the city. The traffic here was fairly heavy, and Klaus Heinrich was kept busy answering the greetings which met him. Civilians took off their hats and looked from under their eyebrows at him, officers on horse and on foot saluted, policemen front-turned, and Klaus Heinrich in his corner raised his hand to the peak of his cap and thanked on both sides with the well-trained bow and smile which were calculated to confirm the people in their feeling of participation in his splendid personality.… His way of sitting in his carriage was quite peculiar—he did not lean back indolently and comfortably in the cushions, but he took just as active a part in the motions of the carriage when driving as in those of his horse when riding; with hands crossed on his sword hilt and one foot a little advanced, he as it were "took" the unevennesses of the ground, and accommodated himself to the motion of the badly hung carriage.

The carriage crossed the Albrechtsplatz, left the Old Schloss, with the two sentries presenting arms, to the right, followed the Albrechtstrasse in the direction of the barracks of the Grenadier Guards and rolled to the left into the courtyard of the palace of the Princess of Ried. It was a building of regular proportions in the pedantic style, with a soaring gable over the main door, festooned œils-de-bœuf in the mezzanine story, high French windows in the first story, and an elegant cour d'honneur, which was formed by the two one-storied wings and was separated from the street by a circular railing, on whose pillars stone babies played. But the internal arrangements of the Schloss were, in contradistinction to the historical style of its exterior, conceived throughout in an up-to-date and comfortable bourgeois taste.

Ditlinde received her brother in a large drawing-room on the first floor with several curved sofas in pale green silk; the back part of the room was separated from the front by slender pillars, and filled with palms, plants in metal bowls, and tables covered with brilliant flowers.

"Good afternoon, Klaus Heinrich," said the Princess. She was delicate and thin, and the only luxuriant thing about her was her fair hair, which used to lie like ram's horns round her ears and now was dressed in thick plaits above her face with its high Grimmburg cheek-bones. She wore an indoor dress of soft blue-grey stuff with a white lace collar, cut in a point like a breast-plate and fastened at the waist with an old-fashioned oval brooch. Blue veins and shadows showed here and there through the delicate skin of her face, in the temples, the forehead, at the corners of her soft and calm blue eyes. Signs of approaching maternity were beginning to show themselves.

"Good afternoon, Ditlinde, you and your flowers!" answered Klaus Heinrich, as, clapping his heels together, he bent over her little, white, rather over-broad hand. "How they do smell! And the garden's full of them, I see."

"Yes," she said, "I love flowers. I have always longed to be able to live among quantities of flowers, living, smelling flowers, which I could watch growing—it was a kind of secret wish of mine, Klaus Heinrich, and I might almost say that I had married for flowers, for in the Old Schloss, as you know, there were no flowers.… The Old Schloss and flowers! We should have had to rummage a lot to find them, I'm sure. Rat-traps and such things, plenty of them. And really, when one comes to think, the whole thing was like a disused rat-trap, so dusty and horrid … ugh!…"

"But the rose-bush, Ditlinde."

"Yes, my goodness—one rose-bush. And that's in the guide-books, because its roses smell of decay. And the books say that it will one day smell quite natural and nice, just like any other rose. But I can't believe it."

"You will soon," he said, and looked at her laughingly, "have something better than your flowers to tend, little Ditlinde."

"Yes," she said and blushed lightly and quickly, "yes, Klaus Heinrich, I can hardly believe it. And yet it will be so, if God pleases. But come over here. We'll have a chat together once more.…"

The room, on whose threshold they had been talking, was small in comparison with its height, with a grey-blue carpet, and furnished with cheery-looking silver-grey furniture, the chairs of which were upholstered in blue silk. A milk-white china chandelier hung from the white-festooned centre of the ceiling, and the walls were adorned with oil paintings of various sizes, acquisitions of Prince Philipp's, light studies in the new style, representing white goats in the sun, poultry in the sun, sun-bathed meadows and peasants with blinking, sun-sprinkled faces.

The spindle-legged secretaire in the white-curtained window was covered with a hundred carefully arranged articles, knick-knacks, writing materials, and several dainty note-blocks—for the Princess was accustomed to make careful and comprehensive notes about all her duties and plans. In front of the inkstand a housekeeper's book, in which Ditlinde had apparently just been working, lay open, and by the table there hung on the wall a little silk-trimmed block-calendar, under the printed date of which could be seen the pencil note: "5 o'clock: my brothers." Between the sofa and a semicircle of chairs over against the white swing doors into the reception room stood an oval table with a damask cloth and blue-silk border; the flowered tea-service, a jam-pot, long dishes of sweet cakes, and tiny pieces of bread and butter were arranged in ordered disorder on it, and to one side steamed the silver tea-kettle over its spirit-flame on a glass table. But there were flowers everywhere—flowers in the vases on the writing-table, on the tea-table, on the glass table, on the china-cabinet, on the table next the white sofa, and a flower-table full of flower-pots stood in the window.

This room, situated at the side and in a corner of the suite of reception rooms, was Ditlinde's cabinet, her boudoir, the room in which she used to entertain quite intimate friends and to make tea with her own hands. Klaus Heinrich watched her as she washed out the tea-pot with hot water and put the tea in with a silver spoon.

"And Albrecht … is he coming?" he asked with an involuntarily restrained voice.

"I hope so," she said, bending attentively over the crystal tea-caddy, as if to avoid spilling any tea (and he too avoided looking at her). "I have of course asked him, Klaus Heinrich, but you know he cannot bind himself. It depends on his health whether he comes. I'm making our tea at once, for Albrecht will drink his milk.… Possibly too Jettchen may look in for a bit to-day. You will enjoy seeing her again. She's so lively, and has always got such a lot to tell us."

"Jettchen" meant Fraulein von Isenschnibbe, the Princess's friend and confidant. They had been on Christian-name terms since they were children.

"In armour, too, as usual?" said Ditlinde, placing the filled teapot on its stand and examining her brother. "In uniform as usual, Klaus Heinrich?"

He stood with heels together and rubbed his left hand, which was cold, on his chest with his right.

"Yes, Ditlinde, I like it, I'd rather. It fits so tight, you see, and it braces me up. Besides, it is cheaper, for a proper civil wardrobe runs into a terrible lot of money, I believe, and Schulenburg is always going on about how dear things are, without that. So I manage with two or three coats, and yet can show myself in my rich relations' houses."

"Rich relations!" laughed Ditlinde. "Still some way off that, Klaus Heinrich!"

They sat down at the tea-table, Ditlinde on a sofa, Klaus Heinrich on a chair opposite the window.

"Rich relations!" she repeated, and the subject obviously excited her. "No, far from it; how can we expect to be rich, where cash is so short and everything is sunk in. various enterprises, Klaus Heinrich? And they are young and in the making, they're all in the development stage, as dear Philipp says, and won't bear full fruit till others have succeeded us. But things are improving, that much is true, and I keep the household straight.…"

"Yes, Ditlinde, you do keep it straight and no mistake!"

"Keep it straight, and write everything down and look after the servants, and after all the payments which one's duty to the world demands have been made, there is a nice little sum to put by every year for the children. And dear Philipp.… He sends his greetings, Klaus Heinrich—I for got, he's very sorry not to be able to be here to-day.… We've only just got back from Hohenried, and there he is already under way, at his office, on his properties—he's small and delicate naturally, but when his peat or his saw mills are in question he gets red cheeks, and he says him self that he has been much better since he has had so much to do."

"Does he say so?" asked Klaus Heinrich, and a sad look came into his eyes, as he looked straight beyond the flower-table at the bright window.…" Yes, I can quite believe that it must be very stimulating to be so really splendidly busy. In my park too the meadows have been mowed a second time this year already, and I love seeing the hay built up in steep heaps with a stick through the middle of each, looking for all the world like a camp of little Indians' huts, and then Schulenburg intends to sell it. But of course that cannot be compared.…"

"Oh, you!" said Ditlinde, and drew her chin in. "With you it's quite different, Klaus Heinrich! The next to the throne! You are called to other things, I imagine. My goodness, yes! You enjoy your popularity with the people.…"

They were silent for a while. Then he said:

"And you, Ditlinde, if I'm not mistaken you're as happy as, even happier than, before. I don't say that you have got red cheeks, like Philipp from his peat; you always were a bit transparent, and you are still. But you look flourishing. I haven't yet asked, since you married, but I think there's nothing to worry about in connexion with you."

She sat in an easy position, with her arm lightly folded across her lap.

"Yes," she said, "I'm all right, Klaus Heinrich, your eyes don't deceive you, and it would be ungrateful of me not to acknowledge my good fortune. You see, I know quite well that many people in the country are disappointed by my marriage and say that I have ruined myself, and demeaned myself, and so on. And such people are not far to seek, for brother Albrecht, as you know as well as I do, in his heart despises my dear Philipp and me into the bargain, and can't abide him, and calls him privately a tradesman and shopkeeper. But that doesn't bother me, for I meant it when I accepted Philipp's hand—seized it, I would say, if it didn't sound so wild—accepted it because it was warm and honest, and offered to take me away from the Old Schloss. For when I look back and think of the Old Schloss and life in it as I should have gone on living if if it had not been for dear Philipp, I shudder, Klaus Heinrich, and I feel that I could not have borne it and should have become strange and queer like poor mamma. I am a bit delicate naturally, as you know, I should have simply gone under in so much desolation and sadness, and when dear Philipp came, I thought: now's your chance. And when people say that I am a bad Princess, because I have in a way abdicated, and fled here where It is rather warmer and more friendly, and when they say that I lack dignity or consciousness of Highness, or whatever they call it, they are stupid and ignorant, Klaus Heinrich, because I have too much, I have on the contrary too much of it, that's a fact, otherwise the Old Schloss would not have had such an effect upon me, and Albrecht ought to see that, for he too, in his way, has too much of it—all we Grimmburgers have too much of it, and that's why it sometimes looks as if we had too little of it. And sometimes, when Philipp is under way, as he is now, and I sit here among my flowers and Philipp's pictures with all their sun—it's lucky that it's painted sun, for bless me! otherwise we should have to get sun-blinds—and everything is tidy and clean, and I think of the blessing, as you call it, in store for me, then I seem to myself like the little mermaid in the fairy-tale which the Swiss governess read to us, if you remember—who married a mortal and got legs instead of her fish's tail.… I don't know if you understand me.…"

"Oh yes, Ditlinde, of course, I understand you perfectly. And I am really glad that everything has turned out so well and happily for you. For it is dangerous, I may tell you, in my experience it is difficult for us to be suitably happy. It's so easy to go wrong and be misunderstood, for the nuisance is that nobody protects our dignity for us if we don't do it ourselves, and then blame and scandal so readily follow.… But which is the right way? You have found it. They have quite recently announced my engagement with Cousin Griseldis in the newspapers. That was a ballon d'essai, as they call it, and they think it was a very happy one. But Griseldis is a silly girl, and half-dead with anaemia, and never says anything but 'yes,' so far as I know. I've never given her a thought, nor has Knobels-dorff, thank goodness. The news was at once announced to be unfounded.… Here comes Albrecht!" he said, and stood up.

A cough was heard outside. A footman in olive-green livery threw open the swing doors with a quick, firm, and noiseless movement of both arms, and announced in a subdued voice: "His Royal Highness the Grand Duke."

Then he stepped aside with a bow. Albrecht advanced through the room.

He had traversed the hundred yards from the Old Schloss hither in a closed carriage, with his huntsman on the box. He was in mufti, as almost always, wore a buttoned-up frock-coat with little satin lapels, and patent-leather boots on his small feet. Since his accession he had grown an imperial. His short fair hair was brushed back on each of his narrow, sunk temples. His gait was an awkward and yet indescribably distinguished strut, which gave his shoulder-blades a peculiar twist. He carried his head well back and stuck his short round under-lip out, sucking gently with it against the upper one.

The Princess went to the threshold to meet him. He disliked hand-kissing, so he simply held out his hand with a soft almost whispered greeting—his thin, cold hand which looked so sensitive and which he stretched out from his chest while keeping his forearm close to his body. Then he greeted his brother Klaus Heinrich in the same way, who had waited for him standing with heels close together in front of his chair—and said nothing further.

Ditlinde talked. "It's very nice of you to come, Albrecht. So you're feeling well? You look splendid. Philipp wishes me to tell you how sorry he is to have to be out this afternoon. Sit down, won't you, anywhere you like—here, for instance, opposite me. That chair's a pretty comfortable one, you sat in it last time. I've made tea for us in the meantime. You'll have your milk directly.…"

"Thanks," he said quietly. "I must beg pardon … I'm late. You know, the shorter the road … And then I have to lie down in the afternoon.… There's no one else coming?"

"No one else, Albrecht. At the most, Jettchen Isenschnibbe may look in for a bit, if you don't object.…"

"Oh?"

"But I can just as well say 'Not at home.'"

"Oh no, pray don't."

Hot milk was brought. Albrecht clasped the tall, thick, studded glass in both hands.

"Ah, something warm," he said. "How cold it is already in these parts! And I've been frozen the whole summer in Hollerbrunn. Haven't you started fires yet? I have. But then again the smell of the stoves upsets me. All stoves smell. Von Buhl promises me central heating for the Old Schloss every autumn. But it seems not to be feasible."

"Poor Albrecht," said Ditlinde, "at this time of year you used to be already in the South, so long as father was alive. You must long for it."

"Your sympathy does you credit, dear Ditlinde," answered he, still in a low and slightly lisping voice. "But we must show that I am on the spot. I must rule the country, as you know, that's what I'm here for. To-day I have been graciously pleased to allow some worthy citizen—I'm sorry I cannot remember his name—to accept and wear a foreign order. Further, I have had a telegram sent to the annual meeting of the Horticultural Society, in which I assumed the honorary Presidency of the Society and pledged my word to further its efforts in every way—without really knowing what furthering I could do beyond sending the telegram, for the members are quite well able to take care of themselves. Further, I have deigned to confirm the choice of a certain worthy fellow to be mayor of my fair city of Siebenberge—in connexion with which I should like to know whether this my subject will be a better mayor for my confirmation than he would have been without it.…"

"Well, well, Albrecht, those are trifles!" said Ditlinde. "I'm convinced that you've had more serious business to do.…"

"Oh, of course. I've had a talk with my Minister of Finance and Agriculture. It was time I did. Doctor Krippenreuther would have been bitterly disappointed with me if I had not summoned him once more. He went ahead in summary fashion and laid before me a conspectus of several mutually related topics at once—the harvest, the new principles for the drawing up of the budget, the reform of taxation, on which he is busy. The harvest has been a bad one, it seems. The peasants have been hit by blight and bad weather; not only they, but Krippenreuther too, are much concerned about it, because the tax-paying resources of the land, he says, have once more suffered contraction. Besides, there have unfortunately been disasters in more than one of the silver-mines. The gear is at a standstill, says Krippenreuther, it is damaged and will cost a lot of money to repair. I listened to the whole recital with an appropriate expression on my face, and did what I could to express my grief for such a series of misfortunes. Next, I was consulted as to whether the cost of the necessary new buildings for the Treasury and for the Woods and Customs and Inland Revenue Offices ought to be debited to the ordinary or the extraordinary estimates; I learnt a lot about sliding scales, and income tax, and tax on tourist traffic, and the removal of burdens from oppressed agriculture and the imposition of burdens on the towns; and on the whole I got the impression that Krippenreuther was well up in his subject. I, of course, know practically nothing about it—which Krippenreuther knows and approves; so I just said 'yes, yes,' and 'of course,' and 'many thanks,' and let him run on."

"You speak so bitterly, Albrecht."

"No; I'll just tell you what struck me while Krippenreuther was holding forth to me to-day. There's a man living in this town, a man with small private means and a warty nose. Every child knows him and shouts 'Hi!' when he sees him; he is called 'the Hatter,' for he is not quite all there; his surname he has lost long ago. He is always on the spot when there is anything going on, although his half-wittedness keeps him from playing any serious part in anything; he wears a rose in his buttonhole, and carries his hat about on the end of his walking-stick. Twice a day, about the time when a train starts, he goes to the station, taps the wheels, examines the luggage, and fusses about. Then when the guard blows his whistle, 'the Hatter' waves to the engine-driver, and the train starts. But 'the Hatter' deludes himself into thinking that his waving sends the train off. That's like me. I wave, and the train starts. But it would start without me, and my waving makes no difference, it's mere silly show. I'm sick of it.…"

The brother and sister were silent. Ditlinde looked at her lap in an embarrassed way, and Klaus Heinrich gazed, as he tugged at his little bow-shaped moustache, between her and the Grand Duke at the bright window.

"I can quite follow you, Albrecht," said he after a while, "though it is rather cruel of you to compare yourself and us with 'the Hatter.' You see, I too understand nothing about sliding scales and taxation of tourist traffic and peat-cutting, and there is such a lot about which I know nothing—everything which is covered by the expression 'the misery in the world'—hunger and want, and the struggle for existence, as it is called, and war and hospital horrors, and all that. I have seen and studied not one of these, except death itself, when father died, and that too was not death as it can be, but rather it was edifying, and the whole Schloss was illuminated. And at times I feel ashamed of myself because I have not knocked about the world. But then I tell myself that mine is not a com fortable life, not at all comfortable, although I 'wander on the heights of mankind,' as people express it, or perhaps just because I do, and that I perhaps in my own way know more about the strenuousness of life, its 'tight-lipped countenance,' if you will allow me the expression, than many a one who knows all about the sliding scales or any other single department of life. And the upshot of that is, Albrecht, that my life is not a comfortable one—that's the upshot of everything—if you will allow me this retort, and that is how we justify ourselves. And if people cry 'Hi!' when they see me, they must know why they do so, and my life must have some raison d'être, although I am prevented from playing any serious part in anything, as you so admirably express it. And you're quite justified too. You wave to order, because the people wish you to wave, and if you do not really control their wishes and aspirations, yet you express them and represent them and give them substance, and may be that's no slight matter."

Albrecht sat upright at the table. He held his thin, strangely sensitive-looking hands crossed on the table-edge in front of the tall, half-empty glass of milk, and his eyelids dropped, and he sucked his underlip against his upper. He answered quietly: "I'm not surprised that so popular a prince as you should be contented with his lot. I for my part decline to express and represent somebody else in my own person—I decline to, I say, and you may think it's a case of sour grapes as much as you like. The truth is that I care for the 'Hi!' of the people just as little as any living soul possibly could care. I say soul, not body. The flesh is weak—there's something in one which expands at applause and contracts at cold silence. But my reason rises superior to all considerations of popularity or unpopularity. If I did succeed in being a true national representative, I know what that would amount to. A misconception of my personality. Besides, a few hand claps from people one does not know are not worth a shrug of the shoulders. Others—you—may be inspired by the feeling of the people behind you. You must forgive me for being too matter-of-fact to feel any such mysterious feeling of happiness—and too keen on cleanliness also, if you will allow me to put it thus. That kind of happiness stinks, to my thinking. Anyhow, I'm a stranger to the people. I give them nothing—what can they give me? With you … oh, that's quite different. Hundreds of thousands, who are like you, are grateful to you because they can recognize themselves in you. You may laugh if you like. The chief danger you run is that you submerge yourself in your popularity too readily; and yet after all you feel no apprehensions, although you are aware at this very moment …"

"No, Albrecht, I don't think so. I don't think I run any such danger."

"Then we shall understand each other all the better. I have no penchant for strong expressions as a rule. But popularity is hog-wash."

"It's funny, Albrecht. Funny that you should use that word. The 'Pheasants' were always using it—my school-mates, the young sprigs, you know, at the 'Pheasantry.' I know what you are. You're an aristocrat, that's what's the matter."

"Do you think so? You're wrong. I'm no aristocrat, I'm the opposite, by taste and reason. You must allow that I do not despise the 'Hi's' of the crowd from arrogance, but from a propensity to humanity and goodness. Human Highness is a pitiable thing, and I'm convinced that mankind ought to see that everyone behaves like a man, and a good man, to his neighbour and does not humiliate him or cause him shame. A man must have a thick skin to be able to carry off all the flummery of Highness without any feeling of shame. I am naturally rather sensitive, I cannot cope with the absurdity of my situation. Every lackey who plants himself at the door, and expects me to pass him without noticing, without heeding him more than the door post, fills me with embarrassment, that's the way I feel towards the people.…"

"Yes, Albrecht, quite true. It's often by no means easy to keep one's countenance when one passes by a fellow like that. The lackeys! If one only did not know what frauds they are! One hears fine stories about them.…"

"What stories?"

"Oh, one keeps one's ears open.…"

"Come, come!" said Ditlinde. "Don't let's worry about that. Here you are talking about ordinary things, and I had two topics noted down which I thought we might discuss this afternoon.… Would you be so kind, Klaus Heinrich, as to reach me that notebook there in blue leather on the writing-table? Many thanks. I note down in this everything I have to remember, both house hold matters and other things. What a blessing it is to be able to see everything down in black and white! My head is terribly weak, it can't remember things, and if I weren't tidy and didn't jot everything down, I should be done for. First of all, Albrecht, before I forget it, I wanted to remind you that you must escort Aunt Catherine at the first Court on November 1st—you can't get out of it. I withdraw; the honour fell to me at the last Court Ball, and Aunt Catherine was terribly put out.… Do you consent? Good, then I cross out item 1. Secondly, Klaus Heinrich, I wanted to ask you to make a short appearance at the Orphan Children's Bazaar on the 15th in the Town Hall. I am patroness, and I take my duties seriously, as you see. You needn't buy anything—a pocket comb.… In short, all you need do is to show yourself for ten minutes. It's for the orphans.… Will you come? You see, now I can cross another off. Thirdly …"

But the Princess was interrupted. Fraulein von Isenschnibbe, the Court lady, was announced and tripped in at once through the big drawing-room, her feather boa waving in the draught, and the brim of hre huge feather hat napping up and down. The smell of the fresh air from outside seemed to cling to her clothes. She was small, very fair, with a pointed nose, and so short-sighted that she could not see the stars. On clear evenings she would stand on her balcony and gaze at the starry heavens through opera-glasses, and rave about them. She wore two strong pairs of glasses, one behind the other, and screwed up her eyes and stuck her head forward as she curtseyed.

"Heavens, Grand Ducal Highness," she said, "I didn't know; I'm disturbing you, I'm intruding. I most humbly beg pardon!"

The brothers had risen, and the visitor, as she curtseyed to them, was filled with confusion. As Albrecht extended his hand from his chest, keeping his forearm close to his body, her arm was stretched out almost perpendicularly, when the curtsey which she made him had reached its lowest point.

"Dear Jettchen," said Ditlinde," what nonsense! You are expected and welcome, and my brothers know that we call each other by our Christian names, so none of that Grand Ducal Highness, if you please. We are not in the old Schloss. Sit down and make yourself comfortable. Will you have some tea? It's still hot, and here are some candied fruits, I know you like them."

"Yes, a thousand thanks, Ditlinde, I adore them!" And Fräulein von Isenschnibbe took a chair on the narrow side of the tea-table opposite Klaus Heinrich, with her back to the window, drew a glove off and began peering forward, to lay sweetmeats on her plate with the silver tongs. Her little bosom heaved quickly and nervously with pleasurable excitement.

"I've got some news," she said, unable any longer to contain herself. "News.… More than my reticule will hold! That is to say it is really only one piece of news, only one—but it's so weighty that it counts for dozens, and it is quite certain, I have it on the best authority—you know that I am reliable, Ditlinde; this very evening it will be in the Courier and to-morrow the whole town will be talking about it."

"Yes, Jettchen," said the Princess," it must be confessed you never come with empty hands; but now we're excited, do tell us your news."

"Very well. Let me get my breath. Do you know, Ditlinde, does your Royal Highness know, does your Grand Ducal Highness know who's coming, who is coming to the spa, who is coming for six or eight weeks to the Spa Hotel to drink the waters?"

"No," said Ditlinde, "but do you know, dear Jettchen?"

"Spoelmann," said Fräulein von Isenschnibbe. "Spoelmann," she said, leaned back and made as if to draw with her fingers on the table-edge, but checked the movement of her hand just over the blue silk border.

The brothers and sister looked doubtfully at each other.

"Spoelmann?" asked Ditlinde.… "Think a moment, Jettchen, the real Spoelmann?"

"The real one!" Her voice cracked with suppressed jubilation. "The real one, Ditlinde! For there's only one, or rather only one whom everybody knows, and he it is whom they are expecting at the Spa Hotel—the great Spoelmann, the giant Spoelmann, the colossus Samuel N. Spoelmann from America!"

"But, child, what's bringing him here?"

"Really, forgive me for saying so, Ditlinde, but what a question! His yacht or some big steamer is bringing him over the sea of course, he's on his holidays making a tour of Europe and has expressed his intention of drinking the spa waters."

"But is he ill, then?"

"Of course, Ditlinde; all people of his kind are ill, that's part of the business."

"Strange," said Klaus Heinrich.

"Yes, Grand Ducal Highness, it is remarkable. His kind of existence must bring that with it. For there's no doubt it's a trying existence, and not at all a comfortable one, and must wear the body out quicker than an ordinary man's life would. Most suffer in the stomach, but Spoelmann suffers from stone as everybody knows."

"Stone, does he?"

"Of course, Ditlinde, you must have heard it and for gotten it. He has stone in the kidneys, if you will forgive me the horrid expression—a serious, trying illness, and I'm sure he can't get the slightest pleasure from his frantic wealth."

"But how in the world has he pitched upon our waters?"

"Why, Ditlinde, that's simple. The waters are good, they're excellent; especially the Ditlinde spring, with its lithium or whatever they call it, is admirable against gout and stone, and only waiting to be properly known and valued throughout the world. But a man like Spoelmann, you can imagine, a man like that is above names and trade-puffs, and follows his own kind. And so he has discovered our waters—or his physician has recommended them to him, it may be that, and bought it in the bottle, and it has done him good, and now he may think that it must do him still more good if he drinks it on the spot."

They all kept silence.

"Great heavens, Albrecht," said Ditlinde at last, "whatever one thinks of Spoelmann and his kind—and I'm not going to commit myself to an opinion, of that you may be sure—but don't you think that the man's visit to the Spa may be very useful?"

The Grand Duke turned his head with his stiff and refined smile.

"Ask Fräulein von Isenschnibbe," he answered. "She has doubtless already considered the question from that point of view."

"If your Royal Highness asks me … enormously useful! Immeasurably, incalculably useful—that's obvious! The directors are in the seventh heaven, they're getting ready to decorate and illuminate the Spa Hotel! What a recommendation, what an attraction for strangers! Will your Royal Highness just consider—the man is a curiosity! Your Grand Ducal Highness spoke just now of 'his kind'—but there are none of 'his kind'—at most, only a couple. He's a Leviathan, a Crœsus! People will come from miles away to see a being who has about half a million a day to spend!"

"Gracious!" said Ditlinde, taken aback. "And there's dear Philipp worrying about his peat beds."

"The first scene," the Fräulein went on, "begins with two Americans hanging about the Exchange for the last couple of days. Who are they? They are said to be journalists, reporters, for two big New York papers. They have preceded the Leviathan, and are telegraphing to their papers preliminary descriptions of the scenery. When he has got here they will telegraph every step he takes—just as the Courier and the Advertiser report about your Royal Highness.…"

Albrecht bowed his thanks with eyes downcast and under-lip protruded.

"He has appropriated the Prince's suite in the Spa Hotel," said Jettchen, "as provisional lodgings."

"For himself alone?" asked Ditlinde.

"Oh no, Ditlinde, do you suppose he'd be coming alone? There isn't any precise information about his suite and staff, but it's quite certain that his daughter and his physician-in-ordinary are coming with him."

"It annoys me, Jettchen, to hear you talking about a 'physician-in-ordinary' and the journalists, too, and the Prince's suite to boot. He's not a king, after all."

"A railway king, so far as I know," remarked Albrecht quietly with eyes downcast.

"Not only, nor even particularly, a railway king, Royal Highness, according to what I hear. Over in America they have those great business concerns called Trusts, as your Royal Highness knows—the Steel Trust for instance, the Sugar Trust, the Petroleum Trust, the Coal, Meat, and Tobacco Trusts, and goodness knows how many more, and Samuel N. Spoelmann has a finger in nearly all these trusts, and is chief shareholder in them, and managing director—that's what I believe they call them—so his business must be what is called over here a 'Mixed Goods Business.'"

"A nice sort of business," said Ditlinde, "it must be a nice sort of business! For you can't persuade me, dear Jettchen, that honest work can make a man into a Leviathan and a Crœsus. I am convinced that his riches are steeped in the blood of widows and orphans. What do you think, Albrecht?"

"I hope so, Ditlinde, I hope so, for your own and your husband's comfort."

"May be so," explained Jettchen, "yet Spoelmann—our Samuel N. Spoelmann—is hardly responsible for it, for he is really nothing but an heir, and may quite well not have had any particular taste for his business. It was his father who really made the pile, I've read all about it, and may say that I really know the general facts. His father was a German—simply an adventurer who crossed the seas and became gold-digger. And he was lucky and made a little money through gold-finds—or rather quite a decent amount of money—and began to speculate in petroleum and steel and railways, and then in every sort of thing, and kept growing richer and richer, and when he died everything was already in full swing, and his son Samuel, who inherited the Crœsus' firm, really had nothing to do but to collect the princely dividends and keep growing richer and richer till he beat all records. That's the way things have gone."

"And he has a daughter, has he, Jettchen? What's she like?"

"Yes, Ditlinde, his wife is dead, but he has a daughter, Miss Spoelmann, and he's bringing her with him. She's a wonderful girl from all I've read about her. He himself is a bit of a mixture, for his father married a wife from the South—Creole blood, the daughter of a German father and native mother. But Samuel in his turn married a German-American of half-English blood, and their daughter is now Miss Spoelmann."

"Gracious, Jettchen, she's a creature of many colours!"

"You may well say so, Ditlinde, and she's clever, so I've heard; she studies like a man—algebra, and puzzling things of that sort."

"Hm, that too doesn't attract me much."

"But now comes the cream of the business, Ditlinde, for Miss Spoelmann has a lady-companion, and that lady-companion is a countess, a real genuine countess, who dances attendance on her.

"Gracious!" said Ditlinde, "she ought to be ashamed of herself. No, Jettchen, my mind is made up. I'm not going to bother myself about Spoelmann. I'm going to let him drink his waters and go, with his countess and his algebraical daughter, and am not going so much as to turn my head to look at him. He and his riches make no impression on me. What do you think, Klaus Heinrich?"

Klaus Heinrich looked past Jettchen's head at the bright window.

"Impression?" he said.…" No, riches make no impression on me, I think—I mean, riches in the ordinary way. But it seems to me that it depends … it depends, I think, on the standard. We too have one or two rich people in the town here—Soa-boiler Unschlitt must be a millionaire.… I often see him in his carriage. He's dreadfully fat and common. But when a man is quite ill and lonely from mere riches … Maybe.…"

"An uncomfortable sort of man anyhow," said Ditlinde, and the subject of the Spoelmanns gradually dropped. The conversation turned on family matters, the "Hohenried" property, and the approaching season. Shortly before seven o'clock the Grand Duke sent for his carriage. Prince Klaus Heinrich was going too, so they all got up and said good-bye. But while the brothers were being helped into their coats in the hall, Albrecht said: "I should be obliged, Klaus Heinrich, if you would send your coachman home and would give me the pleasure of your company for a quarter of an hour longer. I've got a matter of some importance to discuss with you—I might come with you to the Hermitage, but I can't bear the evening air."

Klaus Heinrich clapped his heels together as he an swered: "No, Albrecht, you mustn't think of it! I'll drive to the Schloss with you if you like. I am of course at your disposal."

This was the prelude to a remarkable conversation be tween the young princes, the upshot of which was published a few days later in the Advertiser and received with general approval.

The Prince accompanied the Grand Duke to the Schloss, through the Albrechtstor, up broad stone steps, through corridors where naked gas lamps were burning, and silent ante-rooms, between lackeys into Albrecht's "closet," where old Prahl had lighted the two bronze oil-lamps on the mantelpiece. Albrecht had taken over his father's work-room—it had always been the work-room of the reigning sovereigns, and lay on the first floor between an aide-de-camp's room and the dining-room in daily use facing the Albrechtsplatz, which the princes had always over looked and watched from their writing-table. It was an exceptionally unhomely and repellent room, small, with cracked ceiling-paintings, red silk and gold-bordered carpet, and three windows reaching to the ground, through which the draught blew keenly and before which the claret-coloured curtains with their elaborate fringes were drawn. It had a false chimney-piece in French Empire taste, in front of which a semicircle of little modern quilted plush chairs without arms were arranged, and a hideously decorated white stove, which gave out a great heat. Two big quilted sofas stood opposite each other by the walls, and in front of one stood a square book-table with a red plush cover. Between the windows two narrow gold-framed mirrors with marble ledges reached up to the ceiling, the right hand one of which bore a fairly cheerful alabaster group, the other a water bottle and medicine glasses. The writing-desk, an old piece made of rose-wood with a roll-top and metal clasps, stood clear in the middle of the room on the red carpet. An antique stared down with its dead eyes from a pedestal in one corner of the room.

"What I have to suggest to you," said Albrecht—he was standing at the writing-table, unconsciously toying with a paper-knife, a silly thing like a cavalry-sabre with a grotesque handle, "is directly connected with our conversation this afternoon. I may begin by saying that I discussed the matter thoroughly with Knobelsdorff this summer at Hollerbrunn. He agrees, and if you do too, as I don't doubt you will, I can carry out my intention at once."

"Please let's hear it, Albrecht," said Klaus Heinrich, who was standing at attention in a military attitude by the sofa table.

"My health," continued the Grand Duke, "has been getting worse and worse lately."

"I'm very sorry, Albrecht—Hollerbrunn didn't agree with you, then?"

"Thanks, no, I'm in a bad way, and my health is showing itself increasingly unequal to the demands made upon it. When I say 'demands,' I mean chiefly the duties of a ceremonial and representative nature which are inseparable from my position—and that's the bond of connexion with the conversation we had just now at Ditlinde's. The performance of these duties may be a happiness when a contact with the people, a relationship, a beating of hearts in unison exists. To me it is a torture, and the falseness of my role wearies me to such a degree that I must consider what measures I can take to counteract it. In this—so far as the bodily part of me is concerned—I am at one with my doctors, who entirely agree with my proposal—so listen to me. I'm unmarried. I have no idea, I can assure you, of ever marrying; I shall have no children. You are heir to the throne by right of birth, you are still more so in the consciousness of the people, who love you.…"

"There you are, Albrecht, always talking about my being beloved. I simply don't believe it. At a distance, perhaps—that's the way with us. It's always at a distance that we are beloved."

"You're too modest. Wait a bit. You've already been kind enough to relieve me of some of my representative duties now and then. I should like you to relieve me of all of them absolutely, for always."

"You're not thinking of abdicating, Albrecht?" asked Klaus Heinrich, aghast.

"I daren't think of it. Believe me, I gladly would, but I shouldn't be allowed to. What I'm thinking of is not a regency, but only a substitution—perhaps you have some recollection of the distinction in public law from your student's days—a permanent and officially established substitution in all representative functions, warranted by the need of indulgence required by my state of health. What is your opinion?"

"I'm at your orders, Albrecht. But I'm not quite clear yet. How far does the substitution extend?"

"Oh, as far as possible. I should like it to extend to all occasions on which a personal appearance in public is expected of me. Knobelsdorff stipulates that I should only devolve the opening and closure of Parliament on you when I'm bedridden, only now and again. Let's grant that. But otherwise you would be my substitute on all ceremonial occasions, on journeys, visits to cities, opening of public festivities, opening of the Citizens' Ball.…"

"That too?"

"Why not? We have also the weekly free audiences here—a sensible custom without a doubt, but it tires me out. You would hold the audiences in my place. I needn't go on. Do you accept my proposal?"

"I am at your orders."

"Then listen to me while I finish. For every occasion on which you act as my representative, I lend you my aides-de-camp. It is further necessary that your military promotion should be hastened—are you first lieutenant? You'll be made a captain or a major straight away à la suite of your regiment—I'll see to that; but in the third place, I wish duly to emphasize our arrangement, to make your position at my side properly clear, by lending you the title of 'Royal Highness.' There were some formalities to attend to. Knobelsdorff has already seen to them. I'm going to express my intentions in the form of two missives to you and to my Minister of State. Knobelsdorff has already drafted them. Do you accept?"

"What am I to say, Albrecht? You are father's eldest son, and I've always looked up to you because I've always felt and known that you are the superior and higher of us two and that I am only a plebeian compared with you. But if you think me worthy to stand at your side and to bear your title and to represent you before the people, although I don't think myself anything like so presentable, and have this deformity here, with my left hand, which I've always got to keep covered—then I thank you and put myself at your orders."

"Then I'll ask you to leave me now, please; I want to rest."

They advanced towards each other, the one from the writing-table, the other from the book-table, over the carpet into the middle of the room. The Grand Duke extended his hand to his brother—his thin, cold hand which he stretched out from his chest without moving his forearm away from his body. Klaus Heinrich clapped his heels together and bowed as he took the hand, and Albrecht nodded his narrow head with its fair beard as a token of dismissal, while he sucked his short, rounded lower lip against the upper. Klaus Heinrich went back to the Schloss "Hermitage."

Both the Advertiser and the Courier published eight days later the two missives, which contained decisions of the highest importance, the one addressed to "My dear Minister of State, Baron von Knobelsdorff," and the other beginning with "Most Serene Highness and well-beloved brother," and signed "Your Royal Highness's most devoted brother Albrecht."
  1. I.e., velvet.