Sword Blades and Poppy Seed/The Coal Picker
He perches in the slime, inert,
Bedaubed with iridescent dirt.
The oil upon the puddles dries
To colours like a peacock's eyes,
And half-submerged tomato-cans
Shine scaly, as leviathans
Oozily crawling through the mud.
The ground is here and there bestud
With lumps of only part-burned coal.
His duty is to glean the whole,
To pick them from the filth, each one,
To hoard them for the hidden sun
Which glows within each fiery core
And waits to be made free once more.
Their sharp and glistening edges cut
His stiffened fingers. Through the smut
Gleam red the wounds which will not shut.
Wet through and shivering he kneels
And digs the slippery coals; like eels
They slide about. His force all spent,
He counts his small accomplishment.
A half-a-dozen clinker-coals
Which still have fire in their souls.
Fire! And in his thought there burns
The topaz fire of votive urns.
He sees it fling from hill to hill,
And still consumed, is burning still.
Higher and higher leaps the flame,
The smoke an ever-shifting frame.
He sees a Spanish Castle old,
With silver steps and paths of gold.
From myrtle bowers comes the plash
Of fountains, and the emerald flash
Of parrots in the orange trees,
Whose blossoms pasture humming bees.
He knows he feeds the urns whose smoke
Bears visions, that his master-stroke
Is out of dirt and misery
To light the fire of poesy.
He sees the glory, yet he knows
That others cannot see his shows.
To them his smoke is sightless, black,
His votive vessels but a pack
Of old discarded shards, his fire
A peddler's; still to him the pyre
Is incensed, an enduring goal!
He sighs and grubs another coal.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1925, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 98 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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