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Table-Talk
William Hazlitt

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3311919Table-TalkWilliam Hazlitt

ESSAY VII.


ON PEOPLE WITH ONE IDEA.




There are people who have but one idea: at least, if they have more, they keep it a secret, for they never talk but of one subject.

There is Major Cartwright— — —: he has but one idea or subject of discourse, Parliamentary Reform. Now Parliamentary Reform is (as far as I know) a very good thing, a very good idea, and a very good subject to talk about: but why should it be the only one? To hear the worthy and gallant Major resume his favourite topic, is like law-business, or a person who has a suit in Chancery going on. Nothing can be attended to, nothing can be talked of but that. Now it is getting on, now again it is standing still; at one time the Master has promised to pass judgment by a certain day, at another he has put it off again and called for more papers, and both are equally reasons for speaking of it. Like the piece of packthread in the barrister's hands, he turns and twists it all ways, and cannot proceed a step without it. Some school-boys cannot read but in their own book: and the man of one idea cannot converse out of his own subject. Conversation it is not; but a sort of recital of the preamble of a bill, or a collection of grave arguments for a man's being of opinion with himself. It would be well if there was anything of character, of eccentricity in all this; but that is not the case. It is a political homily personified, a walking common-place we have to encounter and listen to. It is just as if a man was to insist on your hearing him go through the fifth chapter of the Book of Judges every time you meet, or like the story of the Cosmogony in the Vicar of Wakefield. It is a tune played on a barrel-organ. It is a common vehicle of discourse into which they get and are set down when they please, without any pain or trouble to themselves. Neither is it professional pedantry or trading quackery: it has no excuse. The man has no more to do with the question which he saddles on all his hearers than you have. This is what makes the matter hopeless. If a farmer talks to you about his pigs or his poultry, or a physician about his patients, or a lawyer about his briefs, or a merchant about stock, or an author about himself, you know how to account for this, it is a common infirmity, you have a laugh at his expense, and there is no more to be said. But here is a man who goes out of his way to be absurd, and is troublesome by a romantic effort of generosity. You cannot say to him, “All this may be interesting to you, but I have no concern in it:” you cannot put him off in that way. He retorts the Latin adage upon you—Nihil humani a me alienum puto. He has got possession of a subject which is of universal and paramount interest (not “a fee-grief, due to some single breast”)—and on that plea may hold you by the button as long as be chooses. His delight is to harangue on what nowise regards himself: how then can you refuse to listen to what as little amuses you? Time and tide wait for no man. The business of the state admits of no delay. The question of Universal Suffrage and Annual Parliaments stands first on the order of the day—takes precedence in its own right of every other question. Any other topic, grave or gay, is looked upon in the light of impertinence, and sent to Coventry. Business is an interruption; pleasure a digression from it. It is the question before every company where the Major comes, which immediately resolves itself into a committee of the whole world upon it, is carried on by means of a perpetual virtual adjournment, and it is presumed that no other is entertained while this is pending—a determination which gives its persevering advocate a fair prospect of expatiating on it to his dying day. As Cicero says of study, it follows him into the country, it stays with him at home: it sits with him at breakfast, and goes out with him to dinner. It is like a part of his dress, of the costume of his person, without which he would be at a loss what to do. If he meets you in the street, he accosts you with it as a form of salutation: if you see him at his own house, it is supposed you come upon that. If you happen to remark, “It is a fine day or the town is full,” it is considered as a temporary compromise of the question; you are suspected of not going the whole length of the principle. As Sancho when reprimanded for mentioning his homely favourite in the Duke's kitchen, defended himself by saying—“There I thought of Dapple, and there I spoke of him”—so the true stickler for Reform neglects no opportunity of introducing the subject wherever he is. Place its veteran champion under the frozen north, and he will celebrate sweet smiling Reform: place him under the mid-day Afric suns, and he will talk of nothing but Reform—Reform so sweetly smiling and so sweetly promising for the last forty years—

Dulce ridentem Lalagen,
Dulce loquentem!

A topic of this sort of which the person himself may be considered as almost sole proprietor and patentee is an estate for life, free from all incumbrance of wit, thought, or study, you live upon it as a settled income; and others might as well think to eject you out of a capital freehold house and estate as think to drive you out of it into the wide world of common sense and argument. Every man's house is his castle; and every man's common-place is his stronghold, from which he looks out and smiles at the dust and heat of controversy, raised by a number of frivolous and vexatious questions—“Rings the world with the vain stir!” A cure for this and every other evil would be a Parliamentary Reform; and so we return in a perpetual circle to the point from which we set out. Is not this a species of sober madness more provoking than the real? Has not the theoretical enthusiast his mind as much warped, as much enslaved by one idea as the acknowledged lunatic, only that the former has no lucid intervals? If you see a visionary of this class going along the street, you can tell as well what he is thinking of and will say next as the man that fancies himself a tea-pot or the Czar of Muscovy. The one is as inaccessible to reason as the other: if the one raves, the other dotes!

There are some who fancy the Corn Bill the root of all evil, and others who trace all the miseries of life to the practice of muffling up children in night-clothes when they sleep or travel. They will declaim by the hour together on the first, and argue themselves black in the face on the last. It is in vain that you give up the point. They persist in the debate, and begin again—“But don't you see—?” These sort of partial obliquities, as they are more entertaining and original, are also by their nature intermittent. They hold a man but for a season. He may have one a year or every two years; and though, while he is in the heat of any new discovery, he will let you hear of nothing else, he varies from himself, and is amusing undesignedly. He is not like the chimes at midnight.

People of the character here spoken of, that is, who tease you to death with some one idea, generally differ in their favourite notion from the rest of the world; and indeed it is the love of distinction which is mostly at the bottom of this peculiarity. Thus one person is remarkable for living on a vegetable diet, and never fails to entertain you all dinner-time with an invective against animal food. One of this self-denying class, who adds to the primitive simplicity of this sort of food the recommendation of having it in a raw state, lamenting the death of a patient whom he had augured to be in a good way as a convert to his system, at last accounted for his disappointment in a whisper—“But she ate meat privately, depend upon it.” It is not pleasant, though it is what one submits to willingly from some people, to be asked every time you meet, whether you have quite left off drinking wine, and to be complimented or condoled with on your looks according as you answer in the negative or affirmative. Abernethy thinks his pill an infallible cure for all disorders. A person once complaining to his physician that he thought his mode of treatment had not answered, he assured him it was the best in the world,—“and as a proof of it,” says he, “I have had one gentleman, a patient with your disorder, under the same regimen for the last sixteen years!”—l have known persons whose minds were entirely taken up at all times and on all occasions with such questions as the Abolition of the Slave Trade, the Restoration of the Jews, or the progress of Unitarianism. I myself at one period took a pretty strong turn to inveighing against the doctrine of Divine Right, and am not yet cured of my prejudice on that subject. How many projectors have gone mad in good earnest from incessantly harping on one idea, the discovery of the philosopher's stone, the finding out the longitude, or paying off the national debt! The disorder at length comes to a fatal crisis; but long before this, and while they were walking about and talking as usual, the derangement of the fancy, the loss of all voluntary power to control or alienate their ideas from the single subject that occupied them, was gradually taking place, and overturning the fabric of the understanding by wrenching it all on one side. Alderman Wood has, I should suppose, talked of nothing but the Queen in all companies for the last six months. Happy Alderman Wood! Some persons have got a definition of the verb, others a system of short-hand, others a cure for typhus fever, others a method for preventing the counterfeiting of bank notes, which they think the best possible, and indeed the only one. Others insist there have been only three great men in the world, leaving you to add a fourth. A man who has been in Germany will sometimes talk of nothing but what is German: a Scotchman always leads the discourse to his own country. Some descant on the Kantean philosophy. There is a conceited fellow about town who talks always and every where on this subject. He wears the Categories round his neck like a pearl-chain: he plays off the names of the primary and transcendental qualities like rings on his fingers. He talks of the Kantean system while he dances; he talks of it while he dines, he talks of it to his children, to his apprentices, to his customers. He called on me to convince me of it, and said I was only prevented from becoming a complete convert by one or two prejudices. He knows no more about it than a pike-staff. Why then does he make so much ridiculous fuss about it? It is not that he has got this one idea in his head, but that he has got no other. A dunce may talk on the subject of the Kantean philosophy with great impunity: if he opened his lips on any other, he might be found out. A French lady, who had married an Englishman who said little, excused him by saying,—“He is always thinking of Locke and Newton.” This is one way of passing muster by following in the suite of great names!—A friend of mine, whom I met one day in the street, accosted me with more than usual vivacity, and said, “Well, we're selling, we're selling!” I thought he meant a house. “No,” he said, “haven't you seen the advertisement in the newspapers? I mean five-and-twenty copies of the Essay.” This work, a comely, capacious quarto on the most abstruse metaphysics, had occupied his sole thoughts for several years, and he concluded that I must be thinking of what he was. I believe, however, I may say I am nearly the only person that ever read, certainly that ever pretended to understand it. It is an original and most ingenious work, nearly as incomprehensible as it is original, and as quaint as it is ingenious. If the author is taken up with the ideas in his own head and no others, he has a right: for he has ideas there, that are to be met with nowhere else, and which occasionally would not disgrace a Berkeley. A dextrous plagiarist might get himself an immense reputation by putting them in a popular dress. Oh! how little do they know, who have never done any thing but repeat after others by rote, the pangs, the labour, the yearnings and misgivings of mind it costs, to get at the germ of an original idea—to dig it out of the hidden recesses of thought and nature, and bring it half-ashamed, struggling, and deformed into the day—to give words and intelligible symbols to that which was never imagined or expressed before! It is as if the dumb should speak for the first time, as if things should stammer out their own meaning, through the imperfect organs of mere sense. I wish that some of our fluent, plausible declaimers, who have such store of words to cover the want of ideas, could lend their art to this writer. If he, “poor, unfledged” in this respect, “who has scarce winged from view o' th' nest,” could find a language for his ideas, truth would find a language for some of her secrets. Mr. Fearn was buried in the woods of Indostan. In his leisure from business and from tiger-shooting, he took it into his head to look into his own mind. A whim or two, an odd fancy, like a film before the eye, now and then crossed it: it struck him as something curious, but the impression at first disappeared like breath upon glass. He thought no more of it; yet still the same conscious feelings returned, and what at first was chance or instinct became a habit. Several notions had taken possession of his brain relating to mental processes which he had never heard alluded to in conversation, but not being well versed in such matters, he did not know whether they were to be found in learned authors or not. He took a journey to the capital of the Peninsula on purpose, bought Locke, Reid, Stewart, and Berkeley, whom he consulted with eager curiosity when he got home, but did not find what he looked for. He set to work himself; and in a few weeks, sketched out a rough draught of his thoughts and observations on bamboo paper. The eagerness of his new pursuit, together with the diseases of the climate, proved too much for his constitution, and he was forced to return to this country. He put his metaphysics, his bamboo manuscript, into the boat with him, and as he floated down the Ganges, said to himself, “If I live, this will live: if I die, it will not be heard of.” What is fame to this feeling? The babbling of an idiot! He brought the work home with him, and twice had it stereotyped. The first sketch he allowed was obscure, but the improved copy he thought could not fail to strike. It did not succeed. The world, as Goldsmith said of himself, made a point of taking no notice of it. Ever since he has had nothing but disappointment and vexation—the greatest and most heart-breaking of all others—that of not being able to make yourself understood. Mr. Fearn tells me there is a sensible writer in the Monthly Review who sees the thing in its proper light, and says so. But I have heard of no other instance. There are notwithstanding ideas in this work, neglected and ill-treated as it has been, that lead to more curious and subtle speculations on some of the most disputed and difficult points of the philosophy of the human mind (such as relation, abstraction, &c.) than have been thrown out in any work for the last sixty years, I mean since Hume; for since his time, there has been no metaphysician in this country, worth the name. Yet his Treatise on Human Nature, he tells us, “fell still-born from the press.” So it is that knowledge works its way, and reputation lingers far behind it. But truth is better than opinion, I maintain it; and as to the two stereotyped and unsold editions of the Essay on Consciousness, I say, Honi soit qui mal y pense[1]!—My Uncle Toby had one idea in his head, that of his bowling-green, and another, that of the Widow Wadman. Oh, spare them both! I will only add one more anecdote in illustration of this theory of the mind's being occupied with one idea, which is most frequently of a man's self. A celebrated lyrical writer happened to drop into a small party where they had just got the novel of Rob Roy, by the author of Waverley. The motto in the title-page was taken from a poem of his. This was a hint sufficient, a word to the wise. He instantly went to the book-shelf in the next room, took down the volume of his own poems, read the whole of that in question aloud with manifest complacency, replaced it on the shelf, and walked away; taking no more notice of Rob Roy than if there had been no such person, nor of the new novel than if it had not been written by its renowned author. There was no reciprocity in this. But the writer in question does not admit of any merit second to his own[2].

Mr. Owen is a man remarkable for one idea. It is that of himself and the Lanark cotton-mills. He carries this idea backwards and forwards with him from Glasgow to London, without allowing anything for attrition, and expects to find it in the same state of purity and perfection in the latter place as at the former. He acquires a wonderful velocity and impenetrability in his undaunted transit. Resistance to him is vain, while the whirling motion of the mail-coach remains in his head.

“Nor Alps nor Apennines can keep him out,
Nor fortified redoubt.”

He even got possession, in the suddenness of his onset, of the steam-engine of the Times Newspaper, and struck off ten thousand wood-cuts of the Projected Villages, which afforded an ocular demonstration to all who saw them of the practicability of Mr. Owen's whole scheme. He comes into a room with one of these documents in his hand, with the air of a schoolmaster and a quack-doctor mixed, asks very kindly how you do, and on hearing you are still in an indifferent state of health owing to bad digestion, instantly turns round, and observes, “That all that will be remedied in his plan: that indeed he thinks too much attention has been paid to the mind, and not enough to the body; that in his system, which he has now perfected and which will shortly be generally adopted, he has provided effectually for both: that he has been long of opinion that the mind depends altogether on the physical organisation, and where the latter is neglected or disordered, the former must languish and want its due vigour: that exercise is therefore a part of his system, with full liberty to develop every faculty of mind and body: that two objections had been made to his New View of Society, viz. its want of relaxation from labour, and its want of variety; but the first of these, the too great restraint, he trusted he had already answered, for where the powers of mind and body were freely exercised and brought out, surely liberty must be allowed to exist in the highest degree; and as to the second, the monotony which would be produced by a regular and general plan of co-operation, he conceived he had proved in his “New View” and “Addresses to the higher Classes;” that the co-operation he had recommended was necessarily conducive to the most extensive improvement of the ideas and faculties, and where this was the case, there must be the greatest possible variety instead of a want of it.” And having said this, this expert and sweeping orator takes up his hat and walks down stairs after reading his lecture of truisms like a play-bill or an apothecary's advertisement; and should you stop him at the door to say by way of putting in a word in common, that Mr. Southey seems somewhat favourable to his plan in his late Letter to Mr. William Smith, he looks at you with a smile of pity at the futility of all opposition and the idleness of all encouragement. People who thus swell out some vapid scheme of their own into undue importance, seem to me to labour under water in the head—to exhibit a huge hydrocephalus! They may be very worthy people for all that, but they are bad companions and very indifferent reasoners. Tom Moore says of some one somewhere, “That he puts his hand in his breeches' pocket like a crocodile.” The phrase is hieroglyphical: but Mr. Owen and others might be said to put their foot in the question of social improvement and reform much in the same unaccountable manner.

I hate to be surfeited with anything, however sweet. I do not want to be always tied to the same question, as if there were no other in the world. I like a mind more Catholic.

“I love to talk with mariners,
That come from a far countreé.”

I am not for “a collusion” but “an exchange” of ideas. It is well to hear what other people have to say on a number of subjects. I do not wish to be always respiring the same confined atmosphere, but to vary the scene, and get a little relief and fresh air out of doors. Do all we can to shake it off, there is always enough pedantry, egotism, and self-conceit left lurking behind: we need not seal ourselves up hermetically in these precious qualities; so as to think of nothing but our own wonderful discoveries, and hear nothing but the sound of our own voice. Scholars, like princes, may learn something by being incognito. Yet we see those who cannot go into a bookseller's shop, or bear to be five minutes in a stage-coach, without letting you know who they are. They carry their reputation about with them as the snail does its shell, and sit under its canopy, like the lady in the lobster. I cannot understand this at all. What is the use of a man's always revolving round his own little circle? He must, one should think, be tired of it himself, as well as tire other people. A well-known writer says with much boldness both in the thought and expression, that “a Lord is imprisoned in the Bastille of a name, and cannot enlarge himself into man:” and I have known men of genius in the same predicament. Why must a man be for ever mouthing out his own poetry, comparing himself with Milton, passage by passage, and weighing every line in a balance of posthumous fame which he holds in his own hands? It argues a want of imagination as well as common sense. Has he no ideas but what he has put into verse; or none in common with his hearers? Why should he think it the only scholar-like thing, the only “virtue extant” to see the merit of his writings, and that “men were brutes without them?” Why should he bear a grudge to all art, to all beauty, to all wisdom that does not spring from his own brain? Or why should he fondly imagine that there is but one fine thing in the world, namely poetry, and that he is the only poet in it? It will never do. Poetry is a very fine thing; but there are other things besides it. Every thing must have its turn. Does a wise man think to enlarge his comprehension by turning his eyes only on himself, or hope to conciliate the admiration of others by scouting, proscribing, and loathing all that they delight in? He must either have a disproportionate idea of himself, or be ignorant of the world in which he lives. It is quite enough to have one class of people born to think the universe made for them!—It seems also to argue a want of repose, of confidence, and firm faith in a man's real pretensions, to be always dragging them forward into the fore-ground, as if the proverb held here—Out of sight out of mind. Does he, for instance, conceive that no one would ever think of his poetry, unless he forced it upon them by repeating it himself? Does he believe all competition, all allowance of another's merit fatal to him? Must he, like Moody in the Country Girl, lock up the faculties of his admirers in ignorance of all other fine things, painting, music, the antique, lest they should play truant to him? Methinks such a proceeding implies no good opinion of his own genius or their taste:—it is deficient in dignity and in decorum. Surely if any one is convinced of the reality of an acquisition, he can bear not to have it spoken of every minute. If he knows he has an undoubted superiority in any respect, he will not be uneasy because every one he meets is not in the secret, nor staggered by the report of rival excellence. One of the first mathematicians and classical scholars of the day was mentioning it as a compliment to himself that a cousin of his, a girl from school, had said to him—“You know Manning— — — is a very plain good sort of a young man, but he is not anything at all out of the common.” L. H. once said to me—“I wonder I never heard you speak upon this subject before, which you seem to have studied a good deal.” I answered, “Why, we were not reduced to that, that I know of!”——

There are persons, who without being chargeable with the vice here spoken of, yet “stand accountant for as great a sin:” though not dull and monotonous, they are vivacious mannerists in their conversation, and excessive egotists. Though they run over a thousand subjects in mere gaiety of heart, their delight still flows from one idea, namely, themselves. Open the book in what page you will, there is a frontispiece of themselves staring you in the face. They are a sort of Jacks o' the Green, with a sprig of laurel, a little tinsel, and a little smut, but still playing antics and keeping in incessant motion, to attract attention and extort your pittance of approbation. Whether they talk of the town or the country, poetry or politics, it comes to much the same thing. If they talk to you of the town, its diversions, “its palaces, its ladies, and its streets,” they are the delight, the grace, and ornament of it. If they are describing the charms of the country, they give no account of any individual spot or object or source of pleasure but the circumstance of their being there. “With them conversing, we forget all place, all seasons, and their change.” They perhaps pluck a leaf or a flower, patronise it, and hand it you to admire, but select no one feature of beauty or grandeur to dispute the palm of perfection with their own persons. Their rural descriptions are mere landscape back-grounds with their own portraits in an engaging attitude in front. They are not observing or enjoying the scene, but doing the honours as masters of the ceremonies to nature, and arbiters of elegance to all humanity. If they tell a love-tale of enamoured princesses, it is plain they fancy themselves the hero of the piece. If they discuss poetry, their encomiums still turn on something genial and unsophisticated, meaning their own style: if they enter into politics, it is understood that a hint from them to the potentates of Europe is sufficient. In short, as a lover (talk of what you will) brings in his mistress at every turn, so these persons contrive to divert your attention to the same darling object—they are, in fact, in love with themselves; and like lovers, should be left to keep their own company.

  1. Quarto poetry, as well as quarto metaphysics, does not always sell. Going one day into a shop in Paternoster-row to see for some lines in Mr. Wordsworth's Excursion to interlard some prose with, I applied to the constituted authorities, and asked if I could look at a copy of the Excursion? The answer was—“Into which country, Sir?”
  2. These fantastic poets are like a foolish ringer at Plymouth that Northcote tells the story of. He was proud of his ringing, and the boys who made a jest of his foible used to get him in the belfry, and ask him, “Well now, John, how many good ringers are there in Plymouth?” “Two,” he would say, without any hesitation. “Ay, indeed! and who are they?”—“Why, first, there's myself, that's one; and—and”——“Well, and who's the other?”—“Why, there's, there's——Ecod, I can't think of any other but myself.” Talk we of one Master Launcelot. The story is of ringers: it will do for any vain, shallow, self-satisfied egotist of them all.