The Atlantic Monthly/Volume 2/Number 4/Eloquence

by Ralph Waldo Emerson

ELOQUENCE.

It is the doctrine of the popular music-masters, that whoever can speak can sing. So, probably, every man is eloquent once in his life. Our temperaments differ in capacity of heat, or we boil at different degrees. One man is brought to the boiling point by the excitement of conversation in the parlor. The waters, of course, are not very deep. He has a two-inch enthusiasm, a pattypan ebullition. Another requires the additional caloric of a multitude, and a public debate; a third needs an antagonist, or a hot indignation; a fourth needs a revolution; and a fifth, nothing less than the grandeur of absolute ideas, the splendors and shades of Heaven and Hell.

But because every man is an orator, how long soever he may have been a mute, an assembly of men is so much more susceptible. The eloquence of one stimulates all the rest, some up to the speaking point, and all others to a degree that makes them good receivers and conductors, and they avenge themselves for their enforced silence by increased loquacity on their return to the fireside.

The plight of these phlegmatic brains is better than that of those who prematurely boil, and who impatiently break the silence before their time. Our county conventions often exhibit a small-pot-soon-hot style of eloquence. We are too much reminded of a medical experiment, where a series of patients are taking nitrous-oxide gas. Each patient, in turn, exhibits similar symptoms,—redness in the face, volubility, violent gesticulation, delirious attitudes, occasional stamping, an alarming loss of perception of the passage of time, a selfish enjoyment of his sensations, and loss of perception of the sufferings of the audience.

Plato says, that the punishment which the wise suffer, who refuse to take part in the government, is, to live under the government of worse men; and the like regret is suggested to all the auditors, as the penalty of abstaining to speak, that they shall hear worse orators than themselves.

But this lust to speak marks the universal feeling of the energy of the engine, and the curiosity men feel to touch the springs. Of all the musical instruments on which men play, a popular assembly is that which has the largest compass and variety, and out of which, by genius and study, the most wonderful effects can be drawn. An audience is not a simple addition of the individuals that compose it. Their sympathy gives them a certain social organism, which fills each member, in his own degree, and most of all the orator, as a jar in a battery is charged with the whole electricity of the battery. No one can survey the face of an excited assembly, without being apprised of new opportunity for painting in fire human thought, and being agitated to agitate. How many orators sit mute there below! They come to get justice done to that ear and intuition which no Chatham and no Demosthenes has begun to satisfy.

The Welsh Triads say, "Many are the friends of the golden tongue." Who can wonder at the attractiveness of Parliament, or of Congress, or the bar, for our ambitious young men, when the highest bribes of society are at the feet of the successful orator? He has his audience at his devotion. All other fames must hush before his. He is the true potentate; for they are not kings who sit on thrones, but they who know how to govern. The definitions of eloquence describe its attraction for young men. Antiphon the Rhamnusian, one of Plutarch's ten orators, advertised in Athens, "that he would cure distempers of the mind with words." No man has a prosperity so high or firm, but two or three words can dishearten it. There is no calamity which right words will not begin to redress. Isocrates described his art, as "the power of magnifying what was small and diminishing what was great";--an acute, but partial definition. Among the Spartans, the art assumed a Spartan shape, namely, of the sharpest weapon. Socrates says, "If any one wishes to converse with the meanest of the Lacedaemonians, he will at first find him despicable in conversation; but, when a proper opportunity offers, this same person, like a skilful jaculator, will hurl a sentence worthy of attention, short and contorted, so that he who converses with him will appear to be in no respect superior to a boy." Plato's definition of rhetoric is, "the art of ruling the minds of men." The Koran says, "A mountain may change its place, but a man will not change his disposition";—yet the end of eloquence is,-—is it not?—to alter in a pair of hours, perhaps in a half-hour's discourse, the convictions and habits of years. Young men, too, are eager to enjoy this sense of added power and enlarged sympathetic existence. The orator sees himself the organ of a multitude, and concentrating their valors and powers:

"But now the blood of twenty thousand men
Blushed in my face."

That which he wishes, that which eloquence ought to reach, is, not a particular skill in telling a story, or neatly summing up evidence, or arguing logically, or dexterously addressing the prejudice of the company; no, but a taking sovereign possession of the audience. Him we call an artist, who shall play on an assembly of men as a master on the keys of the piano,—who, seeing the people furious, shall soften and compose them, shall draw them, when he will, to laughter and to tears. Bring him to his audience, and, be they who they may, coarse or refined, pleased or displeased, sulky or savage, with their opinions in the keeping of a confessor, or with their opinions in their bank-safes,—he will have them pleased and humored as he chooses; and they shall carry and execute that which he bids them.

This is that despotism which poets have celebrated in the "Pied Piper of Hamelin," whose music drew like the power of gravitation,—drew soldiers and priests, traders and feasters, women and boys, rats and mice; or that of the minstrel of Meudon, who made the pallbearers dance around the bier. This is a power of many degrees, and requiring in the orator a great range of faculty and experience, requiring a large composite man, such as Nature rarely organizes, so that, in our experience, we are forced to gather up the figure in fragments, here one talent, and there another.

The audience is a constant metre of the orator. There are many audiences in every public assembly, each one of which rules in turn. If anything comic and coarse is spoken, you shall see the emergence of the boys and rowdies, so loud and vivacious, that you might think the house was filled with them. If new topics are started, graver and higher, these roisters recede; a more chaste and wise attention takes place. You would think the boys slept, and that the men have any degree of profoundness. If the speaker utter a noble sentiment, the attention deepens, a new and highest audience now listens, and the audiences of the fun and of facts and of the understanding are all silenced and awed. There is also something excellent in every audience,—the capacity of virtue. They are ready to be beatified. They know so much more than the orator,—and are so just! There is a tablet there for every line he can inscribe, though he should mount to the highest levels. Humble persons are conscious of new illumination; narrow brows expand with enlarged affections: delicate spirits, long unknown to themselves, masked and muffled in coarsest fortunes, who now hear their own native language for the first time, and leap to hear it. But all these several audiences, each above each, which successively appear to greet the variety of style and topic, are really composed out of the same persons; nay, sometimes the same individual will take active part in them all, in turn.

This range of many powers in the consummate speaker and of many audiences in one assembly leads us to consider the successive stages of oratory.

Perhaps it is the lowest of the qualities of an orator, but it is, on so many occasions, of chief importance,—a certain robust and radiant physical health,—or, shall I say? great volumes of animal heat. When each auditor feels himself to make too large a part of the assembly, and shudders with cold at the thinness of the morning audience, and with fear lest all will heavily fail through one bad speech, mere energy and mellowness are then inestimable. Wisdom and learning would be harsh and unwelcome, compared with a substantial cordial man, made of milk, as we say, who is a house-warmer, with his obvious honesty and good meaning, and a hue-and-cry style of harangue, which inundates the assembly with a flood of animal spirits, and makes all safe and secure, so that any and every sort of good speaking becomes at once practicable. I do not rate this animal eloquence very highly, and yet, as we must be fed and warmed before we can do any work well, even the best, so is this semi-animal exuberance, like a good stove, of the first necessity in a cold house.

Climate has much to do with it,—climate and race. Set a New Englander to describe any accident which happened in his presence. What hesitation and reserve in his narrative! He tells with difficulty some particulars, and gets as fast as he can to the result, and, though he cannot describe, hopes to suggest the whole scene. Now listen to a poor Irish-woman recounting some experience of hers. Her speech flows like a river,—so unconsidered, so humorous, so pathetic, such justice done to all the parts! It is a true transubstantiation,—the fact converted into speech, all warm and colored and alive, as it fell out. Our Southern people are almost all speakers, and have every advantage over the New England people, whose climate is so cold, that, 'tis said, we do not like to open our mouths very wide. But neither can the Southerner in the United States, nor the Irish, compare with the lively inhabitant of the South of Europe. The traveller in Sicily needs no gayer melodramatic exhibition than the table d'hôte of his inn will afford him, in the conversation of the joyous guests. They mimic the voice and manner of the person they describe; they crow, squeal, hiss, cackle, bark, and scream like mad, and, were it only by the physical strength exerted in telling the story, keep the table in unbounded excitement. But in every constitution some large degree of animal vigor is necessary as material foundation for the higher qualities of the art.

But eloquence must be attractive, or it is none. The virtue of books is to be readable, and of orators to be interesting, and this is a gift of Nature; as Demosthenes, the most laborious student in that kind, signified his sense of this necessity when he wrote, "Good Fortune," as his motto on his shield. As we know, the power of discourse of certain individuals amounts to fascination, though it may have no lasting effect. Some portion of this sugar must intermingle. The right eloquence needs no bell to call the people together, and no constable to keep them. It draws the children from their play, the old from their arm-chairs, and the invalid from his warm chamber; it holds the hearer fast, steals away his feet, that he shall not depart,—his memory, that he shall not remember the most pressing affairs,—his belief, that he shall not admit any opposing considerations. The pictures we have of it in semi-barbarous ages, when it has some advantages in the simpler habit of the people, show what it aims at. It is said that the Khans, or story-tellers in Ispahan and other cities of the East, attain a controlling power over their audience, keeping them for many hours attentive to the most fanciful and extravagant adventures. The whole world knows pretty well the style of these improvisators, and how fascinating they are, in our translations of the "Arabian Nights." Scheherzarade tells these stories to save her life, and the delight of young Europe and young America in them proves that she fairly earned it. And who does not remember in childhood some white or black or yellow Scheherzarade, who, by that talent of telling endless feats of fairies and magicians, and kings and queens, was more dear and wonderful to a circle of children than any orator of England or America is now? The more indolent and imaginative complexion of the Eastern nations makes them much more impressible by these appeals to the fancy.

These legends are only exaggerations of real occurrences, and every literature contains these high compliments to the art of the orator and the bard, from the Hebrew and the Greek down to the Scottish Glenkindie, who

—"harpit a fish out o' saut water,
Or water out of a stone,
Or milk out of a maiden's breast
Who bairn had never none."

Homer specially delighted in drawing the same figure. For what is the "Odyssey," but a history of the orator, in the largest style, carried through a series of adventures furnishing brilliant opportunities to his talent? See with what care and pleasure the poet brings him on the stage. Helen is pointing out to Antenor, from a tower, the different Grecian chiefs. "Antenor said: 'Tell me, dear child, who is that man, shorter by a head than Agamemnon, yet he looks broader in his shoulders and breast. His arms lie on the ground, but he, like a leader, walks about the bands of the men. He seems to me like a stately ram, who goes as a master of the flock.' Him answered Helen, daughter of Jove: 'This is the wise Ulysses, son of Laertes, who was reared in the state of craggy Ithaca, knowing all wiles and wise counsels.' To her the prudent Antenor replied again: 'O woman, you have spoken truly. For once the wise Ulysses came hither on an embassy, with Menelaus, beloved by Mars. I received them, and entertained them at my house. I became acquainted with the genius and the prudent judgments of both. When they mixed with the assembled Trojans and stood, the broad shoulders of Menelaus rose above the other; but, both sitting, Ulysses was more majestic. When they conversed, and interweaved stories and opinions with all; Menelaus spoke succinctly, few but very sweet words, since he was not talkative, nor superfluous in speech, and was the younger. But when the wise Ulysses arose, and stood, and looked down, fixing his eyes on the ground, and neither moved his sceptre backward nor forward, but held it still, like an awkward person, you would say it was some angry or foolish man; but when he sent his great voice forth out of his breast, and his words fell like the winter snows, not then would any mortal contend with Ulysses; and we, beholding, wondered not afterwards so much at his aspect."^[1]

Thus he does not fail to arm Ulysses at first with this power of overcoming all opposition by the blandishments of speech. Plutarch tells us that Thucydides, when Archidamus, king of Sparta, asked him, Which was the best wrestler, Pericles or he? replied, "When I throw him, he says he was never down, and he persuades the very spectators to believe him." Philip of Macedon said of Demosthenes, on hearing the report of one of his orations, "Had I been there, he would have persuaded me to take up arms against myself"; and Warren Hastings said of Burke's speech on his impeachment, "As I listened to the orator, I felt for more than half an hour as if I were the most culpable being on earth."

In these examples, higher qualities have already entered; but the power of detaining the ear by pleasing speech, and addressing the fancy and imagination, often exists without higher merits. Thus separated, as this fascination of discourse aims only at amusement, though it be decisive in its momentary effect, it is yet a juggle, and of no lasting power. It is heard like a band of music passing through the streets, which converts all the passengers into poets, but is forgotten as soon as it has turned the next corner; and unless this oiled tongue could, in Oriental phrase, lick the sun and moon away, it must take its place with opium and brandy. I know no remedy against it but cotton-wool, or the wax which Ulysses stuffed into the ears of his sailors to pass the Sirens safely.

There are all degrees of power, and the least are interesting, but they must not be confounded. There is the glib tongue and cool self-possession of the salesman in a large shop, which, as is well known, overpower the prudence and resolution of housekeepers of both sexes. There is a petty lawyer's fluency, which is sufficiently impressive to him who is devoid of that talent, though it be, in so many cases, nothing more than a facility of expressing with accuracy and speed what everybody thinks and says more slowly, without new information, or precision of thought,—but the same thing, neither less nor more. It requires no special insight to edit one of our country newspapers. Yet whoever can say off currently, sentence by sentence, matter neither better nor worse than what is there printed, will be very impressive to our easily-pleased population. These talkers are that class who prosper like the celebrated schoolmaster, by being only one lesson ahead of the pupil. Add a little sarcasm, and prompt allusion to passing occurrences, and you have the mischievous member of Congress. A spice of malice, a ruffian touch in his rhetoric, will do him no harm with his audience. These accomplishments are of the same kind, and only a degree higher than the coaxing of the auctioneer, or the vituperative style well described in the street-word "jawing." These kinds of public and private speaking have their use and convenience to the practitioners; but we may say of such collectively, that the habit of oratory is apt to disqualify them for eloquence.

One of our statesmen said, "The curse of this country is eloquent men." And one cannot wonder at the uneasiness sometimes manifested by trained statesmen, with large experience of public affairs, when they observe the disproportionate advantage suddenly given to oratory over the most solid and accumulated public service. In a Senate or other business committee, the solid result depends on a few men with working talent. They know how to deal with the facts before them, to put things into a practical shape, and they value men only as they can forward the work. But some new man comes there, who has no capacity for helping them at all, is insignificant, and nobody in the committee, but has a talent for speaking. In the debate with open doors, this precious person makes a speech, which is printed, and read all over the Union, and he at once becomes famous, and takes the lead in the public mind over all these executive men, who, of course, are full of indignation to find one who has no tact or skill, and knows he has none, put over them by means of this talking power which they despise.

Leaving behind us these pretensions, better or worse, to come a little nearer to the verity, eloquence is attractive as an example of the magic of personal ascendency;—a total and resultant power,—rare, because it requires a rich coincidence of powers, intellect, will, sympathy, organs, and, over all, good-fortune in the cause. We have a half-belief that the person is possible who can counterpoise all other persons. We believe that there may be a man who is a match for events,—one who never found his match,—against whom other men being dashed are broken,—one of inexhaustible personal resources, who can give you any odds and beat you. What we really wish for is a mind equal to any exigency. You are safe in your rural district, or in the city, in broad daylight, amidst the police, and under the eyes of a hundred thousand people. But how is it on the Atlantic, in a storm? Do you understand how to infuse your reason into men disabled by terror, and to bring yourself off safe then?—how among thieves, or among an infuriated populace, or among cannibals? Face to face with a highwayman who has every temptation and opportunity for violence and plunder, can you bring yourself off safe by your wit, exercised through speech?—a problem easy enough to Cæsar, or Napoleon. Whenever a man of that stamp arrives, the highwayman has found a master. What a difference between men in power of face! A man succeeds because he has more power of eye than another, and so coaxes or confounds him. The newspapers, every week, report the adventures of some impudent swindler, who, by steadiness of carriage, duped those who should have known better. Yet any swindlers we have known are novices and bunglers, as is attested by their ill name. A greater power of face would accomplish anything, and, with the rest of their takings, take away the bad name. A greater power of carrying the thing loftily, and with perfect assurance, would confound merchant, banker, judge, men of influence and power, poet, and president, and might head any party, unseat any sovereign, and abrogate any constitution in Europe and America. It was said, that a man has at one step attained vast power, who has renounced his moral sentiment, and settled it with himself that he will no longer stick at anything. It was said of Sir William Pepperel, one of the worthies of New England, that, "put him where you might, he commanded, and saw what he willed come to pass." Julius Cæsar said to Metellus, when that tribune interfered to hinder him from entering the Roman treasury, "Young man, it is easier for me to put you to death than to say that I will"; and the youth yielded. In earlier days, he was taken by pirates. What then? He threw himself into their ship; established the most extraordinary intimacies; told them stories; declaimed to them; if they did not applaud his speeches, he threatened them with hanging,—which he performed afterwards,—and, in a short time, was master of all on board. A man this is who cannot be disconcerted, and so can never play his last card, but has a reserve of power when he has hit his mark. With a serene face, he subverts a kingdom. What is told of him is miraculous; it affects men so. The confidence of men in him is lavish, and he changes the face of the world, and histories, poems, and new philosophies arise to account for him. A supreme commander over all his passions and affections; but the secret of his ruling is higher than that. It is the power of Nature running without impediment from the brain and will into the hands. Men and women are his game. Where they are, he cannot be without resource. "Whoso can speak well," said Luther, "is a man." It was men of this stamp that the Grecian States used to ask of Sparta for generals. They did not send to Lacedaemon for troops, but they said, "Send us a commander"; and Pausanias, or Gylippus, or Brasidas, or Agis, was despatched by the Ephors.

It is easy to illustrate this overpowering personality by these examples of soldiers and kings; but there are men of the most peaceful way of life, and peaceful principle, who are felt, wherever they go, as sensibly as a July sun or a December frost,--men who, if they speak, are heard, though they speak in a whisper,--who, when they act, act effectually, and what they do is imitated: and these examples may be found on very humble platforms, as well as on high ones.

In old countries, a high money-value is set on the services of men who have achieved a personal distinction. He who has points to carry must hire, not a skilful attorney, but a commanding person. A barrister in England is reputed to have made twenty or thirty thousand pounds _per annum_ in representing the claims of railroad companies before committees of the House of Commons. His clients pay not so much for legal as for manly accomplishments,--for courage, conduct, and a commanding social position, which enable him to make their claims heard and respected.

I know very well, that, among our cool and calculating people, where every man mounts guard over himself, where heats and panics and abandonments are quite out of the system, there is a good deal of skepticism as to extraordinary influence. To talk of an overpowering mind rouses the same jealousy and defiance which one may observe round a table where anybody is recounting the marvellous anecdotes of mesmerism. Each auditor puts a final stroke to the discourse by exclaiming, "Can he mesmerize _me_?" So each man inquires if any orator can change _his_ convictions.

But does any one suppose himself to be quite impregnable? Does he think that not possibly a man may come to him who shall persuade him out of his most settled determination?--for example, good sedate citizen as he is, to make a fanatic of him? or, if he is penurious, to squander money for some purpose he now least thinks of? or, if he is a prudent, industrious person, to forsake his work, and give days and weeks to a new interest? No, he defies any one, every one. Ah! he is thinking of resistance, and of a different turn from his own. But what if one should come of the same turn of mind as his own, and who sees much farther on his own way than he? A man who has tastes like mine, but in greater power, will rule me any day, and make me love my ruler.

Thus it is not powers of speech that we primarily consider under this word Eloquence, but the power that, being present, gives them their perfection, and, being absent, leaves them a merely superficial value. Eloquence is the appropriate organ of the highest personal energy. Personal ascendency may exist with or without adequate talent for its expression. It is as surely felt as a mountain or a planet; but when it is weaponed with a power of speech, it seems first to become truly human, works actively in all directions, and supplies the imagination with fine materials.

This circumstance enters into every consideration of the power of orators, and is the key to all their effects. In the assembly, you shall find the orator and the audience in perpetual balance, and the predominance of either is indicated by the choice of topic. If the talents for speaking exist, but not the strong personality, then there are good speakers who perfectly receive and express the will of the audience, and the commonest populace is flattered by hearing its low mind returned to it with every ornament which happy talent can add. But if there be personality in the orator, the face of things changes. The audience is thrown into the attitude of pupil, follows like a child its preceptor, and hears what he has to say. It is as if, amidst the king's council at Madrid, Ximenes urged that an advantage might be gained of France, and Mendoza that Flanders might be kept down, and Columbus, being introduced, was interrogated whether his geographical knowledge could aid the cabinet, and he can say nothing to one party or to the other, but he can show how all Europe can be diminished and reduced under the king by annexing to Spain a continent as large as six or seven Europes.

This balance between the orator and the audience is expressed in what is called the pertinence of the speaker. There is always a rivalry between the orator and the occasion, between the demands of the hour and the prepossession of the individual. The emergency which has convened the meeting is usually of more importance than anything the debaters have in their minds, and therefore becomes imperative to them. But if one of them have anything of commanding necessity in his heart, how speedily he will find vent for it, and with the applause of the assembly! This balance is observed in the privatest intercourse. Poor Tom never knew the time when the present occurrence was so trivial that he could tell what was passing in his mind without being checked for unseasonable speech; but let Bacon speak, and wise men would rather listen, though the revolution of kingdoms was on foot. I have heard it reported of an eloquent preacher, whose voice is not yet forgotten in this city, that, on occasions of death or tragic disaster, which overspread the congregation with gloom, he ascended the pulpit with more than his usual alacrity, and, turning to his favorite lessons of devout and jubilant thankfulness, "Let us praise the Lord," carried audience, mourners, and mourning along with him, and swept away all the impertinence of private sorrow with his hosannas and songs of praise. Pepys says of Lord Clarendon, with whom "he is mad in love," on his return from a conference, "I did never observe how much easier a man do speak when he knows all the company to be below him, than in him; for, though he spoke indeed excellent well, yet his manner and freedom of doing it, as if he played with it, and was informing only all the rest of the company, was mighty pretty." [_Diary_, I. 469.]

This rivalry between the orator and the occasion is inevitable, and the occasion always yields to the eminence of the speaker; for a great man is the greatest of occasions. Of course, the interest of the audience and of the orator conspire. It is well with them only when his influence is complete; then only they are well pleased. Especially, he consults his power by making instead of taking his theme. If he should attempt to instruct the people in that which they already know, he would fail; but, by making them wise in that which he knows, he has the advantage of the assembly every moment. Napoleon's tactics of marching on the angle of an army, and always presenting a superiority of numbers, is the orator's secret also.

The several talents which the orator employs, the splendid weapons which went to the equipment of Demosthenes, of AEchines, of Demades, the natural orator, of Fox, of Pitt, of Patrick Henry, of Adams, of Mirabeau, deserve a special enumeration. We must not quite omit to name the principal pieces.

The orator, as we have seen, must be a substantial personality. Then, first, he must have power of statement,--must have the fact, and know how to tell it. In any knot of men conversing on any subject, the person who knows most about it will have the ear of the company, if he wishes it, and lead the conversation,--no matter what genius or distinction other men there present may have; and in any public assembly, him who has the facts, and can and will state them, people will listen to, though he is otherwise ignorant, though he is hoarse and ungraceful, though he stutters and screams.

In a court of justice, the audience are impartial; they really wish to sift the statements, and know what the truth is. And, in the examination of witnesses, there usually leap out, quite unexpectedly, three or four stubborn words or phrases which are the pith and fate of the business, which sink into the ear of all parties, and stick there, and determine the cause. All the rest is repetition and qualifying; and the court and the county have really come together to arrive at these three or four memorable expressions, which betrayed the mind and meaning of somebody.

In every company, the man with the fact is like the guide you hire to lead your party up a mountain or through a difficult country. He may not compare with any of the party in mind, or breeding, or courage, or possessions, but he is much more important to the present need than any of them. That is what we go to the court-house for,--the statement of the fact, and the elimination of a general fact, the real relation of all the parties; and it is the certainty with which, indifferently in any affair that is well handled, the truth stares us in the face, through all the disguises that are put upon it,--a piece of the well-known human life,--that makes the interest of a court-room to the intelligent spectator.

I remember, long ago, being attracted by the distinction of the counsel, and the local importance of the cause, into the court-room. The prisoner's counsel were the strongest and cunningest lawyers in the Commonwealth. They drove the attorney for the State from corner to corner, taking his reasons from under him, and reducing him to silence, but not to submission. When hard-pressed, he revenged himself, in his turn, on the judge, by requiring the court to define what salvage was. The court, thus pushed, tried words, and said everything it could think of to fill the time, supposing cases, and describing duties of insurers, captains, pilots, and miscellaneous sea-officers that are or might be,--like a schoolmaster puzzled by a hard sum, who reads the context with emphasis. But all this flood not serving the cuttle-fish to get away in, the horrible shark of the district-attorney being still there, grimly awaiting with his "The court must define,"--the poor court pleaded its inferiority. The superior court must establish the law for this, and it read away piteously the decisions of the Supreme Court, but read to those who had no pity. The judge was forced at last to rule something, and the lawyers saved their rogue under the fog of a definition. The parts were so well cast and discriminated, that it was an interesting game to watch. The government was well enough represented. It was stupid, but it had a strong will and possession, and stood on that to the last. The judge had a task beyond his preparation, yet his position remained real; he was there to represent a great reality, the justice of states, which we could well enough see beetling over his head, and which his trifling talk nowise affected, and did not impede, since he was entirely well-meaning.

The statement of the fact, however, sinks before the statement of the law, which requires immeasurably higher powers, and is a rarest gift, being in all great masters one and the same thing,--in lawyers, nothing technical, but always some piece of common sense, alike interesting to laymen as to clerks. Lord Mansfield's merit is the merit of common sense. It is the same quality we admire in Aristotle, Montaigne, Cervantes, or in Samuel Johnson, or Franklin. Its application to law seems quite accidental. Each of Mansfield's famous decisions contains a level sentence or two, which hit the mark. His sentences are not always finished to the eye, but are finished to the mind. The sentences are involved, but a solid proposition is set forth, a true distinction is drawn. They come from and they go to the sound human understanding; and I read, without surprise, that the black-letter lawyers of the day sneered at his "equitable decisions," as if they were not also learned. This, indeed, is what speech is for, to make the statement; and all that is called eloquence seems to me of little use, for the most part, to those who have it, but inestimable to such as have something to say.

Next to the knowledge of the fact and its law, is method, which constitutes the genius and efficiency of all remarkable men. A crowd of men go up to Faneuil Hall; they are all pretty well acquainted with the object of the meeting; they have all read the facts in the same newspapers. The orator possesses no information which his hearers have not; yet he teaches them to see the thing with his eyes. By the new placing, the circumstances acquire new solidity and worth. Every fact gains consequence by his naming it, and trifles become important. His expressions fix themselves in men's memories, and fly from mouth to mouth. His mind has some new principle of order. Where he looks, all things fly into their places. What will he say next? Let this man speak, and this man only. By applying the habits of a higher style of thought to the common affairs of this world, he introduces beauty and magnificence wherever he goes. Such a power was Burke's, and of this genius we have had some brilliant examples in our own political and legal men.

Imagery. The orator must be, to a certain extent, a poet. We are such imaginative creatures, that nothing so works on the human mind, barbarous or civil, as a trope. Condense some daily experience into a glowing symbol, and an audience is electrified. They feel as if they already possessed some new right and power over a fact, which they can detach, and so completely master in thought. It is a wonderful aid to the memory, which carries away the image, and never loses it. A popular assembly, like the House of Commons, or the French Chamber, or the American Congress, is commanded by these two powers,—first by a fact, then by skill of statement. Put the argument into a concrete shape, into an image, some hard phrase, round and solid as a ball, which they can see and handle and carry home with them, and the cause is half won.

Statement, method, imagery, selection, tenacity of memory, power of dealing with facts, of illuminating them, of sinking them by ridicule or by diversion of the mind, rapid generalization, humor, pathos, are keys which the orator holds; and yet these fine gifts are not eloquence, and do often hinder a man's attainment of it. And if we come to the heart of the mystery, perhaps we should say that the truly eloquent man is a sane man with power to communicate his sanity. If you arm the man with the extraordinary weapons of this art, give him a grasp of facts, learning, quick fancy, sarcasm, splendid allusion, interminable illustration,—all these talents, so potent and charming, have an equal power to insnare and mislead the audience and the orator. His talents are too much for him, his horses run away with him; and people always perceive whether you drive, or whether the horses take the bits in their teeth and run. But these talents are quite something else when they are subordinated and serve him; and we go to Washington, or to Westminster Hall, or might well go round the world, to see a man who drives, and is not run away with,—a man who, in prosecuting great designs, has an absolute command of the means of representing his ideas, and uses them only to express these; placing facts, placing men; amid the inconceivable levity of human beings, never for an instant warped from his erectness. There is for every man a statement possible of that truth which he is most unwilling to receive,—a statement possible, so broad and so pungent, that he cannot get away from it, but must either bend to it or die of it. Else there would be no such word as eloquence, which means this. The listener cannot hide from himself that something has been shown him and the whole world, which he did not wish to see; and, as he cannot dispose of it, it disposes of him. The history of public men and affairs in America will readily furnish tragic examples of this fatal force.

For the triumphs of the art somewhat more must still be required, namely, a reinforcing of man from events, so as to give the double force of reason and destiny. In transcendent eloquence, there was ever some crisis in affairs, such as could deeply engage the man to the cause he pleads, and draw all this wide power to a point. For the explosions and eruptions, there must be accumulations of heat somewhere, beds of ignited anthracite at the centre. And in cases where profound conviction has been wrought, the eloquent man is he who is no beautiful speaker, but who is inwardly drunk with a certain belief. It agitates and tears him, and perhaps almost bereaves him of the power of articulation. Then it rushes from him as in short, abrupt screams, in torrents of meaning. The possession the subject has of his mind is so entire, that it insures an order of expression which is the order of Nature itself, and so the order of greatest force, and inimitable by any art. And the main distinction between him and other well-graced actors is the conviction, communicated by every word, that his mind is contemplating a whole and inflamed by the contemplation of the whole, and that the words and sentences uttered by him, however admirable, fall from him as unregarded parts of that terrible whole which he sees, and which he means that you shall see. Add to this concentration a certain regnant calmness, which, in all the tumult, never utters a premature syllable, but keeps the secret of its means and method; and the orator stands before the people as a demoniacal power to whose miracles they have no key. This terrible earnestness makes good the ancient superstition of the hunter, that the bullet will hit its mark, which is first dipped in the marksman's blood.

Eloquence must be grounded on the plainest narrative. Afterwards, it may warm itself until it exhales symbols of every kind and color, speaks only through the most poetic forms; but, first and last, it must still be at bottom a biblical statement of fact. The orator is thereby an orator, that he keeps his feet ever on a fact. Thus only is he invincible. No gifts, no graces, no power of wit or learning or illustration will make any amends for want of this. All audiences are just to this point. Fame of voice or of rhetoric will carry people a few times to hear a speaker, but they soon begin to ask, "What is he driving at?" and if this man does not stand for anything, he will be deserted. A good upholder of anything which they believe, a fact-speaker of any kind, they will long follow; but a pause in the speaker's own character is very properly a loss of attraction. The preacher enumerates his classes of men, and I do not find my place therein; I suspect, then, that no man does. Every thing is my cousin, and whilst he speaks things, I feel that he is touching some of my relations, and I am uneasy; but whilst he deals in words, we are released from attention. If you would lift me, you must be on higher ground. If you would liberate me, you must be free. If you would correct my false view of facts,--hold up to me the same facts in the true order of thought, and I cannot go back from the new conviction.

The power of Chatham, of Pericles, of Luther, rested on this strength of character, which, because it did not and could not fear anybody, made nothing of their antagonists, and became sometimes exquisitely provoking and sometimes terrific to these.

We are slenderly furnished with anecdotes of these men, nor can we help ourselves by those heavy books in which their discourses are reported. Some of them were writers, like Burke; but most of them were not, and no record at all adequate to their fame remains. Besides, what is best is lost, the fiery life of the moment. But the conditions for eloquence always exist. It is always dying famous places, and appearing in corners. Wherever the polarities meet, wherever the fresh moral sentiment, the instinct of freedom and duty, come in direct opposition to fossil conservatism and the thirst of gain, the spark will pass. The resistance to slavery in this country has been a fruitful nursery of orators. The natural connection by which it drew to itself a train of moral reforms, and the slight yet sufficient party organization it offered, reinforced the city with new blood from the woods and mountains. Wild men, John Baptists, Hermit Peters, John Knoxes, utter the savage sentiment of Nature in the heart of commercial capitals. They send us every year some piece of aboriginal strength, some tough oak-stick of a man who is not to be silenced or insulted or intimidated by a mob, because he is more mob than they,—one who mobs the mob,—some sturdy countryman, on whom neither money, nor politeness, nor hard words, nor eggs, nor blows, nor brickbats, make any impression. He is fit to meet the bar-room wits and bullies; he is a wit and a bully himself, and something more; he is a graduate of the plough, and the stub-hoe, and the bush-whacker; knows all the secrets of swamp and snow-bank, and has nothing to learn of labor or poverty or the rough of farming. His hard head went through in childhood the drill of Calvinism, with text and mortification, so that he stands in the New England assembly a purer bit of New England than any, and flings his sarcasms right and left. He has not only the documents in his pocket to answer all cavils and to prove all his positions, but he has the eternal reason in his head. This man scornfully renounces your civil organizations,—county, or city, or governor, or army,—is his own navy and artillery, judge and jury, legislature and executive. He has learned his lessons in a bitter school. Yet, if the pupil be of a texture to bear it, the best university that can be recommended to a man of ideas is the gauntlet of the mobs.

He who will train himself to mastery in this science of persuasion must lay the emphasis of education, not on popular arts, but on character and insight. Let him see that his speech is not differenced from action; that, when he has spoken, he has not done nothing, nor done wrong, but has cleared his own skirts, has engaged himself to wholesome exertion. Let him look on opposition as opportunity. He cannot be defeated or put down. There is a principle of resurrection in him, an immortality of purpose. Men are averse and hostile, to give value to their suffrages. It is not the people that are in fault for not being convinced, but he that cannot convince them. He should mould them, armed as he is with the reason and love which are also the core of their nature. He is not to neutralize their opposition, but he is to convert them into fiery apostles and publishers of the same wisdom.

The highest platform of eloquence is the moral sentiment. It is what is called affirmative truth, and has the property of invigorating the hearer; and it conveys a hint of our eternity, when he feels himself addressed on grounds which will remain when everything else is taken, and which have no trace of time or place or party. Everything hostile is stricken down in the presence of the sentiments; their majesty is felt by the most obdurate. It is observable, that, as soon as one acts for large masses, the moral element will and must be allowed for, will and must work; and the men least accustomed to appeal to these sentiments invariably recall them when they address nations. Napoleon, even, must accept and use it as he can.

It is only to these simple strokes that the highest power belongs, when a weak human hand touches, point by point, the eternal beams and rafters on which the whole structure of Nature and society is laid. In this tossing sea of delusion, we feel with our feet the adamant; in this dominion of chance, we find a principle of permanence. For I do not accept that definition of Isocrates, that the office of his art is to make the great small and the small great; but I esteem this to be its perfection,—when the orator sees through all masks to the eternal scale of truth, in such sort that he can hold up before the eyes of men the fact of today steadily to that standard, thereby making the great great and the small small,—which is the true way to astonish and to reform mankind.

All the first orators of the world have been grave men, relying on this reality. One thought the philosophers of Demosthenes's own time found running through all his orations,—this, namely, that "virtue secures its own success." "To stand on one's own feet" Heeren finds the keynote to the discourses of Demosthenes, as of Chatham.

Eloquence, like every other art, rests on laws the most exact and determinate. It is the best speech of the best soul. It may well stand as the exponent of all that is grand and immortal in the mind. If it do not so become an instrument, but aspires to be somewhat of itself, and to glitter for show, it is false and weak. In its right exercise, it is an elastic, unexhausted power,—who has sounded, who has estimated it?—expanding with the expansion of our interests and affections. Its great masters, whilst they valued every help to its attainment, and thought no pains too great which contributed in any manner to further it, and, resembling the Arabian warrior of fame, who wore seventeen weapons in his belt, and in personal combat used them all occasionally,—yet undervalued all means, never permitted any talent, neither voice, rhythm, poetic power, anecdote, sarcasm, to appear for show, but were grave men, who preferred their integrity to their talent, and esteemed that object for which they toiled, whether the prosperity of their country, or the laws, or a reformation, or liberty of speech or of the press, or letters, or morals, as above the whole world, and themselves also.

1. Iliad, III. 192.