The Grammar of English Grammars/Appendixes
APPENDIX I. TO PART FIRST, OR ORTHOGRAPHY. OF THE SOUNDS OF THE LETTERS.
In the first chapter of Part I, the powers of the letters, or the
elementary sounds of the English language, were duly enumerated and
explained; for these, as well as the letters themselves, are few, and may
be fully stated in few words: but, since we often express the same sound in
many different ways, and also, in some instances, give to the same letter
several different sounds,--or, it may be, no sound at all,--any adequate
account of the powers of the letters considered severally according to
usage,--that is, of the sound or sounds of each letter, with its mute
positions, as these occur in practice,--must, it was thought, descend to a
minuteness of detail not desirable in the first chapter of Orthography. For
this reason, the following particulars have been reserved to be given here
as an Appendix, pertaining to the First Part of this English Grammar.
OBSERVATIONS.
OBS. 1.--A proper discrimination of the different vowel sounds by the epithets most commonly used for this purpose,--such as long and short, broad and slender, open and close, or open and shut,--is made difficult, if not impossible, by reason of the different, and sometimes directly contradictory senses in which certain orthoepists [sic--KTH] have employed such terms. Wells says, "Vowel sounds are called open or close, according to the relative size of the opening through which the voice passes in forming them. Thus, a in father, and o in nor, are called open sounds, because they are formed by a wide opening of the organs of speech; while e in me, and u in rule, are called close sounds, because the organs are nearly closed in uttering them."--School Grammar, 1850, p. 32. Good use should fix the import of words. How does the passage here cited comport with this hint of Pope?
"These equal syllables alone require, Though oft the ear the open vowels tire." --Essay on Criticism, l. 344.
OBS. 2.--Walker, too, in his Principles, 64 and 65, on page 19th of his Critical Pronouncing Dictionary, mentions a similar distinction of vowels, "which arises from the different apertures of the mouth in forming them;" and says, "We accordingly find vowels denominated by the French, ouvert and fermé; by the Italians, aperto and chiuso; and by the English [,] open and shut. But whatever propriety there may be in the use of these terms in other languages, it is certain they must be used with caution in English for fear of confounding them with long and short. Dr. Johnson and other grammarians call the a in father the open a: which may, indeed, distinguish it from the slender a in paper; but not from the broad a in water, which is still more open. Each of these letters [the seven vowels] has a short sound, which may be called a shut sound; but the long sounds cannot be so properly denominated open as more or less broad; that is, the a in paper, the slender sound; the a in father, the broadish or middle sound; and the a in water, the broad sound. The same may be observed of the o. This letter has three long sounds, heard in move, note, nor; which graduate from slender to broadish, and broad [,] like [those three sounds of] the a. The i also in mine may be called the broad i, and that in machine, the slender i; though each of them is equally long; and though these vowels that are long [,] may be said to be more or less open according to the different apertures of the mouth in forming them, yet the short vowels cannot be said to be more or less shut; for as short always implies shut (except in verse,) though long does not always imply open, we must be careful not to confound long and open, and close and shut, when we speak of the quantity and quality of the vowels. The truth of it is," continues he, "all vowels either terminate a syllable, or are united with a consonant. In the first case, if the accent be on the syllable, the vowel is long, though it may not be open: in the second case, where a syllable is terminated by a consonant, except that consonant be r, whether the accent be on the syllable or not, the vowel has its short sound, which, compared with its long one, may be called shut: but [,] as no vowel can be said to be shut that is not joined to a consonant, all vowels that end syllables may be said to be open, whether the accent be on them or not."--Crit. Pron. Dict., New York, 1827, p. 19.
OBS. 3.--These suggestions of Walker's, though each in itself may seem clear and plausible, are undoubtedly, in several respects, confused and self-contradictory. Open and shut are here inconsistently referred first to one principle of distinction, and then to another;--first, (as are "open and close" by Wells,) to "the relative size of the opening," or to "the different apertures of the mouth;" and then, in the conclusion, to the relative position of the vowels with respect to other letters. These principles improperly give to each of the contrasted epithets two very different senses: as, with respect to aperture, wide and narrow; with respect to position, closed and unclosed. Now, that open may mean unclosed, or close be put for closed, is not to be questioned; but that open is a good word for wide, or that shut (not to say close) can well mean narrow, is an assumption hardly scholarlike. According to Walker, "we must be careful not to confound" open with long, or shut with short, or close with shut; and yet, if he himself does not, in the very paragraph above quoted, confound them all,--does not identify in sense, or fail to distinguish, the two words in each of these pairs,--I know not who can need his "caution." If there are vowel sounds which graduate through several degrees of openness or broadness, it would seem most natural to express these by regularly comparing the epithet preferred; as, open, opener, openest; or broad, broader, broadest. And again, if "all vowels that end syllables may be said to be open," then it is not true, that "the long sounds" of a in paper, father, water, cannot be so "denominated;" or that to "call the a in father the open a, may, indeed, distinguish it from the slender a in paper." Nor, on this principle, can it be said that "the broad a in water is still more open;" for this a no more "ends a syllable" than the others. If any vowel sound is to be called the open sound because the letter ends a syllable, or is not shut by a consonant, it is, undoubtedly, the primal and most usual sound, as found in the letter when accented, and not some other of rare occurrence.
OBS. 4.--Dr. Perley says, "It is greatly to be regretted that the different sounds of a vowel should be called by the names long, short, slender, and broad, which convey no idea of the nature of the sound, for mat and not are as long in poetry as mate and note. The first sound of a vowel[,] as [that of a in] fate[,] may be called open, because it is the sound which the vowel generally has when it ends a syllable; the second sound as [that of a in] fat, may be called close, because it is the sound which the vowel generally has when it is joined with a consonant following in the same syllable, as fat-ten; when there are more than two sounds of any vowel[,] they may be numbered onward; as 3 far, 4 fall."--Perley's Gram., p. 73.
OBS. 5.--Walker thought a long or short vowel sound essential to a long or short quantity in any syllable. By this, if he was wrong in it, (as, in the chapter on Versification, I have argued that he was,) he probably disturbed more the proper distinction of quantities, than that of vowel sounds. As regards long and short, therefore, Perley's regret seems to have cause; but, in making the same objection to "slender and broad," he reasons illogically. So far as his view is right, however, it coincides with the following earlier suggestion: "The terms long and short, which are often used to denote certain vowel sounds; being also used, with a different import, to distinguish the quantity of syllables, are frequently misunderstood; for which reason, we have substituted for them the terms open and close;--the former, to denote the sound usually given to a vowel when it forms or ends an accented syllable; as, ba, be, bi, bo, bu, by;--the latter, to denote the sound which the vowel commonly takes when closed by a consonant; as, ab, eb, ib, ob, ub"--Brown's Institutes, p. 285.
I. OF THE LETTER A.
The vowel A has four sounds properly its own; they are named by various epithets: as,
1. The English, open, full, long, or slender a; as in aid, fame, favour, efficacious.
2. The French, close, curt, short, or stopped a; as in bat, banner, balance, carrying.
3. The Italian, broadish, grave, or middle a; as in far, father, aha, comma, scoria, sofa.
4. The Dutch, German, Old-Saxon, or broad a; as in wall, haul, walk, warm, water.
OBSERVATIONS.
OBS. 1.--Concerning the number of sounds pertaining to the vowel a, or to certain other particular letters, and consequently in regard to the whole number of the sounds which constitute the oral elements of the English language, our educational literati,--the grammarians, orthoepists [sic--KTH], orthographers, elocutionists, phonographers, and lexicographers,--are found to have entertained and inculcated a great variety of opinions. In their different countings, the number of our phonical elements varies from twenty-six to more than forty. Wells says there are "about forty elementary sounds."--School Gram., §64. His first edition was more positive, and stated them at "forty-one." See the last and very erroneous passage which I have cited at the foot of page 162. In Worcester's Universal and Critical Dictionary, there appear to be noted several more than forty-one, but I know not whether this author, or Walker either, has anywhere told us how many of his marked sounds he considered to be severally different from all others. Sheridan and Jones admitted twenty-eight. Churchill acknowledges, as undisputed and indisputable, only twenty-six; though he enumerates, "Of simple vowel sounds, twelve, or perhaps thirteen" (New Grammar, p. 5,) and says, "The consonant sounds in the English language, are nineteen, or rather twenty."--P. 13.
OBS. 2.--Thus, while Pitman, Comstock, and others, are amusing themselves with the folly of inventing new "Phonetic Alphabets," or of overturning all orthography to furnish "a character for each of the 38 elementary sounds," more or fewer, one of the acutest observers among our grammarians can fix on no number more definite or more considerable than thirty-one, thirty-two, or thirty-three; and the finding of these he announces with a "perhaps," and the admission that other writers object to as many as five of the questionable number. Churchill's vowel sounds, he says, "may be found in the following words: 1. Bate, 2. Bat, 3. Ball; 4. Bet, 5. Be; 6. Bit; 7. Bot, 8. Bone, 9. Boon; 10. But, 11. Bull; 12. Lovely; 13. Wool."--New Grammar, p. 5. To this he adds: "Many of the writers on orthoepy [sic--KTH], however, consider the first and fourth of the sounds above distinguished as actually the same, the former differing from the latter only by being lengthened in the pronunciation. They also reckon the seventh sound, to be the third shortened; the twelfth, the fifth shortened; and the eleventh, the ninth shortened. Some consider the fifth and sixth as differing only in length; and most esteem the eleventh and thirteenth as identical."--Ib.
OBS. 3.--Now, it is plain, that these six identifications, or so many of them as are admitted, must diminish by six, or by the less number allowed, the thirteen vowel sounds enumerated by this author. By the best authorities, W initial, as in "Wool." is reckoned a consonant; and, of course, its sound is supposed to differ in some degree from that of oo in "Boon," or that of u in "Bull,"--the ninth sound or the eleventh in the foregoing series. By Walker, Murray, and other popular writers, the sound of y in "Lovely" is accounted to be essentially the same as that of e in "Be." The twelfth and the thirteenth, then, of this list, being removed, and three others added,--namely, the a heard in far, the i in fine, and the u in fuse,--we shall have the fourteen vowel sounds which are enumerated by L. Murray and others, and adopted by the author of the present work.
OBS. 4.--Wells says, "A has six sounds:--1. Long; as in late. 2. Grave; as in father. 3. Broad; as in fall. 4. Short; as in man. 5. The sound heard in care, hare. 6. Intermediate between a in man and a in father; as in grass, pass, branch."--School Grammar, 1850, p. 33. Besides these six, Worcester recognizes a seventh sound,--the "A obscure; as in liar, rival"--Univ. and Crit. Dict., p. ix. Such a multiplication of the oral elements of our first vowel.--or, indeed, any extension of them beyond four,--appears to me to be unadvisable; because it not only makes our alphabet the more defective, but is unnecessary, and not sustained by our best and most popular orthoepical [sic--KTH] authorities. The sound of a in liar, (and in rival too, if made "obscure") is a borrowed one, pertaining more properly to the letter u. In grass, pass, and branch, properly uttered, the a is essentially the same as in man. In care and hare, we have the first sound of a, made as slender as the r will admit.
OBS. 5.--Concerning his fifth sound of a, Wells cites authorities thus: "Walker, Webster, Sheridan, Fulton and Knight, Kenrick, Jones, and Nares, give a in care the long sound of a, as in late. Page and Day give it the short sound of a, as in mat. See Page's Normal Chart, and Day's Art of Elocution. Worcester and Perry make the sound of a in care a separate element; and this distinction is also recognized by Russell, Mandeville, and Wright. See Russell's Lessons in Enunciation, Mandeville's Elements of Reading and Oratory, and Wright's Orthography."--Wells's School Grammar, p. 34. Now the opinion that a in care has its long, primal sound, and is not properly "a separate element," is maintained also by Murray, Hiley, Bullions, Scott, and Cobb; and is, undoubtedly, much more prevalent than any other. It accords, too, with the scheme of Johnson. To count this a by itself, seems too much like a distinction without a difference.
OBS. 6.--On his sixth sound of a, Wells remarks as follows: "Many persons pronounce this a incorrectly, giving it either the grave or the short sound. Perry, Jones, Nares, Webster, and Day, give to a in grass the grave sound, as in father; while Walker, Jamieson, and Russell, give it the short sound, as in man. But good speakers generally pronounce a in grass, plant, etc., as a distinct element, intermediate between the grave and the short sound."--School Gram., p. 34. He also cites Worcester and Smart to the same effect; and thinks, with the latter, "There can be no harm in avoiding the censure of both parties by shunning the extreme that offends the taste of each."--Ib., p. 35. But I say, that a needless multiplication of questionable vowel powers difficult to be discriminated, is "harm," or a fault in teaching; and, where intelligent orthoepists [sic--KTH] dispute whether words have "the grave or the short sound" of a, how can others, who condemn both parties, acceptably split the difference, and form "a distinct element" in the interval? Words are often mispronounced, and the French or close a may be mistaken for the Italian or broadish a, and vice versa; but, between the two, there does not appear to be room for an other distinguishable from both. Dr. Johnson says, (inaccurately indeed,) "A has three sounds, the slender, [the] open, and [the] broad. A slender is found in most words, as face, mane. A open is the a of the Italian, or nearly resembles it; as father, rather, congratulate, fancy, glass. A broad resembles the a of the German; as all, wall, call. [fist] The short a approaches to the a open, as grass."--Johnson's Grammar, in his Quarto Dictionary, p. 1. Thus the same word, grass, that serves Johnson for an example of "the short a" is used by Wells and Worcester to exemplify the "a intermediate;" while of the Doctor's five instances of what he calls the "a open," three, if not four, are evidently such as nearly all readers nowadays would call close or short!
OBS. 7.--There are several grammarians who agree in ascribing to our first vowel five sounds, but who nevertheless oppose one an other in making up the five. Thus, according to Hart, "A has five sounds of its own, as in fate, fare, far, fall, fat,"--Hart's E. Gram., p. 26. According to W. Allen, "A has five sounds;--the long or slender, as in cane; the short or open, as in can; the middle, as in arm; the broad, as in all; and the broad contracted, as in want."--Allen's E. Gram., p. 6. P. Davis has the same sounds in a different order, thus: "a [as in] mane, mar, fall, mat, what."--Davis's E. Gram., p. xvi. Mennye says, "A has five sounds; as, 1 fame, 2 fat, 3 false, 4 farm, 5 beggar."--Mennye's E. Gram., p. 55. Here the fifth sound is the seventh of Worcester,--the "A obscure."
DIPHTHONGS BEGINNING WITH A.
The only proper diphthong in which a is put first, is the word ay, meaning yes: in which a has its middle sound, as in ah, and y is like open e, or ee, uttered feebly--ah-ee. Aa, when pronounced as an improper diphthong, and not as pertaining to two syllables, usually takes the sound of close a; as in Balaam, Canaan, Isaac. In many words, as in Baäl, Gaäl, Gaäsh, the diæresis occurs. In baa, the cry of a sheep, we hear the Italian sound of a; and, since we hear it but once, one a or the other must be silent.
Æ, a Latin improper diphthong, common also in the Anglo-Saxon, generally has, according to modern orthoëpists, the sound of open e or ee; as in Cæsar, ænigma, pæan;--sometimes that of close or short e; as in aphæresis, diæresis, et cætera. Some authors, judging the a of this diphthong to be needless, reject it, and write Cesar, enigma, &c.
Ai, an improper diphthong, generally has the sound of open or long a; as in sail, avail, vainly. In a final unaccented syllable, it sometimes preserves the first sound of a; as in chilblain, mortmain: but oftener takes the sound of close or short i; as in certain, curtain, mountain, villain. In said, saith, again, and against, it takes the sound of close or short e; and in the name Britain, that of close or short u.
Ao, an improper diphthong, occurs in the word gaol, now frequently written as it is pronounced, jail; also in gaoler, which may be written jailer; and in the compounds of gaol: and, again, it is found in the adjective extraordinary, and its derivatives, in which, according to nearly all orthoëpists, the a is silent. The name Pharaoh, is pronounced F=a'r=o.
Au, an improper diphthong, is generally sounded like broad a; as in cause, caught, applause. Before n and an other consonant, it usually has the sound of grave or middle a; as in aunt, flaunt, gaunt, launch, laundry. So in laugh, laughter, and their derivatives. Gauge and gauger are pronounced gage and gager, and sometimes written so.
Aw, an improper diphthong, is always sounded like broad a; as in draw, drawn, drawl.
Ay, an improper diphthong, like ai, has usually the sound of open or long a; as in day, pay, delay: in sayst and says, it has the sound of close or short e.
TRIPHTHONGS BEGINNING WITH A.
Awe is sounded au, like broad a. Aye, an adverb signifying always, has the sound of open or long a only; being different, both in sound and in spelling, from the adverb ay, yes, with which it is often carelessly confounded. The distinction is maintained by Johnson, Walker, Todd, Chalmers, Jones, Cobb, Maunder, Bolles, and others; but Webster and Worcester give it up, and write "ay, or aye," each sounded ah-ee, for the affirmation, and "aye," sounded =a, for the adverb of time: Ainsworth on the contrary has ay only, for either sense, and does not note the pronunciation.
II. OF THE LETTER B.
The consonant B has but one sound; as in boy, robber, cub. B is silent before t or after m in the same syllable; as in debt, debtor, doubt, dumb, lamb, climb, tomb. It is heard in subtile, fine; but not in subtle, cunning.
III. OF THE LETTER C.
The consonant C has two sounds, neither of them peculiar to this letter; the one hard, like that of k, and the other soft, or rather hissing, like that of s. C before a, o, u, l, r, t, or when it ends a syllable, is generally hard, like k; as in can, come curb, clay, crab, act, action, accent, flaccid. C before e, i, or y, is always soft, like s; as in cent, civil, decency, acid.
In a few words, c takes the flat sound of s, like that of z; as in discern, suffice, sacrifice, sice. C before ea, ia, ie, io, or eou, when the accent precedes, sounds like sh; as in ocean, special, species, gracious, cetaceous. C is silent in czar, czarina, victuals, indict, muscle, corpuscle, and the second syllable of Connecticut.
Ch is generally sounded like tch, or tsh, which is the same to the ear; as in church, chance, child. But in words derived from the learned languages, it has the sound of k; as in character, scheme, catechise, chorus, choir, chyle, patriarch, drachma, magna charta: except in chart, charter, charity. Ch, in words derived from the French, takes the sound of sh; as in chaise, machine. In Hebrew words or names, in general, ch sounds like k; as in Chebar, Sirach, Enoch: but in Rachel, cherub, and cherubim, we have Anglicized the sound by uttering it as tch. Loch, a Scottish word, sometimes also a medical term, is heard as lok.
"Arch, before a vowel, is pronounced ark; as in archives, archangel, archipelago: except in arched, archer, archery, archenemy. Before a consonant it is pronounced artch; as in archbishop, archduke, archfiend."--See W. Allen's Gram., p. 10. Ch is silent in schism, yacht, and drachm. In schedule, some utter it as k; others, as sh; and many make it mute: I like the first practice.
IV. OF THE LETTER D.
The general sound of the consonant D, is that which is heard in dog, eddy, did. D, in the termination ed, preceded by a sharp consonant, takes the sound of t, when the e is suppressed or unheard: as in faced, stuffed, cracked, tripped, passed; pronounced faste, stuft, cract, tript, past. D before ia, ie, io, or eou, when the accent precedes, generally sounds like j; as in Indian, soldier, tedious, hideous. So in verdure, arduous, education.
V. OF THE LETTER E.
The vowel E has two sounds properly its own,--and I incline to think, three:--
1. The open, long, full, or primal e; as in me, mere, menial, melodious.
2. The close, curt, short, or stopped e; as in men, merry, ebony, strength.
3. The obscure or faint e; as in open, garden, shovel, able. This third sound is scarcely perceptible, and barely sufficient to articulate the consonant and form a syllable.
E final is mute and belongs to the syllable formed by the preceding vowel or diphthong; as in age, eve, ice, ore. Except--1. In the words, be, he, me, we, she, in which it has the open sound; and the article the, wherein it is open before a vowel, and obscure before a consonant. 2. In Greek and Latin words, in which it has its open sound, and forms a distinct syllable, or the basis of one; as in Penelope, Pasiphaë, Cyaneë, Gargaphië, Arsinoë, apostrophe, catastrophe, simile, extempore, epitome. 3. In the terminations ere, gre, tre, in which it has the sound of close or curt u, heard before the r; as in acre, meagre, centre.
Mute e, after a single consonant, or after st or th, generally preserves the open or long sound of the preceding vowel; as in cane, here, pine, cone, tune, thyme, baste, waste, lathe, clothe: except in syllables unaccented; as in the last of genuine;--and in a few monosyllables; as bade, are, were, gone, shone, one, done, give, live, shove, love.
DIPHTHONGS BEGINNING WITH E.
E before an other vowel, in general, either forms with it an improper diphthong, or else belongs to a separate syllable. We do not hear both vowels in one syllable, except perhaps in eu or ew.
Ea, an improper diphthong, mostly sounds like open or long e; as in ear, fear, tea; frequently like close or curt e; as in head, health, leather: sometimes, like open or long a; as in steak, bear, forswear: rarely, like middle a; as in heart, hearth, hearken. Ea in an unaccented syllable, sounds like close or curt u; as in vengeance, pageant.
Ee, an improper diphthong, mostly sounds like one open or long e; as in eel, sheep, tree, trustee, referee. The contractions e'er and ne'er, are pronounced air and nair, and not like ear and near. E'en, however, preserves the sound of open e. Been is most commonly heard with the curt sound of i, bin.
Ei, an improper diphthong, mostly sounds like the primal or long a; as in reign, veil: frequently, like open or long e; as in deceit, either, neither, seize: sometimes, like open or long i; as in height, sleight, heigh-ho: often, in unaccented syllables, like close or curt i; as in foreign, forfeit, surfeit, sovereign: rarely, like close e; as in heifer, nonpareil.
Eo, an improper diphthong, in people, sounds like open or long e; in leopard and jeopard, like close or curt e; in yeoman, according to the best usage, like open or long o; in George, Georgia, georgic, like close o; in dungeon, puncheon, sturgeon, &c., like close u. In feoff, and its derivatives, the close or short sound of e is most fashionable; but some prefer the long sound of e; and some write the word "fief." Feod, feodal, feodary, feodatory, are now commonly written as they are pronounced, feud, feudal, feudary, feudatory.
Eu and ew are sounded alike, and almost always with the diphthongal sound of open or long u; as in feud, deuce, jewel, dew, few, new. These diphthongs, when initial, sound like yu. Nouns beginning with this sound, require the article a, and not an, before them; as, A European, a ewer. After r or rh, eu and ew are commonly sounded like oo; as in drew, grew, screw, rheumatism. In sew and Shrewsbury, ew sounds like open o: Worcester, however, prefers the sound of oo in the latter word. Shew and strew, having the same meaning as show and strow, are sometimes, by sameness of pronunciation, made to be the same words; and sometimes distinguished as different words, by taking the sounds shu and stroo.
Ey, accented, has the sound of open or long a; as in bey, prey, survey: unaccented, it has the sound of open e; as in alley, valley, money. Key and ley are pronounced kee, lee.
TRIPHTHONGS BEGINNING WITH E.
Eau, a French triphthong, sounds like open o; as in beau, flambeau, portmanteau, bureau: except in beauty, and its compounds, in which it is pronounced like open u, as if the word were written buty.
Eou is a combination of vowels sometimes heard in one syllable, especially after c or g; as in crus-ta-ceous, gor-geous. Walker, in his Rhyming Dictionary, gives one hundred and twenty words ending in eous, in all of which he separates these vowels; as in ex-tra-ne-ous. And why, in his Pronouncing Dictionary, he gave us several such anomalies as fa-ba-ce-ous in four syllables and her-ba-ceous in three, it is not easy to tell. The best rule is this: after c or g, unite these vowels; after the other consonants, separate them.
Ewe is a triphthong having the sound of yu, and forming a word. The vulgar pronunciation yoe should be carefully avoided.
Eye is an improper triphthong which also forms a word, and is pronounced like open i, or the pronoun I.
VI. OF THE LETTER F.
The consonant F has one unvaried sound, which is heard in fan, effort, staff: except of, which, when simple, is pronounced ov.
VII. OF THE LETTER G.
The consonant G has two sounds;--the one hard, guttural, and peculiar to this letter; the other soft, like that of j. G before a, o, u, l, r, or at the end of a word, is hard; as in game, gone, gull, glory, grace, log, bog; except in gaol. G before e, i, or y, is soft; as in gem, ginger, elegy. Except--1. In get, give, gewgaw, finger, and a few other words. 2. When a syllable is added to a word ending in g: as, long, longer; fog, foggy.
G is silent before m or n in the same syllable; as in phlegm, apothegm, gnaw, design. G, when silent, usually lengthens the preceding vowel; as in resign, impregn, impugn.
Gh at the beginning of a word has the sound of g hard; as in ghastly, gherkin, Ghibelline, ghost, ghoul, ghyll: in other situations, it is generally silent; as in high, mighty, plough, bough, though, through, fight, night, bought. Gh final sometimes sounds like f; as in laugh, rough, tough; and sometimes, like g hard; as in burgh. In hough, lough, shough, it sounds like k, or ck; thus, hock, lock, shock.
VIII. OF THE LETTER H.
The sound of the consonant H, (though articulate and audible when properly uttered,) is little more than an aspirate breathing. It is heard in hat, hit, hot, hut, adhere.
H at the beginning of a word, is always sounded; except in heir, herb, honest, honour, hospital, hostler, hour, humble, humour, with their compounds and derivatives. H after r, is always silent; as in rhapsody, rhetoric, rheum, rhubarb. H final, immediately following a vowel, is always silent; as in ah, Sarah, Nineveh, Shiloh.
IX. OF THE LETTER I.
The vowel I has three sounds, each very common to it, and perhaps properly its own:--
1. The open, long, full, or primal i; as in life, fine, final, time, bind, child, sigh, pint, resign. This is a diphthongal sound, equivalent to the sounds of middle a and open e quickly united.
2. The close, curt, short, or stopped i; as in ink, limit, disfigure, mimicking.
3. The feeble, faint, or slender i, accentless; as in divest, doctrinal, diversity.
This third sound is equivalent to that of open e, or ee uttered feebly. I generally has this sound when it occurs at the end of an unaccented syllable: except at the end of Latin words, or of ancient names, where it is open or long; as in literati, Nervii, Eli, Levi.
In some words, (principally from other modern languages,) i has the full sound of open e, under the accent; as in Porto Rico, machine, magazine, antique, shire.
Accented i followed by a vowel, has its open or primal sound; and the vowels belong to separate syllables; as in pliant, diet, satiety, violet, pious. Unaccented i followed by a vowel, has its feeble sound; as in expatiate, obedient, various, abstemious.
DIPHTHONGS BEGINNING WITH I.
I, in the situation last described, readily coalesces with the vowel which follows, and is often sunk into the same syllable, forming a proper diphthong: as in fustian, quotient, question. The terminations cion, sion, and tion, are generally pronounced shun; and cious and tious are pronounced shus.
Ie is commonly an improper diphthong. Ie in die, hie, lie, pie, tie, vie, and their derivatives, has the sound of open i. Ie in words from the French, (as cap-a-pie, ecurie, grenadier, siege, bier,) has the sound of open e. So, generally, in the middle of English roots; as in chief, grief, thief; but, in sieve, it has the sound of close or short i. In friend, and its derivatives or compounds, it takes the sound of close e.
TRIPHTHONGS BEGINNING WITH I.
The triphthongs ieu and iew both sound like open or long u; as in lieu, adieu, view.
The three vowels iou, in the termination ious, often fall into one syllable, and form a triphthong. There are two hundred and forty-five words of this ending; and more than two hundred deriva- tives from them. Walker has several puzzling inconsistencies in their pronunciation; such as fas-tid-i-ous and per-fid-ious, con-ta-gi-ous and sac-ri-le-gious. After c, g, t, or x, these vowels should coalesce: as in gra-cious, re-li-gious, vex-a-tious, ob-nox-ious, and about two hundred other words. After the other consonants, let them form two syllables; (except when there is a syn- seresis in poetry;) as in dw-bi-ou-s, o-di-ous, va-ri-ous, en-vi-ous.
X. OF THE LETTER J.
The consonant J, the tenth letter of the English alphabet, has invariably the sound of soft g, like the g in giant, which some say is equivalent to the complex sound dzh; as, jade, jet, jilt, joy, justice, jewel, prejudice.
XI. OF THE LETTER K.
The consonant K, not silent, has uniformly the sound of c hard; and occurs where c would have its soft sound: as in keep, looking, kind, smoky.
K before n is silent; as in knave, know, knuckle. In stead of doubling c final, we write ck; as in lack, lock, luck, attack. In English words, k is never doubled, though two Kays may come together in certain compounds; as in brickkiln, jackknife. Two Kays, belonging to different syllables, also stand together in a few Scripture names; as in Akkub, Bakbakkar, Bukki, Bukkiah, Habakkuk. Hakkoz, Ikkesh, Sukkiims. C before k, though it does not always double the sound which c or k in such a situation must represent, always shuts or shortens the preceding vowel; as in rack, speck, freckle, cockle, wicked.
XII. OF THE LETTER L.
The consonant L, the plainest of the semivowels, has a soft, liquid sound; as in line, lily, roll, follow. L is sometimes silent; as in Holmes, alms, almond, calm, chalk, walk, calf, half, could, would, should. L, too, is frequently doubled where it is heard but once; as in hill, full, travelled. So any letter that is written twice, and not twice sounded, must there be once mute; as the last in baa, ebb, add, see, staff, egg, all, inn, coo, err, less, buzz.
XIII. OF THE LETTER M.
The consonant M is a semivowel and a liquid, capable of an audible, humming sound through the nose, when the mouth is closed. It is heard in map, murmur, mammon. In the old words, compt, accompt, comptroller, (for count, account, controller,) the m is sounded as n. M before n, at the beginning of a word, is silent; as in Mnason, Mnemosyne, mnemonics.
XIV. OF THE LETTER N.
The consonant N, which is also a semivowel and a liquid, has two sounds;--the first, the pure and natural sound of n; as in nun, banner, cannon;--the second, the ringing sound of ng, heard before certain gutturals; as in think, mangle, conquer, congress, singing, twinkling, Cen'chreä. The latter sound should be carefully preserved in all words ending in ing, and in such others as require it. The sounding of the syllable ing as if it were in, is a vulgarism in utterance; and the writing of it so, is, as it would seem by the usage of Burns, a Scotticism.
N final preceded by m, is silent; as in hymn, solemn, column, damn, condemn, autumn. But this n becomes audible in an additional syllable; as in autumnal, condemnable, damning.
XV. OF THE LETTER O.
The vowel O has three different sounds, which are properly its own:--
1. The open, full, primal, or long o; as in no, note, opiate, opacity, Roman.
2. The close, curt, short, or stopped o; as in not, nor, torrid, dollar, fondle.
3. The slender or narrow o, like oo; as in prove, move, who, to, do, tomb.
O, in many words, sounds like close or curt u; as in love, shove, son, come, nothing, dost, attorney, gallon, dragon, comfit, comfort, coloration. One is pronounced wun; and once, wunce. In the termination on immediately after the accent, o is often sunk into a sound scarcely perceptible, like that of obscure e; as in mason, person, lesson.
DIPHTHONGS BEGINNING WITH O.
Oa, an improper diphthong, has the sound of open or long o; as in boat, coal, roach, coast, coastwise: except in broad and groat, which have the sound of broad a.
Oe, an improper diphthong, when final, has the sound of open or long o: as in doe, foe, throe: except in canoe, shoe, pronounced canoo, shoo. OE, a Latin diphthong, generally sounds like open e; as in Antoeci, foetus: sometimes, like close or curt e; as in foetid, foeticide. But the English word f~etid is often, and perhaps generally, written without the o.
Oi is generally a proper diphthong, uniting the sound of close o or broad a, and that of open e; as in boil, coil, soil, rejoice. But the vowels, when they appear together, sometimes belong to separate syllables; as in Stoic, Stoicism. Oi unaccented, sometimes has the sound of close or curt i; as in avoirdupois, connoisseur, tortoise.
Oo, an improper diphthong, generally has the slender sound of o; as in coo, too, woo, fool, room. It has, in some words, a shorter or closer sound, (like that of u in bull,) as in foot, good, wood, stood, wool;--that of close u in blood and flood;--and that of open o in door and floor. Derivatives from any of these, sound as their primitives.
Ou is generally a proper diphthong, uniting the sound of close or curt o, and that of u as heard in bull,--or u sounded as oo; as in bound, found, sound, ounce, thou. Ou is also, in certain instances, an improper diphthong; and, as such, it has six different sounds:--(l.) That of close or curt u; as in rough, tough, young, flourish. (2.) That of broad a; as in ought, bought, thought. (3.) That of open or long o; as in court, dough, four, though. (4.) That of close or curt o; as in cough, trough, lough, shough: which are, I believe, the only examples. (5.) That of slender o, or oo; as in soup, you, through. (6.) That of u in bull, or of oo shortened; only in would, could, should.
Ow generally sounds like the proper diphthong ou,--or like a union of short o with oo; as in brown, dowry, now, shower: but it is often an improper diphthong, having only the sound of open or long o; as in know, show, stow.
Oy is a proper diphthong, equivalent in sound to oi; as in joy, toy, oyster.
TRIPHTHONGS BEGINNING WITH O.
OEu is a French triphthong, pronounced in English as oo, and occurring in the word manoeuvre, with its several derivatives. Owe is an improper triphthong, and an English word, in which the o only is heard, and heard always with its long or open sound. XVI. OF THE LETTER P.
The consonant P, when not written before h, has commonly one peculiar sound; which is heard in pen, pine, sup, supper. The word cupboard is usually pronounced kubburd. P, written with an audible consonant, is sometimes itself silent; as in psalm, psalter, pseudography, psychology, ptarmigan, ptyalism, receipt, corps.
Ph generally sounds like f; as in philosophy. In Stephen and nephew, ph has the sound of v. The h after p, is silent in diphthong, triphthong, naphtha, ophthalmic; and both the p and the h are silent in apophthegm, phthisis, phthisical. From the last three words, ph is sometimes dropped.
XVII. OF THE LETTER Q.
The consonant Q, being never silent, never final, never doubled, and not having a sound peculiar to itself, is invariably heard, in English, with the power of k; and is always followed by the vowel u, which, in words purely English, is sounded like the narrow o, or oo,--or, perhaps, is squeezed into the consonantal sound of w;--as in queen, quaver, quiver, quarter, request. In some words of French origin, the u after q is silent; as in coquet, liquor, burlesque, etiquette.
XVIII. OF THE LETTER R.
The consonant R, called also a semivowel and a liquid, has usually, at the beginning of a word, or before a vowel, a rough or pretty strong sound; as in roll, rose, roam, proudly, prorogue. "In other positions," it is said by many to be "smooth" or "soft;" "as in hard, ford, word."--W. Allen.
OBSERVATIONS.
OBS. 1.--The letter R turns the tip of the tongue up against or towards the roof of the mouth, where the sound may be lengthened, roughened, trilled, or quavered. Consequently, this element may, at the will of the speaker, have more or less--little or nothing, or even very much--of that peculiar roughness, jar, or whur, which is commonly said to constitute the sound. The extremes should here be avoided. Some readers very improperly omit the sound of r from many words to which it pertains; pronouncing or as awe, nor as knaw, for as faugh, and war as the first syllable of water. On the other hand, "The excessive trilling of the r, as practised by some speakers, is a great fault."--D. P. Page.
OBS. 2.--Dr. Johnson, in his "Grammar of the English Tongue," says, "R has the same rough snarling sound as in other tongues."--P. 3. Again, in his Quarto Dictionary, under this letter, he says, "R is called the canine letter, because it is uttered with some resemblance to the growl or snarl of a cur: it has one constant sound in English, such as it has in other languages; as, red, rose, more, muriatick." Walker, however, who has a greater reputation as an orthoepist [sic--KTH], teaches that, "There is a distinction in the sound of this letter, which is," says he, "in my opinion, of no small importance; and that is, the [distinction of] the rough and [the] smooth r. Ben Jonson," continues he, "in his Grammar, says, 'It is sounded firm in the beginning of words, and more liquid in the middle and ends, as in rarer, riper; and so in the Latin.' The rough r is formed by jarring the tip of the tongue against the roof of the mouth near the fore teeth: the smooth r is a vibration of the lower part of the tongue, near the root, against the inward region of the palate, near the entrance of the throat."--Walker's Principles, No. 419; Octavo Dict., p. 48.
OBS. 3.--Wells, with his characteristic indecision, forbears all recognition of this difference, and all intimation of the quality of the sound, whether smooth or rough; saying, in his own text, only this: "R has the sound heard in rare."--School Grammar, p. 40. Then, referring the student to sundry authorities, he adds in a footnote certain "quotations," that are said to "present a general view of the different opinions which exist among orthoepists respecting this letter." And so admirably are these authorities or opinions balanced and offset, one class against an other, that it is hard to tell which has the odds. First, though it is not at all probable that Wells's utterance of "rare" exhibits twice over the rough snarl of Johnson's r, the "general view" seems intended to confirm the indefinite teaching above, thus: "'R has one constant sound in English.'--Johnson. The same view is adopted by Webster, Perry, Kendrick, Sheridan, Jones, Jameson, Knowles, and others."--School Grammar, p. 40. In counterpoise of these, Wells next cites about as many more--namely, Frazee, Page, Russell, Walker, Rush, Barber, Comstock, and Smart,--as maintaining or admitting that r has sometimes a rough sound, and sometimes a smoother one.
XIX. OF THE LETTER S.
The consonant S has a sharp, hissing, or hard sound; as in sad, sister, thus: and a flat, buzzing, or soft sound, like that of z; as in rose, dismal, bosom, husband. S, at the beginning of words, or after any of the sharp consonants, is always sharp; as in see, steps, cliffs, sits, stocks, smiths. S, after any of the flat mutes, or at the end of words when not preceded by a sharp consonant, is generally flat; as in eyes, trees, beds, bags, calves. But in the English termination ous, or in the Latin us, it is sharp; as joyous, vigorous, hiatus.
Ss is generally sharp; as in pass, kiss, harass, assuage, basset, cassock, remissness. But the first two Esses in possess, or any of its regular derivatives, as well as the two in dissolve, or its proximate kin, sound like two Zees; and the soft or flat sound is commonly given to each s in hyssop, hussy, and hussar. In scissel, scissible, and scissile, all the Esses hiss;--in scissors, the last three of the four are flat, like z;--but in the middle of scissure and scission we hear the sound of zh.
S, in the termination sion, takes the sound of sh, after a consonant; as in aspersion, session, passion, mission, compulsion: and that of zh, after a vowel; as in evasion, elision, confusion.
In the verb assure, and each of its derivatives, also in the nouns pressure and fissure, with their derivatives, we hear, according to Walker, the sound of sh for each s, or twice in each word; but, according to the orthoëpy of Worcester, that sound is heard only in the accented syllable of each word, and the vowel in each unaccented syllable is obscure.
S is silent or mute in the words, isle, island, aisle, demesne, corps, and viscount.
XX. OF THE LETTER T.
The general sound of the consonant T, is heard in time, letter, set. T, immediately after the accent, takes the sound of tch, before u, and generally also before eou; as in nature, feature, virtue, righteous, courteous: when s or x precedes, it takes this sound before ia or io; as in fustian, bastion, mixtion. But the general or most usual sound of t after the accent, when followed by i and an other vowel, is that of sh; as in creation, patient, cautious.
In English, t is seldom, if ever, silent or powerless. In depot, however, a word borrowed from the French, we do not sound it; and in chestnut, which is a compound of our own, it is much oftener written than heard. In often and soften, some think it silent; but it seems rather to take here the sound of f. In chasten, hasten, fasten, castle, nestle, whistle, apostle, epistle, bustle, and similar words, with their sundry derivatives, the t is said by some to be mute; but here it seems to take the sound of s; for, according to the best authorities, this sound is beard twice in such words. Th, written in Greek by the character called Theta, ([Greek: th] or O capital, [Greek: th] or [Greek: th] small,) represents an elementary sound; or, rather, two distinct elementary sounds, for which the Anglo-Saxons had different characters, supposed by Dr. Bosworth to have been applied with accurate discrimination of "the hard or sharp sound of th," from "the soft or flat sound."--(See Bosworth's Compendious Anglo-Saxon Dictionary, p. 268.) The English th is either sharp, as in thing, ethical, thinketh; or flat, as in this, whither, thither.
"Th initial is sharp; as in thought: except in than, that, the, thee, their, them, then, thence, there, these, they, thine, this, thither, those, thou, thus, thy, and their compounds."--W. Allen's Grammar, p. 22.
Th final is also sharp; as in south: except in beneath, booth, with, and several verbs formerly with th last, but now frequently (and more properly) written with final e; as loathe, mouthe, seethe, soothe, smoothe, clothe, wreathe, bequeathe, unclothe.
Th medial is sharp, too, when preceded or followed by a consonant; as in Arthur, ethnic, swarthy, athwart: except in brethren, burthen, farther, farthing, murther, northern, worthy. But "th between two vowels, is generally flat in words purely English; as in gather, neither, whither: and sharp in words from the learned languages; as in atheist, ether, method"--See W. Allen's Gram., p. 22.
"Th, in Thames, Thomas, thyme, asthma, phthisis, and their compounds, is pronounced like t."--Ib.
XXI. OF THE LETTER U.
The vowel U has three sounds which may be considered to be properly its own:--
1. The open, long, full, primal, or diphthongal u; as in tube, cubic, juvenile.
2. The close, curt, short, or stopped u; as in tub, butter, justice, unhung.
3. The middle u, resembling a short or quick oo; as in pull, pulpit, artful.
U forming a syllable by itself or U as naming itself is nearly equivalent in sound to you, and requires the article a, and not an, before it; as, a U, a union.
U sometimes borrows the sound of some other vowel; for bury is pronounced berry, and busy is pronounced bizzy. So in the derivatives, burial, buried, busied, busily, and the like.
The long or diphthongal u, commonly sounded as yu, or as ew in ewer,--or any equivalent diphthong or digraph, as ue, ui, eu, or ew.--when it follows r or rh, assumes the sound of slender o or oo; as in rude, rhubarb, rue, rueful, rheum, fruit, truth, brewer.
DIPHTHONGS BEGINNING WITH U.
U, in the proper diphthongs, ua, ue, ui, uo, uy, has the sound of w or of oo feeble; as in persuade, query, quell, quiet, languid, quote, obloquy.
Ua, an improper diphthong, has the sound--1. Of middle a; as in guard, guardian. 2. Of close a; as in guarantee, piquant. 3. Of obscure e; as in victuals and its compounds or kindred. 4. Of open u; as in mantuamaker.
Ue, an improper diphthong, has the sound--1. Of open u; as in blue, ensue, ague. 2. Of close e; as in guest, guesser. 3. Of close u; as in leaguer. Ue final is sometimes silent; as in league, antique. Ui, an improper diphthong, has the sound--1. Of open i; as in guide, guile. 2. Of close i; as in conduit, circuit. 3. Of open u; as in juice, sluice, suit.
Uo can scarcely be called an improper diphthong, except, perhaps, after q in liquor, liquorice, liquorish, where uor is heard as ur.
Uy, an improper diphthong, has the sound--1. Of open y; as in buy, buyer. 2. Of feeble y, or of ee feeble; as in plaguy, roguy.
TRIPHTHONGS BEGINNING WITH U.
Uai is pronounced nearly, if not exactly, like way; as in guai-a-cum, quail, quaint. Uaw is sounded like wa in water; as in squaw, a female Indian. Uay has the sound of way; as in Par-a-guay: except in quay, which nearly all our orthoepists pronounce kee. Uea and uee are each sounded wee; as in queasy, queer, squeal, squeeze. Uoi and woy are each sounded woi; as in quoit, buoy. Some say, that, as u, in these combinations, sounds like w, it is a consonant; others allege, that w itself has only the sound of oo, and is therefore in all cases a vowel. U has, certainly, in these connexions, as much of the sound of oo, as has w; and perhaps a little more.
XXII. OF THE LETTER V.
The consonant V always has a sound like that of f flattened; as in love, vulture, vivacious. In pure English, it is never silent, never final, never doubled: but it is often doubled in the dialect of Craven; and there, too, it is sometimes final.
XXIII. OF THE LETTER W.
W, when reckoned a consonant, (as it usually is when uttered with a vowel that follows it,) has the sound heard at the beginning of wine, win, woman, woody; being a sound less vocal than that of oo, and depending more upon the lips.
W before h, is usually pronounced as if it followed the h; as in what, when, where, while: but, in who, whose, whom, whole, whoop, and words formed from these, it is silent. Before r, in the same syllable, it is also silent; as in wrath, wrench, wrong. So in a few other cases; as in sword, answer, two.
W is never used alone as a vowel; except in some Welsh or foreign names, in which it is equivalent to oo; as in "Cwm Cothy," the name of a mountain in Wales; "Wkra" the name of a small river in Poland.--See Lockhart's Napoleon, Vol. ii, p. 15. In a diphthong, when heard, it has the power of u in bull, or nearly that of oo; as in new, now, brow, frown. Aw and ow are frequently improper diphthongs, the w being silent, the a broad, and the o long; as in law, flaw,--tow, snow. W, when sounded before vowels, being reckoned a consonant, we have no diphthongs or triphthongs beginning with this letter.
XXIV. OF THE LETTER X.
The consonant "X has a sharp sound, like ks; as in ox: and a flat one, like gz; as in example. X is sharp, when it ends an accented syllable; as in exercise, exit, excellence: or when it precedes an accented syllable beginning with a consonant; as in expand, extreme, expunge. X unaccented is generally flat, when the next syllable begins with a vowel; as in exist, exemption, exotic. X initial, in Greek proper names, has the sound of z; as in Xanthus, Xantippe, Xenophon, Xerxes"--See W. Allen's Gram., p. 25.
XXV. OF THE LETTER Y.
Y, as a consonant, has the sound heard at the beginning of yarn, young, youth; being rather less vocal than the feeble sound of i, or of the vowel y, and serving merely to modify that of a succeeding vowel, with which it is quickly united. Y, as a vowel, has the same sounds as i:--
1. The open, long, full, or primal y; as in cry, crying, thyme, cycle.
2. The close, curt, short, or stopped y; as in system, symptom, cynic.
3. The feeble or faint y, accentless; (like open e feeble;) as in cymar, cycloidal, mercy.
The vowels i and y have, in general, exactly the same sound under similar circumstances, and, in forming derivatives, we often change one for the other: as in city, cities; tie, tying; easy, easily.
Y, before a vowel heard in the same syllable, is reckoned a consonant; we have, therefore, no diphthongs or triphthongs commencing with this letter.
XXVI. OF THE LETTER Z.
The consonant Z, the last letter of our alphabet, has usually a soft or buzzing sound, the same as that of s flat; as in Zeno, zenith, breeze, dizzy. Before u primal or i feeble, z, as well as s flat, sometimes takes the sound of zh, which, in the enumeration of consonantal sounds, is reckoned a distinct element; as in azure, seizure, glazier; osier, measure, pleasure.
END OF THE FIRST APPENDIX.
APPENDIX II.
TO PART SECOND, OR ETYMOLOGY.
OF THE DERIVATION OF WORDS.
Derivation, as a topic to be treated by the grammarian, is a species of Etymology, which explains the various methods by which those derivative words which are not formed by mere grammatical inflections, are deduced from their primitives. Most of those words which are regarded as primitives in English, may be traced to ulterior sources, and many of them are found to be compounds or derivatives in the other languages from which they have come to us. To show the composition, origin, and literal sense of these, is also a part, and a highly useful part, of this general inquiry, or theme of instruction.
This species of information, though insignificant in those whose studies reach to nothing better,--to nothing valuable and available in life,--is nevertheless essential to education and to science; because it is essential to a right understanding of the import and just application of such words. All reliable etymology, all authentic derivation of words, has ever been highly valued by the wise. The learned James Harris has a remark as follows: "How useful to ETHIC SCIENCE, and indeed to KNOWLEDGE in general, a GRAMMATICAL DISQUISITION into the Etymology and Meaning of WORDS was esteemed by the chief and ablest Philosophers, may be seen by consulting Plato in his Cratylus; Xenophon's Memorabilia, IV, 5, 6; Arrian. Epict. I, 17; II, 10; Marc. Anton. III, 11;" &c.--See Harris's Hermes, p. 407.
A knowledge of the Saxon, Latin, Greek, and French languages, will throw much light on this subject, the derivation of our modern English; nor is it a weak argument in favour of studying these, that our acquaintance with them, whether deep or slight, tends to a better understanding of what is borrowed, and what is vernacular, in our own tongue. But etymological analysis may extensively teach the origin of English words, their composition, and the import of their parts, without demanding of the student the power of reading foreign or ancient languages, or of discoursing at all on General Grammar. And, since many of the users of this work may be but readers of our current English, to whom an unknown letter or a foreign word is a particularly uncouth and repulsive thing, we shall here forbear the use of Saxon characters, and, in our explanations, not go beyond the precincts of our own language, except to show the origin and primitive import of some of our definitive and connecting particles, and to explain the prefixes and terminations which are frequently employed to form English derivatives.
The rude and cursory languages of barbarous nations, to whom literature is unknown, are among those transitory things which, by the hand of time, are irrecoverably buried in oblivion. The fabric of the English language is undoubtedly of Saxon origin; but what was the particular form of the language spoken by the Saxons, when about the year 450 they entered Britain, cannot now be accurately known. It was probably a dialect of the Gothic or Teutonic. This Anglo-Saxon dialect, being the nucleus, received large accessions from other tongues of the north, from the Norman French, and from the more polished languages of Rome and Greece, to form the modern English. The speech of our rude and warlike ancestors thus gradually improved, as Christianity, civilization, and knowledge, advanced the arts of life in Britain; and, as early as the tenth century, it became a language capable of expressing all the sentiments of a civilized people. From the time of Alfred, its progress may be traced by means of writings which remain; but it can scarcely be called English, as I have shown in the Introduction to this work, till about the thirteenth century. And for two or three centuries later, it was so different from the modern English, as to be scarcely intelligible at all to the mere English reader; but, gradually improving by means upon which we need not here dilate, it at length became what we now find it,--a language copious, strong, refined, impressive, and capable, if properly used, of a great degree of beauty and harmony.
SECTION I.--DERIVATION OF THE ARTICLES.
1. For the derivation of our article THE, which he calls "an adjective," Dr. Webster was satisfied with giving this hint: "Sax. the; Dutch, de."--Amer. Dict. According to Horne Tooke, this definite article of ours, is the Saxon verb "THE," imperative, from THEAN, to take; and is nearly equivalent in meaning to that or those, because our that is "the past participle of THEAN," and "means taken."--Diversions of Purley, Vol. ii, p. 49. But this is not very satisfactory. Examining ancient works, we find the word, or something resembling it, or akin to it, written in various forms, as se, see, ye, te, de, the, thá, and others that cannot be shown by our modern letters; and, tracing it as one article, or one and the same word, through what we suppose to be the oldest of these forms, in stead of accounting the forms as signs of different roots, we should sooner regard it as originating in the imperative of SEON, to see.
2. AN, our indefinite article, is the Saxon oen, ane, an, ONE; and, by dropping n before a consonant, becomes a. Gawin Douglas, an ancient English writer, wrote ane, even before a consonant; as, "Ane book,"--"Ane lang spere,"--"Ane volume."
OBSERVATIONS.
OBS. 1.--The words of Tooke, concerning the derivation of That and The, as nearly as they can be given in our letters, are these: "THAT (in the Anglo-Saxon Thæt, i.e. Thead, Theat) means taken, assumed; being merely the past participle of the Anglo-Saxon verb Thean, Thegan, Thion, Thihan, Thicgan, Thigian; sumere, assumere, accipere; to THE, to get, to take, to assume.
'Ill mote he THE That caused me To make myselfe a frere.'--Sir T. More's Workes, pag. 4.
THE (our article, as it is called) is the imperative of the same verb Thean: which may very well supply the place of the correspondent Anglo-Saxon article Se, which is the imperative of Seon, videre: for it answers the same purpose in discourse, to say.... see man, or take man."--Diversions of Purley, Vol. ii, p. 49.
OBS. 2.--Now, between Thæt and Theat, there is a considerable difference of form, for æ and ea are not the same diphthong; and, in the identifying of so many infinitives, as forming but one verb, there is room for error. Nor is it half so probable that these are truly one root, as that our article The is the same, in its origin, as the old Anglo-Saxon Se. Dr. Bosworth, in his Anglo-Saxon Dictionary, gives no such word as Thean or Thegan, no such participle as Thead or Theat, which derivative is perhaps imaginary; but he has inserted together "Thicgan, thicgean, thigan, to receive, or take;" and separately, "Theon, to thrive, or flourish,"--"Thihan, to thrive,"--and "Thion, to flourish;" as well as the preterit "Theat, howled," from "Theotan, to howl." And is it not plain, that the old verb "THE," as used by More, is from Theon, to thrive, rather than from Thicgan, to take? "Ill mote he THE"--"Ill might he thrive," not, "Ill might he take."
OBS. 3.--Professor Hart says, "The word the was originally thæt, or that. In course of time [,] it became abbreviated, and the short form acquired, in usage, a shade of meaning different from the original long one. That is demonstrative with emphasis; the is demonstrative without emphasis."--Hart's E. Grammar, p. 32. This derivation of The is quite improbable; because the shortening of a monosyllable of five letters by striking out the third and the fifth, is no usual mode of abbreviation. Bosworth's Dictionary explains THE as "An indeclinable article, often used for all the cases of Se, seo, thæt, especially in adverbial expressions and in corrupt Anglo-Saxon, as in the Chronicle after the year 1138."
OBS. 4--Dr. Latham, in a section which is evidently neither accurate nor self-consistent, teaches us--"that there exist in the present English two powers of the word spelled t-h-e, or of the so-called definite article;" then, out of sixteen Anglo-Saxon equivalents, he selects two for the roots of this double-powered the; saying, "Hence the the that has originated out of the Anglo-Saxon thy is one word; whilst the the that has originated out of the Anglo-Saxon the, [is] another. The latter is the common article: the former the the in expressions like all the more, all the better--more by all that, better by all that, and the Latin phrases eo majus, eo melius."--Latham's Hand-Book, p. 158. This double derivation is liable to many objections. The Hand-Book afterwards says, "That the, in expressions like all the more, all the better, &c., is no article, has already been shown."--P. 196. But in fact, though the before comparatives or superlatives be no article, Dr. Latham's etymologies prove no such thing; neither does he anywhere tell us what it is. His examples, too, with their interpretations, are all of them fictitious, ambiguous, and otherwise bad. It is uncertain whether he meant his phrases for counterparts to each other or not. If the means "by that," or thereby, it is an adverb; and so is its equivalent "eo" denominated by the Latin grammarians. See OBS. 10, under Rule I.
SECTION II.--DERIVATION OF NOUNS.
In English, Nouns are derived from nouns, from adjectives, from verbs, or from participles.
I. Nouns are derived from Nouns in several different ways:--
1. By the adding of ship, dom, ric, wick, or, ate, hood, or head: as, fellow, fellowship; king, kingdom; bishop, bishopric; bailiff, or baily, bailiwick; senate, senator; tetrarch, tetrarchate; child, childhood; God, Godhead. These generally denote dominion, office, or character.
2. By the adding of ian: as, music, musician; physic, physician; theology, theologian; grammar, grammarian; college, collegian. These generally denote profession.
3. By the adding of r, ry, or ery: as, grocer, grocery; cutler, cutlery; slave, slavery; scene, scenery; fool, foolery. These sometimes denote state or habit; sometimes, an artificer's wares or shop.
4. By the adding of age or ade: as, patron, patronage; porter, porterage; band, bandage; lemon, lemonade; baluster, balustrade; wharf, wharfage; vassal, vassalage.
5. By the adding of kin, let, ling, ock, el, erel, or et: as, lamb, lambkin; ring, ringlet; cross, crosslet; duck, duckling; hill, hillock; run, runnel; cock, cockerel; pistol, pistolet; eagle, eaglet; circle, circlet. All these denote little things, and are called diminutives.
6. By the addition of ist: as, psalm, psalmist; botany, botanist; dial, dialist; journal, journalist. These denote persons devoted to, or skilled in, the subject expressed by the primitive.
7. By the prefixing of an adjective, or an other noun, so as to form a compound word: as, foreman, broadsword, statesman, tradesman; bedside, hillside, seaside; bear-berry, bear-fly, bear-garden; bear's-ear, bear's-foot, goat's-beard.
8. By the adoption of a negative prefix to reverse the meaning: as, order, disorder; pleasure, displeasure; consistency, inconsistency; capacity, incapacity; observance, nonobservance; resistance, nonresistance; truth, untruth; constraint, unconstraint.
9. By the use of the prefix counter, signifying against or opposite: as, attraction, counter-attraction; bond, counter-bond; current, counter-current; movement, counter-movement.
10. By the addition of ess, ix, or ine, or the changing of masculines to feminines so terminating: as, heir, heiress; prophet, prophetess; abbot, abbess; governor, governess; testator, testatrix; hero, heroine.
II. Nouns are derived from Adjectives in several different ways:--
1. By the adding of ness, ity, ship, dom, or hood: as, good, goodness; real, reality; hard, hardship; wise, wisdom; free, freedom; false, falsehood.
2. By the changing of t into ce or cy: as, radiant, radiance; consequent, consequence; flagrant, flagrancy; current, currency; discrepant, discrepance, or discrepancy.
3. By the changing of some of the letters, and the adding of t or th: as, long, length; broad, breadth; wide, width; high, height. The nouns included under these three heads, generally denote abstract qualities, and are called abstract nouns.
4. By the adding of ard: as, drunk, drunkard; dull, dullard. These denote ill character.
5. By the adding of ist: as, sensual, sensualist; separate, separatist; royal, royalist; fatal, fatalist. These denote persons devoted, addicted, or attached, to something.
6. By the adding of a, the Latin ending of neuter plurals, to certain proper adjectives in an: as, Miltonian, Miltoniana; Johnsonian, Johnsoniana. These literally mean, Miltonian things, sayings, or anecdotes, &c.; and are words somewhat fashionable with the journalists, and are sometimes used for titles of books that refer to table-talk.
III. Nouns are derived from Verbs in several different ways:--
1. By the adding of ment, ance, ence, ure, or age: as, punish, punishment; abate, abatement; repent, repentance; condole, condolence; forfeit, forfeiture; stow, stowage; equip, equipage; truck, truckage.
2. By a change of the termination of the verb, into se, ce, sion, tion, ation, or ition: as, expand, expanse, expansion; pretend, pretence, pretension; invent, invention; create, creation; omit, omission; provide, provision; reform, reformation; oppose, opposition. These denote either the act of doing, or the thing done.
3. By the adding of er or or: as, hunt, hunter; write, writer; collect, collector; assert, assertor; instruct, instructer, or instructor. These generally denote the doer. To denote the person to whom something is done, we sometimes form a derivative ending in ee: as, promisee, mortgagee, appellee, consignee.
4. Nouns and Verbs are sometimes alike in orthography, but different in pronunciation: as, a house, to house; a use, to use; a reb'el, to rebel'; a rec'ord, to record'; a cem'ent, to cement'. Of such pairs, it may often be difficult to say which word is the primitive.
5. In many instances, nouns and verbs are wholly alike as to form and sound, and are distinguished by their sense and construction only: as, love, to love; fear, to fear; sleep, to sleep;--to revise, a revise; to rebuke, a rebuke. In these, we have but the same word used differently.
IV. Nouns are often derived from Participles in ing; as, a meeting, the understanding, murmurings, disputings, sayings, and doings: and, occasionally, one is formed from such a word and an adverb or a perfect participle joined with it; as, "The turning-away,"--"His goings-forth,"--"Your having-boasted of it."
SECTION III.--DERIVATION OF ADJECTIVES.
In English, Adjectives are derived from nouns, from adjectives, from verbs, or from participles.
I. Adjectives are derived from Nouns in several different ways:--
1. By the adding of ous, ious, eous, y, ey, ic, al, ical or ine: (sometimes with an omission or change of some of the final letters:) as, danger, dangerous; glory, glorious; right, righteous; rock, rocky; clay, clayey; poet, poetic, or poetical; nation, national; method, methodical; vertex, vertical; clergy, clerical; adamant, adamantine. Adjectives thus formed, generally apply the properties of their primitives, to the nouns to which they relate.
2. By the adding of ful: as, fear, fearful; cheer, cheerful; grace, graceful; shame, shameful; power, powerful. These come almost entirely from personal qualities or feelings, and denote abundance.
3. By the adding of some: as, burden, burdensome; game, gamesome; toil, toilsome. These denote plenty, but do not exaggerate.
4. By the adding of en: as, oak, oaken; silk, silken; wheat, wheaten; oat, oaten; hemp, hempen. Here the derivative denotes the matter of which something is made.
5. By the adding of ly or ish: as, friend, friendly; gentleman, gentlemanly; child, childish; prude, prudish. These denote resemblance. The termination ly signifies like.
6. By the adding of able or ible: as, fashion, fashionable; access, accessible. But these terminations are generally, and more properly, added to verbs. See Obs. 17th, 18th, &c., on the Rules for Spelling.
7. By the adding of less: as, house, houseless; death, deathless; sleep, sleepless; bottom, bottomless. These denote privation or exemption--the absence of what is named by the primitive.
8. By the adding of ed: as, saint, sainted; bigot, bigoted; mast, masted; wit, witted. These have a resemblance to participles, and some of them are rarely used, except when joined with some other word to form a compound adjective: as, three-sided, bare-footed, long-eared, hundred-handed, flat-nosed, hard-hearted, marble-hearted, chicken-hearted.
9. Adjectives coming from proper names, take various terminations: as, America, American; England, English; Dane, Danish; Portugal, Portuguese; Plato, Platonic.
10. Nouns are often converted into adjectives, without change of termination: as, paper currency; a gold chain; silver knee-buckles.
II. Adjectives are derived from Adjectives in several different ways:--
1. By the adding of ish or some: as, white, whitish; green, greenish; lone, lonesome; glad, gladsome. These denote quality with some diminution.
2. By the prefixing of dis, in, or un: as, honest, dishonest; consistent, inconsistent; wise, unwise. These express a negation of the quality denoted by their primitives.
3. By the adding of y or ly: as, swarth, swarthy; good, goodly. Of these there are but few; for almost all the derivatives of the latter form are adverbs.
III. Adjectives are derived from Verbs in several different ways:--
1. By the adding of able or ible: (sometimes with a change of some of the final letters:) as, perish, perishable; vary, variable; convert, convertible; divide, divisible, or dividable. These, according to their analogy, have usually a passive import, and denote susceptibility of receiving action. 2. By the adding of ive or ory: (sometimes with a change of some of the final letters:) as, elect, elective; interrogate, interrogative, interrogatory; defend, defensive; defame, defamatory; explain, explanatory.
3. Words ending in ate, are mostly verbs; but some of them may be employed as adjectives, in the same form, especially in poetry; as, reprobate, complicate.
IV. Adjectives are derived from Participles, not by suffixes, but in
these ways:--
1. By the prefixing of un, meaning not; as, unyielding, unregarded, unreserved, unendowed, unendeared, unendorsed, unencountered, unencumbered, undisheartened, undishonoured. Of this sort there are very many.
2. By a combining of the participle with some word which does not belong to the verb; as, way-faring, hollow-sounding, long-drawn, deep-laid, dear-purchased, down-trodden. These, too, are numerous.
3. Participles often become adjectives without change of form. Such adjectives are distinguished from participles by their construction alone: as, "A lasting ornament;"--"The starving chymist;"--"Words of learned length;"--"With counterfeited glee."
SECTION IV.--DERIVATION OF THE PRONOUNS.
I. The English Pronouns are all of Saxon origin; but, in them, our language differs very strikingly from that of the Anglo-Saxons. The following table compares the simple personal forms:--
Eng. I, My or Me; We, Our or Us.
Mine, Ours,
Sax. Ic, Min, Me or We, Ure or Us.
Mec; User,
Eng. Thou, Thy or Thee; Ye, Your You.
Thine, or Yours,
Sax. Thu, Thin, The or Ge Eower, Eow or
Thec; Eowie.
Eng. He, His Him; They, Their or Them.
Theirs,
Sax. He, His or Him or Hi or Hira or Heom or
Hys, Hine; Hig, Heora, Hi.
Eng. She, Her or Her; They, Their or Them.
Hers, Theirs,
Sax. Heo, Hire or Hi; Hi or Hira or Heom or
Hyre, Hig, Heora, Hi.
Eng. It, Its, It; They, Their or Them.
Theirs,
Sax. Hit, His or Hit; Hi or Hira or Heom or
Hys, Hig, Heora, Hi.
Here, as in the personal pronouns of other languages, the plurals and oblique cases do not all appear to be regular derivatives from the nominative singular. Many of these pronouns, perhaps all, as well as a vast number of other words of frequent use in our language, and in that from which it chiefly comes, were very variously written by the Middle English, Old English, Semi-Saxon, and Anglo-Saxon authors. He who traces the history of our language, will meet with them under all the following forms, (or such as these would be with Saxon characters for the Saxon forms,) and perhaps in more:--
1. I, J, Y, y, i, ay, ic, che, ich, Ic;--MY, mi, min, MINE, myne, myn;--ME, mee, me, meh, mec, mech;--WE, wee, ve;--OUR or OURS, oure, ure, wer, urin, uren, urne, user, usse, usser, usses, ussum;--Us, ous, vs, uss, usic, usich, usig, usih, uz, huz.
2. THOU, thoue, thow, thowe, thu, tou, to, tu;--THY or THINE, thi, thyne, thyn, thin;--THEE, the, theh, thec;--YE, yee, yhe, ze, zee, ge, ghe;--YOUR or YOURS, youre, zour, hure, goure, yer, yower, yowyer, yorn, yourn, youre, eower;--You, youe, yow, gou, zou, ou, iu, iuh, eow, iow, geow, eowih, eowic, iowih.
3. HE, hee, hie, se;--His, hise, is, hys, ys, hyse, hus;--HIM, hine, hiene, hion, hen, hyne, hym, im;--THEY, thay, thei, the, tha, thai, thii, yai, hi, hie, heo, hig, hyg, hy;--THEIR or THEIRS, ther, theyr, theyrs, thair, thare, theora, hare, here, her, hir, hire, hira, hiora, hiera, heora, hyra;--THEM, thym, theym, thaym, thaim, thame, tham, em, hem, heom, hiom, eom, hom, him, hi, hig.
4. SHE, shee, sche, scho, sho, shoe, scæ, seo, heo, hio, hiu, hoo, hue;--HER, (possessive,) hur, hir, hire, hyr, hyre, hyra, hera;--HER, (objective,) hire, hyre, hur, hir, hi. The plural forms of this feminine pronoun are like those of the masculine He; but the "Well-Wishers to Knowledge," in their small Grammar, (erroneously, as I suppose,) make hira masculine only, and heora feminine only. See their Principles of Grammar, p. 38.
5. IT, yt, itt, hit, hyt, hytt. The possessive Its is a modern derivative; His or Hys was formerly used in lieu of it. The plural forms of this neuter pronoun, It, are like those of He and She. According to Horne Tooke, who declares hoet to have been one of its ancient forms, "this pronoun was merely the past participle of the verb HAITAN, hætan, nominare," to name, and literally signifies "the said;" (Diversions of Purley, Vol. ii, p. 46; W. Allen's Gram., p. 57;) but Dr. Alexander Murray, exhibiting it in an other form, not adapted to this opinion, makes it the neuter of a declinable adjective, or pronoun, inflected from the masculine, thus: "He, heo hita, this"--Hist. of Lang., Vol. i, p. 315.
II. The relatives and interrogatives are derived from the same source, the Anglo-Saxon tongue, and have passed through similar changes, or varieties in orthography; but, the common relative pronoun of the Anglo-Saxons being like their article the,--or, with the three genders, se, seo, thæt,--and not like our who, which, and what, it is probable that the interrogative use of these words was the primitive one. They have been found in all the following forms:--
1. WHO, ho, hue, wha, hwa, hua, wua, qua, quha;--WHOSE, who's, whos, whois, whoise, wheas, quhois, quhais, quhase, hwæs;--WHOM, whome, quham, quhum, quhome, hwom, hwam, hwæm, hwæne, hwone.
2. WHICH, whiche, whyche, whilch, wych, quilch, quilk, quhilk, hwilc, hwylc, hwelc, whilk, huilic, hvilc. For the Anglo-Saxon forms, Dr. Bosworth's Dictionary gives "hwilc, hwylc, and hwelc;" but Professor Fowler's E. Grammar makes them "huilic and hvilc."--See p. 240. Whilk, or quhilk, is a Scottish form.
3. WHAT, hwat, hwet, quhat, hwæt. This pronoun, whether relative or interrogative, is regarded by Bosworth and others as a neuter derivative from the masculine or femine [sic--KTH] hwa, who. It may have been thence derived, but, in modern English, it is not always of the neuter gender. See the last note on page 312.
4. THAT, Anglo-Saxon Thæt. Tooke's notion of the derivation of this word is noticed above in the section on Articles. There is no certainty of its truth; and our lexicographers make no allusion to it. W. Allen reaffirms it. See his Gram., p. 54.
OBSERVATIONS.
OBS. 1.--In the Well-Wishers' Grammar, (p. 39,) as also in L. Murray's and some others, the pronoun Which is very strangely and erroneously represented as being always "of the neuter gender." (See what is said of this word in the Introduction, Chap. ix, ¶ 32.) Whereas it is the relative most generally applied to brute animals, and, in our common version of the Bible, its application to persons is peculiarly frequent. Fowler says, "In its origin it is a Compound."--E. Gram., p. 240. Taking its first Anglo-Saxon form to be "Huilic," he thinks it traceable to "hwa, who," or its ablative "hwi," and "lie, like."--Ib. If this is right, the neuter sense is not its primitive import, or any part of it.
OBS. 2.--From its various uses, the word That is called sometimes a pronoun, sometimes an adjective, and sometimes a conjunction; but, in respect to derivation, it is, doubtless, one and the same. As a relative pronoun, it is of either number, and has no plural form different from the singular; as, "Blessed is the man that heareth me."--Prov., viii, 34. "Blessed are they that mourn."--Matt., v, 4. As an adjective, it is said by Tooke to have been formerly "applied indifferently to plural nouns and to singular; as, 'Into that holy orders.'--Dr. Martin. 'At that dayes.'--Id. 'That euyll aungels the denilles.'--Sir Tho. More. 'This pleasure undoubtedly farre excelleth all that pleasures that in this life maie be obteined.'--Id."--Diversions of Purley, Vol. ii, pp. 47 and 48. The introduction of the plural form those, must have rendered this usage bad English.
SECTION V.--DERIVATION OF VERBS.
In English, Verbs are derived from nouns, from adjectives, or from verbs.
I. Verbs are derived from Nouns in the following different ways:--
1. By the adding of ize, ise, en, or ate: as, author, authorize; critic, criticise; length, lengthen; origin, originate. The termination ize is of Greek origin, and ise is most probably of French: the former is generally preferable in forming English derivatives; but both are sometimes to be used, and they should be applied according to Rule 13th for Spelling.
2. Some few verbs are derived from nouns by the changing of a sharp or hard consonant to a flat or soft one, or by the adding of a mute e, to soften a hard sound: as, advice, advise; price, prize; bath, bathe; cloth, clothe; breath, breathe; wreath, wreathe; sheath, sheathe; grass, graze.
II. Verbs are derived from Adjectives in the following different ways:--
1. By the adding of ize or en: as legal, legalize; immortal, immortalize; civil, civilize; human, humanize; familiar, familiarize; particular, particularize; deaf, deafen; stiff, stiffen; rough, roughen; deep, deepen; weak, weaken.
2. Many adjectives become verbs by being merely used and inflected as verbs: as, warm, to warm, he warms; dry, to dry, he dries; dull, to dull, he dulls; slack, to slack, he slacks; forward, to forward, he forwards.
III. Verbs are derived from Verbs in the following modes, or ways:--
1. By the prefixing of dis or un to reverse the meaning: as, please, displease; qualify, disqualify; organize, disorganize; fasten, unfasten; muzzle, unmuzzle; nerve, unnerve.
2. By the prefixing of a, be, for, fore, mis, over, out, under, up, or with: as, rise, arise; sprinkle, besprinkle; bid, forbid; see, foresee; take, mistake; look, overlook; run, outrun; go, undergo; hold, uphold; draw, withdraw.
SECTION VI.--DERIVATION OF PARTICIPLES.
All English Participles are derived from English verbs, in the manner explained in Chapter 7th, under the general head of Etymology; and when foreign participles are introduced into our language, they are not participles with us, but belong to some other class of words, or part of speech.
SECTION VII.--DERIVATION OF ADVERBS.
1. In English, many Adverbs are derived from adjectives by the addition of ly: which is an abbreviation for like, and which, though the addition of it to a noun forms an adjective, is the most distinctive as well as the most common termination of our adverbs: as, candid, candidly; sordid, sordidly; presumptuous, presumptuously. Most adverbs of manner are thus formed.
2. Many adverbs are compounds formed from two or more English words; as, herein, thereby, to-day, always, already, elsewhere, sometimes, wherewithal. The formation and the meaning of these are, in general, sufficiently obvious.
3. About seventy adverbs are formed by means of the prefix, or inseparable preposition, a; as, Abreast, abroach, abroad, across, afar, afield, ago, agog, aland, along, amiss, atilt.
4. Needs, as an adverb, is a contraction of need is; prithee, or pr'ythee, of I pray thee; alone, of all one; only, of one-like; anon, of the Saxon an on; i.e., in one [instant]; never, of ne ever; i.e., not ever. Prof. Gibbs, in Fowler's Grammar, makes needs "the Genitive case of the noun need."--P. 311.
5. Very is from the French veray, or vrai, true; and this, probably, from the Latin verus. Rather appears to be the regular comparative of the ancient rath, soon, quickly, willingly; which comes from the Anglo-Saxon "Rathe, or Hrathe, of one's own accord."--Bosworth. But the parent language had also "Hrathre, to a mind."--Id. That is, to one's mind, or, perhaps, more willingly.
OBSERVATIONS.
OBS. 1.--Many of our most common adverbs are of Anglo-Saxon derivation, being plainly traceable to certain very old forms, of the same import, which the etymologist regards but as the same words differently spelled: as, All, eall, eal, or æll; Almost, ealmæst, or ælmæst; Also, ealswa, or ælswa; Else, elles; Elsewhere, elleshwær; Enough, genog, or genoh; Even, euen, efen, or æfen; Ever, euer, æfer, or æfre; Downward, duneweard; Forward, forweard, or foreweard; Homeward, hamweard; Homewards, hamweardes; How, hu; Little, lytel; Less, læs; Least, læst; No, na; Not, noht, or nocht; Out, ut, or ute; So, swa; Still, stille, or stylle; Then, thenne; There, ther, thar, thær; Thither, thider, or thyder; Thus, thuss, or thus; Together, togædere, or togædre; Too, tó; When, hwenne, or hwænne; Where, hwær; Whither, hwider, hwyder, or hwyther; Yea, ia, gea, or gee; Yes, gese, gise, or gyse.
OBS. 2.--According to Horne Tooke, "Still and Else are the imperatives Stell and Ales of their respective verbs Stellan, to put, and Alesan, to dismiss."--Diversions, Vol. i, p. 111. He afterwards repeats the doctrine thus: "Still is only the imperative Stell or Steall, of Stellan or Steallian, ponere."--Ib., p. 146. "This word Else, formerly written alles, alys, alyse, elles, ellus, ellis, ells, els, and now else; is, as I have said, no other than Ales or Alys, the imperative of Alesan or Alysan, dimittere."--Ib., p. 148. These ulterior and remote etymologies are perhaps too conjectural.
SECTION VIII.--DERIVATION OF CONJUNCTIONS.
The English Conjunctions are mostly of Anglo-Saxon origin. The best etymological vocabularies of our language give us, for the most part, the same words in Anglo-Saxon characters; but Horne Tooke, in his Diversions of Purley, (a learned and curious work which the advanced student may peruse with advantage,) traces, or professes to trace, these and many other English particles, to Saxon verbs or participles. The following derivations, so far as they partake of such speculations, are offered principally on his authority:--
1. ALTHOUGH, signifying admit, allow, is from all and though; the latter being supposed the imperative of Thafian or Thafigan, to allow, to concede, to yield.
2. AN, an obsolete or antiquated conjunction, signifying if, or grant, is the imperative of the Anglo-Saxon verb Anan or Unan, to grant, to give.
3. AND, [Saxon, And,] add, is said by Tooke to come from "An-ad, the imperative of Ananad, Dare congeriem."--D. of P., Vol. i, p. 111. That is, "To give the heap." The truth of this, if unapparent, I must leave so.
4. AS, according to Dr. Johnson, is from the Teutonic als; but Tooke says that als itself is a contraction for all and the original particle es or as, meaning it, that, or which.
5. BECAUSE, from be and cause, means by cause; the be being written for by.
6. BOTH, the two, is from the pronominal adjective both; which, according to Dr. Alexander Murray, is a contraction of the Visigothic Bagoth, signifying doubled. The Anglo-Saxons wrote for it butu, butwu, buta, and batwa; i. e., ba, both, twa, two.
7. BUT,--(in Saxon, bute, butan, buton, or butun--) meaning except, yet, now, only, else than, that not, or on the contrary,--is referred by Tooke and some others, to two roots,--each of them but a conjectural etymon for it. "BUT, implying addition," say they, "is from Bot, the imperative of Botan, to boot, to add; BUT, denoting exception, is from Be-utan, the imperative of Beon-utan, to be out."--See D. of P., Vol. i, pp. 111 and 155.
8. EITHER, one of the two, like the pronominal adjective EITHER, is from the Anglo-Saxon Æther, or Egther, a word of the same uses, and the same import.
9. EKE, also, (now nearly obsolete,) is from "Eac, the imperative of Eacan, to add."
10. EVEN, whether a noun, an adjective, an adverb, or a conjunction, appears to come from the same source, the Anglo-Saxon word Efen or Æfen.
11. EXCEPT, which, when used as a conjunction, means unless, is the imperative, or (according to Dr. Johnson) an ancient perfect participle, of the verb to except.
12. FOR, because, is from the Saxon preposition For; which, to express this meaning, our ancestors combined with something else, reducing to one word some such phrase as, For that, For this, For this that; as, "Fortha, Fortham, Forthan, Forthamthe, Forthan the."--See Bosworth's Dict.
13. IF, give, grant, allow, is from "Gif, the imperative of the Anglo-Saxon Gifan, to give."--Tooke's Diversions, Vol. i, p. 111.
14. LEST, that not, dismissed, is from "Lesed, the perfect participle of Lesan, to dismiss."
15. NEITHER, not either, is a union and contraction of ne either: our old writers frequently used ne for not; the Anglo-Saxons likewise repeated it, using ne--ne, in lieu of our corresponsives neither--nor; and our modern lexicographers still note the word, in some of these senses.
16. NOR, not other, not else, is supposed to be a union and contraction of ne or.
17. NOTWITHSTANDING, not hindering, is an English compound of obvious formation.
18. OR, an alternative conjunction, seems to be a word of no great antiquity. It is supposed to be a contraction of other, which Johnson and his followers give, in Saxon characters, either as its source, or as its equivalent.
19. PROVIDED, the perfect participle of the verb provide, becomes occasionally a disjunctive conjunction, by being used alone or with the particle that, to introduce a condition, a saving clause, a proviso.
20. SAVE, anciently used with some frequency as a conjunction, in the sense of but, or except is from the imperative of the English verb save, and is still occasionally turned to such a use by the poets.
21. SEEING, sometimes made a copulative conjunction, is the imperfect participle of the verb see. Used at the head of a clause, and without reference to an agent, it assumes a conjunctive nature.
22. SINCE is conjectured by Tooke to be "the participle of Seon, to see," and to mean "seeing, seeing that, seen that, or seen as."--Diversions of P., Vol. i, pp. 111 and 220. But Johnson and others say, it has been formed "by contraction from sithence, or sith thence, from sithe, Sax."--Joh. Dict.
23. THAN, which introduces the latter term of a comparison, is from the Gothic than, or the Anglo-Saxon thanne, which was used for the same purpose. 24. THAT, when called a conjunction, is said by Tooke to be etymologically the same as the adjective or pronoun THAT, the derivation of which is twice spoken of above; but, in Todd's Johnson's Dictionary, as abridged by Chalmers, THAT, the conjunction, is referred to "thatei, Gothic;" THAT, the pronoun, to "that, thata, Gothic; thæt, Saxon; dat, Dutch."
25. THEN, used as a conjunction, is doubtless the same word as the Anglo-Saxon Thenne, taken as an illative, or word of inference.
26. "THOUGH, allow, is [from] the imperative Thaf, or Thafig, of the verb Thafian or Thafigan, to allow."--Tooke's Diversions, Vol. i, pp. 111 and 150.
27. "UNLESS, except, dismiss, is [from] Onles, the imperative of Onlesan, to dismiss."--Ib.
28. WHETHER, a corresponsive conjunction, which introduces the first term of an alternative, is from the Anglo-Saxon hwæther, which was used for the same purpose.
29. YET, nevertheless, is from "Get, the imperative of Getan, to get."--Tooke.
SECTION IX.--DERIVATION OF PREPOSITIONS.
The following are the principal English Prepositions, explained in the order of the list:--
1. ABOARD, meaning on board of, is from the prefix or preposition a and the noun board, which here means "the deck of a ship" or vessel. Abord, in French, is approach, arrival, or a landing.
2. ABOUT, [Sax. Abútan, or Abúton,] meaning around, at circuit, or doing, is from the prefix a, meaning at, and the noun bout, meaning a turn, a circuit, or a trial. In French, bout means end; and about, end, or but-end.
3. ABOVE, [Sax. Abufan, Abufon, A-be-ufan.] meaning over, or, literally, at-by-over, or at-by-top, is from the Saxon or Old English a, be, and ufa, or ufan, said to mean "high, upwards, or the top."
4. ACROSS, at cross, athwart, traverse, is from the prefix a and the word cross.
5. AFTER, [Sax. Æfter, or Æftan,] meaning behind, subsequent to, is, in form, the comparative of aft, a word common to seamen, and it may have been thence derived.
6. AGAINST, opposite to, is probably from the Anglo-Saxon, Ongean, or Ongegen, each of which forms means again or against. As prefixes, on and a are often equivalent.
7. ALONG, [i.e., at-long,] meaning lengthwise of, near to, is formed from a and long.
8. AMID, [i. e., at mid or middle,] is from a and mid; and AMIDST [, i.e., at midst,] is from a and midst, contracted from middest, the superlative of mid.
9. AMONG, mixed with, is probably an abbreviation of amongst; and AMONGST, according to Tooke, is from a and mongst, or the older "Ge-meneged," Saxon for "mixed, mingled."
10. AROUND, about, encircling, is from a and round, a circle, or circuit.
11. AT, gone to, is supposed by some to come from the Latin ad; but Dr. Murray says, "We have in Teutonic AT for AGT, touching or touched, joined, at."--Hist. of Lang., i, 349.
12. ATHWART, across, is from a and thwart, cross; and this from the Saxon Thweor.
13. BATING, a preposition for except, is the imperfect participle of bate, to abate.
14. BEFORE, [i.e., by-fore,] in front of, is from the prefix be and the adjective fore.
15. BEHIND, [i.e., by-hind,] in rear of, is from the prefix be and the adjective hind.
16. BELOW, [i.e., by-low,] meaning under, or beneath, is from be and the adjective low.
17. BENEATH [, Sax. or Old Eng. Beneoth,] is from be and neath, or Sax. Neothe, low.
18. BESIDE [, i.e., by-side,] is probably from be and the noun or adjective side.
19. BESIDES [, i.e., by-sides,] is probably from be and the plural noun sides.
20. BETWEEN, [Sax. Betweonan, or Betwynan,] literally, by-twain, seems to have been formed from be, by, and twain, two--or the Saxon Twegen, which also means two, twain.
21. BETWIXT, meaning between, [Sax. Betweox, Betwux, Betwyx, Betwyxt, &c.,] is from be, by, and twyx, originally a "Gothic" word signifying "two, or twain."--See Tooke, Vol. i, p. 329.
22. BEYOND, past, [Sax. Begeond,] is from the prefix be, by, and yond, [Sax. Geond,] past, far.
23. BY [, Sax. Be, Bi, or Big,] is affirmed by Tooke to be "the imperative
Byth, of the Anglo-Saxon verb Beon, to be."--Diversions of P., Vol. i,
p. 326. This seems to be rather questionable.
24. CONCERNING, the preposition, is from the first participle of the verb concern.
25. DOWN, the preposition, is from the Anglo-Saxon Dune, down.
26. DURING, prep. of time, is from the first participle of an old verb dure, to last, formerly in use; as, "While the world may dure."--Chaucer's Knight's Tale.
27. ERE, before, prep. of time, is from the Anglo-Saxon Ær, a word of like sort.
28. EXCEPT, bating, is from the imperative, or (according to Dr. Johnson) the ancient perfect participle of the verb to except; and EXCEPTING, when a preposition, is from the first participle of the same verb.
29. FOR, because of, is the Anglo-Saxon preposition For, a word of like import, and supposed by Tooke to have come from a Gothic noun signifying cause, or sake.
30. FROM, in Saxon, Fram, is probably derived from the old adjective Frum, original.
31. IN, or the Saxon In, is the same as the Latin in: the Greek is [Greek: en]; and the French, en.
32. INTO, like the Saxon Into, noting entrance, is a compound of in and to.
33. MID and MIDST, as English prepositions, are poetical forms used for Amid and Amidst.
34. NOTWITHSTANDING, not hindering, is from the adverb not, and the participle withstanding, which, by itself, means hindering, or preventing. 35. OF is from the Saxon Of, or Af; which is supposed by Tooke to come from a noun signifying offspring.
36. OFF, opposed to on, Dr. Johnson derives from the "Dutch af."
37. ON, a word very often used in Anglo-Saxon, is traced by some etymologists to the Gothic ana, the German an, the Dutch aan; but no such derivation fixes its meaning.
38. OUT, [Sax. Ut, Ute, or Utan,] when made a preposition, is probably from the adverb or adjective Out, or the earlier Ut; and OUT-OF, [Sax. Ut-of,] opposed to Into, is but the adverb Out and the preposition Of--usually written separately, but better joined, in some instances.
39. OVER, above, is from the Anglo-Saxon Ofer, over; and this, probably, from Ufa, above, high, or from the comparative, Ufera, higher.
40. OVERTHWART, meaning across, is a compound of over and thwart, cross.
41. PAST, beyond, gone by, is a contraction from the perfect participle passed.
42. PENDING, during or hanging, has a participial form, but is either an adjective or a preposition: we do not use pend alone as a verb, though we have it in depend.
43. RESPECTING, concerning, is from the first participle of the verb respect.
44. ROUND, a preposition for about or around, is from the noun or adjective round.
45. SINCE is most probably a contraction of the old word Sithence; but is conjectured by Tooke to have been formed from the phrase, "Seen as."
46. THROUGH [, Sax. Thurh, or Thurch,] seems related to Thorough, Sax. Thuruh; and this again to Thuru, or Duru, a Door.
47. THROUGHOUT, quite through, is an obvious compond of through and out.
48. TILL, [Sax. Til or Tille,] to, until, is from the Saxon Til or Till, an end, a station.
49. TO, whether a preposition or an adverb, is from the Anglo-Saxon particle To.
50. TOUCHING, with regard to, is from the first participle of the verb touch.
51. TOWARD or TOWARDS, written by the Anglo-Saxons Toweard or Toweardes, is a compound of To and Ward or Weard, a guard, a look-out; "Used in composition to express situation or direction."--Bosworth.
52. UNDER, [Gothic, Undar; Dutch, Onder,] beneath, below, is a common Anglo-Saxon word, and very frequent prefix, affirmed by Tooke to be "nothing but on-neder," a Dutch compound = on lower.--See Diversions of Purley, Vol. i, p. 331.
53. UNDERNEATH is a compound of under and neath, low; whence nether, lower.
54. UNTIL is a compound from on or un, and till, or til, the end.
55. UNTO, now somewhat antiquated, is formed, not very analogically, from un and to.
56. UP is from the Anglo-Saxon adjective, "Up or Upp, high, lofty."
57. UPON, which appears literally to mean high on, is from two words up and on.
58. WITH comes to us from the Anglo-Saxon With, a word of like sort and import; which Tooke says is an imperative verb, sometimes from "Withan, to join," and sometimes from "Wyrthan, to be."--See his Diversions, Vol. i, p. 262.
59. WITHIN [, i.e., by-in,] is from with and in: Sax. Withinnan, Binnan, or Binnon.
60. WITHOUT [, i.e., by-out,] is from with and out: Sax. Withútan, -úten, -úton; Bútan, Búton, Bútun.
OBSERVATION.
In regard to some of our minor or simpler prepositions, as of sundry other particles, to go beyond the forms and constructions which present or former usage has at some period given them as particles, and to ascertain their actual origin in something ulterior, if such they had, is no very easy matter; nor can there be either satisfaction or profit in studying what one suspects to be mere guesswork. "How do you account for IN, OUT, ON, OFF, and AT?" says the friend of Tooke, in an etymological dialogue at Purley. The substance of his answer is, "The explanation and etymology of these words require a degree of knowledge in all the antient northern languages, and a skill in the application of that knowledge, which I am very far from assuming; and though I am almost persuaded by some of my own conjectures concerning them, I am not willing, by an apparently forced and far-fetched derivation, to justify your imputation of etymological legerdemain."--Diversions, Vol. i, p. 370. SECTION X.--DERIVATION OF INTERJECTIONS.
Those significant and constructive words which are occasionally used as Interjections, (such as Good! Strange! Indeed!,) do not require an explanation here; and those mere sounds which are in no wise expressive of thought, scarcely admit of definition or derivation. The Interjection HEY is probably a corruption of the adjective High;--ALAS is from the French Hélas:--ALACK is probably a corruption of Alas;--WELAWAY or WELLAWAY, (which is now corrupted into WELLADAY,) is said by some to be from the Anglo-Saxon Wá-lá-wá, i.e., Wo-lo-wo;--"FIE," says Tooke, "is the imperative of the Gothic and Anglo-Saxon verb Fian, to hate;"--Heyday is probably from high day;--AVAUNT, perhaps from the French avant, before;--LO, from look;--BEGONE, from be and gone;--WELCOME, from well and come;--FAREWELL, from fare and well.
SECTION XI--EXPLANATION OF THE PREFIXES.
In the formation of English words, certain particles are often employed as prefixes; which, as they generally have some peculiar import, may be separately explained. A few of them are of Anglo-Saxon origin, or character; and the greater part of these are still employed as separate words in our language. The rest are Latin, Greek, or French prepositions. The roots to which they are prefixed, are not always proper English words. Those which are such, are called SEPARABLE RADICALS; those which are not such, INSEPARABLE RADICALS.
CLASS I--THE ENGLISH OR ANGLO-SAXON PREFIXES.
1. A, as an English prefix, signifies on, in, at, or to: as in a-board, a-shore, a-foot, a-bed, a-soak, a-tilt, a-slant, a-far, a-field; which are equal to the phrases, on board, on shore, on foot, in bed, in soak, at tilt, at slant, to a distance, to the fields. The French à, to, is probably the same particle. This prefix is sometimes redundant, adding little or nothing to the meaning; as in awake, arise, amend.
2. BE, as a prefix, signifies upon, over, by, to, at, or for: as in be-spatter, be-cloud, be-times, be-tide, be-howl, be-speak. It is sometimes redundant, or merely intensive; as in be-gird, be-deck, be-loved, be-dazzle, be-moisten, be-praise, be-quote.
3. COUNTER, an English prefix, allied to the French Contre, and the Latin Contra, means against, or opposite; as in counter-poise, counter-evidence, counter-natural.
4. FOR, as a prefix, unlike the common preposition For, seems generally to signify from: it is found in the irregular verbs for-bear, for-bid, for-get, for-give, for-sake, for-swear; and in for-bathe, for-do, for-pass, for-pine, for-say, for-think, for-waste, which last are now disused, the for in several being merely intensive.
5. FORE, prefixed to a verb, signifies before; as in fore-know, fore-tell: prefixed to a noun, it is usually an adjective, and signifies anterior; as in fore-side, fore-part.
6. HALF, signifying one of two equal parts, is much used in composition; and, often, merely to denote imperfection: as, half-sighted, seeing imperfectly.
7. MIS signifies wrong or ill; as in mis-cite, mis-print, mis-spell, mis-chance, mis-hap.
8. OVER denotes superiority or excess; as in over-power, over-strain, over-large.
9. OUT, prefixed to a verb, generally denotes excess; as in out-do, out-leap, out-poise: prefixed to a noun, it is an adjective, and signifies exterior; as in out-side, out-parish.
10. SELF generally signifies one's own person, or belonging to one's own person; but, in self-same, it means very. We have many words beginning with Self, but most of them seem to be compounds rather than derivatives; as, self-love, self-abasement, self-abuse, self-affairs, self-willed, self-accusing.
11. UN denotes negation or contrariety; as in un-kind, un-load, un-truth, un-coif.
12. UNDER denotes inferiority; as in under-value, under-clerk, under-growth.
13. UP denotes motion upwards; as in up-lift: sometimes subversion; as in up-set.
14. WITH, as a prefix, unlike the common preposition With, signifies against, from, or back; as in with-stand, with-hold, with-draw, with-stander, with-holdment, with-drawal.
CLASS II.--THE LATIN PREFIXES.
The primitives or radicals to which these are prefixed, are not many of them employed separately in English. The final letter of the prefix Ad, Con, Ex, In, Ob, or Sub, is often changed before certain consonants; not capriciously, but with uniformity, to adapt or assimilate it to the sound which follows.
1. A, AB, or ABS, means From, or Away: as, a-vert, to turn from, or away; ab-duce, to lead from; ab-duction, a carrying-away; ab-stract, to draw from, or away.
2. AD,--forming ac, af, al, an, ap, as, at,--means To, or At: as, ad-vert, to turn to; ac-cord, to yield to; af-flux, a flowing-to; al-ly, to bind to; an-nex, to link to; ap-ply, to put to; as-sume, to take to; at-test, to witness to; ad-mire, to wonder at.
3. ANTE means Fore, or Before: as, ante-past, a fore-taste; ante-cedent, foregoing, or going before; ante-mundane, before the world; ante-date, to date before.
4. CIRCUM means Round, Around, or About: as circum-volve, to roll round; circum-scribe, to write round; circum-vent, to come round; circum-spect, looking about one's self.
5. CON,--which forms com, co, col, cor,--means Together: as, con-tract, to draw together; compel,
CLASS IV.--THE FRENCH PREFIXES.
1. A is a preposition of very frequent use in French, and generally means To. I have suggested above that it is probably the same as the Anglo-Saxon prefix a. It is found in a few English compounds or derivatives that are of French, and not of Saxon origin: as, a-dieu, to God; i.e., I commend you to God; a-larm, from alarme, i e., à l'arme, to arms.
2. DE means Of or From: as in de-mure, of manners; de-liver, to ease from or of.
3. DEMI means Half: as, demi-man, half a man; demi-god, half a god; demi-devil, half a devil; demi-deify, to half deify; demi-sized, half sized; demi-quaver, half a quaver. 4. EN,--which sometimes becomes em,--means In, Into, or Upon: as, en-chain, to hold in chains; em-brace, to clasp in the arms; en-tomb, to put into a tomb; em-boss, to stud upon. Many words are yet wavering between the French and the Latin orthography of this prefix: as, embody, or imbody; ensurance, or insurance; ensnare, or insnare; enquire, or inquire.
5. SUR, as a French prefix, means Upon, Over, or After: as, sur-name, a name upon a name; sur-vey, to look over; sur-mount, to mount over or upon; sur-render, to deliver over to others; sur-feit, to overdo in eating; sur-vive, to live after, to over-live, to outlive.
END OF THE SECOND APPENDIX
APPENDIX III TO PART THIRD, OR SYNTAX.
OF THE QUALITIES OF STYLE.
Style, as a topic connected with syntax, is the particular manner in which a person expresses his conceptions by means of language. It is different from mere words, different from mere grammar, in any limited sense, and is not to be regulated altogether by rules of construction. It always has some relation to the author's peculiar manner of thinking; involves, to some extent, and shows his literary, if not his moral, character; is, in general, that sort of expression which his thoughts most readily assume; and, sometimes, partakes not only of what is characteristic of the man, of his profession, sect, clan, or province, but even of national peculiarity, or some marked feature of the age. The words which an author employs, may be proper in themselves, and so constructed as to violate no rule of syntax, and yet his style may have great faults.
In reviews and critical essays, the general characters of style are usually designated by such epithets as these;--concise, diffuse,--neat, negligent,--terse, bungling,--nervous, weak,--forcible, feeble,--vehement, languid,--simple, affected,--easy, stiff,--pure, barbarous,--perspicuous, obscure,--elegant, uncouth,--florid, plain,--flowery, artless,--fluent, dry,--piquant, dull,--stately, flippant,--majestic, mean,--pompous, modest,--ancient, modern. A considerable diversity of style, may be found in compositions all equally excellent in their kind. And, indeed, different subjects, as well as the different endowments by which genius is distinguished, require this diversity. But, in forming his style, the learner should remember, that a negligent, feeble, affected, stiff, uncouth, barbarous, or obscure style is always faulty; and that perspicuity, ease, simplicity, strength, neatness, and purity, are qualities always to be aimed at.
In order to acquire a good style, the frequent practice of composing and writing something, is indispensably necessary. Without exercise and diligent attention, rules or precepts for the attainment of this object, will be of no avail. When the learner has acquired such a knowledge of grammar, as to be in some degree qualified for the undertaking, he should devote a stated portion of his time to composition. This exercise will bring the powers of his mind into requisition, in a way that is well calculated to strengthen them. And if he has opportunity for reading, he may, by a diligent perusal of the best authors, acquire both language and taste as well as sentiment;--and these three are the essential qualifications of a good writer.
In regard to the qualities which constitute a good style, we can here offer nothing more than a few brief hints. With respect to words and phrases, particular attention should be paid to three things--purity, propriety, and precision; and, with respect to sentences, to three others,--perspicuity, unity, and strength. Under each of these six heads, we shall arrange, in the form of short precepts, a few of the most important directions for the forming of a good style.
SECTION I.--OF PURITY.
Purity of style consists in the use of such words and phrases only, as belong to the language which we write or speak. Its opposites are the faults aimed at in the following precepts.
PRECEPT I.--Avoid the unnecessary use of foreign words or idioms: such as the French words fraicheur, hauteur, delicatesse, politesse, noblesse;--the expression, "He repented himself;"--or, "It serves to an excellent purpose."
PRECEPT II.--Avoid obsolete or antiquated words, except there be some special reason for their use: that is, such words as acception, addressful, administrate, affamish, affrontiveness, belikely, blusterous, clergical, cruciate, rutilate, timidous.
PRECEPT III.--Avoid strange or unauthorized words: such as, flutteration, inspectator, judgematical, incumberment, connexity, electerized, martyrized, reunition, marvelize, limpitude, affectated, adorement, absquatulate. Of this sort is O. B. Peirce's "assimilarity," used on page 19th of his English Grammar; and still worse is Jocelyn's "irradicable," for uneradicable, used on page 5th of his Prize Essay on Education.
PRECEPT IV.--Avoid bombast, or affectation of fine writing. It is ridiculous, however serious the subject. The following is an example: "Personifications, however rich the depictions, and unconstrained their latitude; analogies, however imposing the objects of parallel, and the media of comparison; can never expose the consequences of sin to the extent of fact, or the range of demonstration."--Anonymous.
SECTION II.--OF PROPRIETY.
Propriety of language consists in the selection and right construction of such words as the best usage has appropriated to those ideas which we intend to express by them. Impropriety embraces all those forms of error, which, for the purpose of illustration, exercise, and special criticism, have been so methodically and so copiously posted up under the various heads, rules, and notes, of this extensive Grammar. A few suggestions, however, are here to be set down in the form of precepts.
PRECEPT I.--Avoid low and provincial expressions: such as, "Now, says I, boys;"--"Thinks I to myself;"--"To get into a scrape;"--"Stay here while I come back;"--"By jinkers;"--"By the living jingoes."
PRECEPT II.--In writing prose, avoid words and phrases that are merely poetical: such as, morn, eve, plaint, corse, weal, drear, amid, oft, steepy;--"what time the winds arise."
PRECEPT III.--Avoid technical terms: except where they are necessary in treating of a particular art or science. In technology, they are proper.
PRECEPT IV.--Avoid the recurrence of a word in different senses, or such a repetition of words as denotes paucity of language: as, "His own reason might have suggested better reasons."--"Gregory favoured the undertaking, for no other reason than this; that the manager, in countenance, favoured his friend."--"I want to go and see what he wants."
PRECEPT V.--Supply words that are wanting: thus, instead of saying, "This action increased his former services," say, "This action increased the merit of his former services."--"How many [kinds of] substantives are there? Two; proper and common."--See E. Devis's Gram., p. 14. "These changes should not be left to be settled by chance or by caprice, but [should be determined] by the judicious application of the principles of Orthography."--See Fowlers E. Gram., 1850, p. 170.
PRECEPT VI.--Avoid equivocal or ambiguous expressions: as, "His memory shall be lost on the earth."--"I long since learned to like nothing but what you do."
PRECEPT VII.--Avoid unintelligible, inconsistent, or inappropriate expressions: such as, "I have observed that the superiority among these coffee-house politicians proceeds from an opinion of gallantry and fashion."--"These words do not convey even an opaque idea of the author's meaning."
PRECEPT VIII.--Observe the natural order of things or events, and do not put the cart before the horse: as, "The scribes taught and studied the Law of Moses."--"They can neither return to nor leave their houses."--"He tumbled, head over heels, into the water."--"'Pat, how did you carry that quarter of beef?' 'Why, I thrust it through a stick, and threw my shoulder over it.'"
SECTION III.--OF PRECISION.
Precision consists in avoiding all superfluous words, and adapting the expression exactly to the thought, so as to say, with no deficiency or surplus of terms, whatever is intended by the author. Its opposites are noticed in the following precepts.
PRECEPT I.--Avoid a useless tautology, either of expression or of sentiment; as, "When will you return again?"--"We returned back home again."--"On entering into the room, I saw and discovered he had fallen down on the floor and could not rise up."--"They have a mutual dislike to each other."--"Whenever I go, he always meets me there."--"Where is he at? In there."--"His faithfulness and fidelity should be rewarded."
PRECEPT II.--Repeat words as often as an exact exhibition of your meaning requires them; for repetition may be elegant, if it be not useless. The following example does not appear faulty: "Moral precepts are precepts the reasons of which we see; positive precepts are precepts the reasons of which we do not see."--Butler's Analogy, p. 165.
PRECEPT III.--Observe the exact meaning of words accounted synonymous, and employ those which are the most suitable; as, "A diligent scholar may acquire knowledge, gain celebrity, obtain rewards, win prizes, and get high honour, though he earn no money." These six verbs have nearly the same meaning, and yet no two of them can here be correctly interchanged.
PRECEPT IV.--Observe the proper form of each word, and do not confound such as resemble each other. "Professor J. W. Gibbs, of Yale College," in treating of the "Peculiarities of the Cockney Dialect," says, "The Londoner sometimes confounds two different forms; as contagious for contiguous; eminent for imminent; humorous for humorsome; ingeniously for ingenuously; luxurious for luxuriant; scrupulosity for scruple; successfully for successively."--See Fowler's E. Gram., p. 87; and Pref., p. vi.
PRECEPT V.--Think clearly, and avoid absurd or incompatible expressions. Example of error: "To pursue those remarks, would, probably, be of no further service to the learner than that of burdening his memory with a catalogue of dry and uninteresting peculiarities; which may gratify curiosity, without affording information adequate to the trouble of the perusal."--Wright's Gram., p. 122.
PRECEPT VI.--Avoid words that are useless; and, especially, a multiplication of them into sentences, members, or clauses, that may well be spared. Example: "If one could really be a spectator of what is passing in the world around us without taking part in the events, or sharing in the passions and actual performance on the stage; if we could set ourselves down, as it were, in a private box of the world's great theatre, and quietly look on at the piece that is playing, no more moved than is absolutely implied by sympathy with our fellow-creatures, what a curious, what an amusing, what an interesting spectacle would life present."--G. P. R. JAMES: "The Forger," commencement of Chap. xxxi. This sentence contains eighty-seven words, "of which sixty-one are entirely unnecessary to the expression of the author's idea, if idea it can be called."--Holden's Review.
OBSERVATION.
Verbosity, as well as tautology, is not so directly opposite to precision, as to conciseness, or brevity. From the manner in which lawyers usually multiply terms in order to express their facts precisely, it would seem that, with them, precision consists rather in the use of many words than of few. But the ordinary style of legal instruments no popular writer can imitate without becoming ridiculous. A terse or concise style is very apt to be elliptical: and, in some particular instances, must be so; but, at the same time, the full expression, perhaps, may have more precision, though it be less agreeable. For example: "A word of one syllable, is called a monosyllable; a word of two syllables, is called a dissyllable: a word of three syllables, is called a trisyllable: a word of four or more syllables, is called a polysyllable."--O. B. Peirce's Gram., p. 19. Better, perhaps, thus: "A word of one syllable is called a monosyllable; a word of two syllables, a dissyllable; a word of three syllables, a trissyllable; and a word of four or more syllables, a polysyllable."--Brown's Institutes, p. 17.
SECTION IV.--OF PERSPICUITY.
Perspicuity consists in freedom from obscurity or ambiguity. It is a quality so essential to every kind of writing, that for the want of it no merit of other name can compensate. "Without this, the richest ornaments of style, only glimmer through the dark, and puzzle in stead of pleasing the reader."--Dr. Blair. Perspicuity, being the most important property of language, and an exemption from the most embarrassing defects, seems even to rise to a degree of positive beauty. We are naturally pleased with a style that frees us from all suspense in regard to the meaning; that carries us through the subject without embarrassment or confusion; and that always flows like a limpid stream, through which we can "see to the very bottom." Many of the errors which have heretofore been pointed out to the reader, are offences against perspicuity. Only three or four hints will here be added.
PRECEPT I.--Place adjectives, relative pronouns, participles, adverbs, and explanatory phrases near enough to the words to which they relate, and in a position which will make their reference clear. The following sentences are deficient in perspicuity: "Reverence is the veneration paid to superior sanctity, intermixed with a certain degree of awe."--Unknown. "The Romans understood liberty, at least, as well as we."--See Murray's Gram., p. 307. "Taste was never made to cater for vanity."--J. Q. Adams's Rhet., Vol. i, p. 119.
PRECEPT II.--In prose, avoid a poetic collocation of words. For example: "Guard your weak side from being known. If it be attacked, the best way is, to join in the attack."--KAMES: Art of Thinking, p. 75. This maxim of prudence might be expressed more poetically, but with some loss of perspicuity, thus: "Your weak side guard from being known. Attacked in this, the assailants join."
PRECEPT III.--Avoid faulty ellipses, and repeat all words necessary to preserve the sense. The following sentences require the words which are inserted in crotchets: "Restlessness of mind disqualifies us, both for the enjoyment of peace, and [for] the performance of our duty."--Murray's Key, 8vo, p. 166. "Double Comparatives and [Double] Superlatives should be avoided."--Fowler's E. Gram., 1850, p. 489.
PRECEPT IV.--Avoid the pedantic and sense-dimming style of charlatans and new theorists, which often demands either a translation or a tedious study, to make it at all intelligible to the ordinary reader. For example: "RULE XL Part 3. An intransitive or receptive asserter in the unlimited mode, depending on a word in the possessive case, may have, after it, a word in the subjective case, denoting the same thing: And, when it acts the part of an assertive name, depending on a relative, it may have after it a word in the subjective case. EXAMPLES:--John's being my friend, saved me from inconvenience. Seth Hamilton was unhappy in being a slave to party prejudice."--O. B. Peirce's Gram., 1839, p. 201. The meaning of this third part of a Rule of syntax, is, in proper English, as follows: "A participle not transitive, with the possessive case before it, may have after it a nominative denoting the same thing; and also, when a preposition governs the participle, a nominative may follow, in agreement with one which precedes." In doctrine, the former clause of the sentence is erroneous: it serves only to propagate false syntax by rule. See the former example, and a note of mine, referring to it, on page 531 of this work.
SECTION V.--OF UNITY.
Unity consists in avoiding needless pauses, and keeping one object predominant throughout a sentence or paragraph. Every sentence, whether its parts be few or many, requires strict unity. The chief faults, opposite to this quality of style, are suggested in the following precepts. PRECEPT I.--Avoid brokenness, hitching, or the unnecessary separation of parts that naturally come together. Examples: "I was, soon after my arrival, taken out of my Indian habit."--Addison, Tattler, No. 249. Better: "Soon after my arrival, I was taken out of my Indian habit."--Churchill's Gram., p. 326. "Who can, either in opposition, or in the ministry, act alone?"--Ib. Better: "Who can act alone, either in opposition, or in the ministry?"--Ib. "I, like others, have, in my youth, trifled with my health, and old age now prematurely assails me."--Ib., p. 327. Better: "Like others, I have trifled with my health, and old age now prematurely assails me."
PRECEPT II.--Treat different topics in separate paragraphs, and distinct sentiments in separate sentences. Error: "The two volumes are, indeed, intimately connected, and constitute one uniform system of English Grammar."--Murray's Preface, p. iv. Better thus: "The two volumes are, indeed, intimately connected. They constitute one uniform system of English grammar."
PRECEPT III.--In the progress of a sentence, do not desert the principal subjects in favour of adjuncts, or change the scene unnecessarily. Example: "After we came to anchor, they put me on shore, where I was welcomed by all my friends, who received me with the greatest kindness, which was not then expected." Better: "The vessel having come to anchor,
I was put on shore; where I was unexpectedly welcomed by all my friends, and received with the greatest kindness."--See Blair's Rhet., p. 107.
PRECEPT IV.--Do not introduce parentheses, except when a lively remark may be thrown in without diverting the mind too long from the principal subject. Example: "But (saith he) since I take upon me to teach the whole world, (it is strange, it should be so natural for this man to write untruths, since I direct my Theses only to the Christian world; but if it may render me odious, such Peccadillo's pass with him, it seems, but for Piæ Fraudes:) I intended never to write of those things, concerning which we do not differ from others."--R. Barclay's Works, Vol. iii. p. 279. The parts of this sentence are so put together, that, as a whole, it is scarcely intelligible.
SECTION VI.--OF STRENGTH.
Strength consists in giving to the several words and members of a sentence, such an arrangement as shall bring out the sense to the best advantage, and present every idea in its due importance. Perhaps it is essential to this quality of style, that there be animation, spirit, and vigour of thought, in all that is uttered. A few hints concerning the Strength of sentences, will here be given in the form of precepts.
PRECEPT I.--Avoid verbosity; a concise style is the most favourable to strength. Examples: "No human happiness is so pure as not to contain any alloy."--Murray's Key, 8vo, p. 270. Better: "No human happiness is unalloyed." "He was so much skilled in the exercise of the oar, that few could equal him."--Ib., p. 271. Better: "He was so skillful at the oar, that few could match him." Or thus: "At the oar, he was rarely equalled." "The reason why they [the pronouns] are considered separately is, because there is something particular in their inflections."-- Priestley's Gram., p. 81. Better: "The pronouns are considered separately, because there is something peculiar in their inflections."
PRECEPT II.--Place the most important words in the situation in which they will make the strongest impression. Inversion of terms sometimes increases the strength and vivacity of an expression: as, "All these things will I give thee, if thou wilt fall down and worship me."--Matt., iv, 9. "Righteous art thou, O Lord, and upright are thy judgements."--Psalms, cxix, 137. "Precious in the sight of the Lord is the death of his saints."--Ps., cxvi, 15.
PRECEPT III.--Have regard also to the relative position of clauses, or members; for a weaker assertion should not follow a stronger; and, when the sentence consists of two members, the longer should be the concluding one. Example: "We flatter ourselves with the belief that we have forsaken our passions, when they have forsaken us." Better: "When our passions have forsaken us, we flatter ourselves with the belief that we have forsaken them."--See Blair's Rhet., p. 117; Murray's Gram., p. 323.
PRECEPT IV.--When things are to be compared or contrasted, their resemblance or opposition will be rendered more striking, if a pretty near resemblance in the language and construction of the two members, be preserved. Example: "The wise man is happy, when he gains his own approbation; the fool, when he recommends himself to the applause of those about him." Better: "The wise man is happy, when he gains his own approbation; the fool, when he gains the applause of others."--See Murray's Gram., p. 324.
PRECEPT V.--Remember that it is, in general, ungraceful to end a sentence with an adverb, a preposition, or any inconsiderable word or phrase, which may either be omitted or be introduced earlier. "For instance, it is a great deal better to say, 'Avarice is a crime of which wise men are often guilty,' than to say, 'Avarice is a crime which wise men are often guilty of.'"--Blair's Rhet., p. 117; Murray's Gram., p. 323.
END OF THE THIRD APPENDIX.
APPENDIX IV.
TO PART FOURTH, OR PROSODY.
OF POETIC DICTION.
Poetry, as defined by Dr. Blair, "is the language of passion, or of enlivened imagination, formed, most commonly, into regular numbers."--Rhet., p. 377. The style of poetry differs, in many respects, from that which is commonly adopted in prose. Poetic diction abounds in bold figures of speech, and unusual collocations of words. A great part of the figures, which have been treated of in one of the chapters of Prosody, are purely poetical. The primary aim of a poet, is, to please and to move; and, therefore, it is to the imagination, and the passions, that he speaks. He may also, and he should, have it in his view, to instruct and to reform; but it is indirectly, and by pleasing and moving, that such a writer accomplishes this end. The exterior and most obvious distinction of poetry, is versification: yet there are some forms of verse so loose and familiar, as to be hardly distinguishable from prose; and there is also a species of prose, so measured in its cadences, and so much raised in its tone, as to approach very nearly to poetic numbers.
This double approximation of some poetry to prose, and of some prose to poetry, not only makes it a matter of acknowledged difficulty to distinguish, by satisfactory definitions, the two species of composition, but, in many instances, embarrasses with like difficulty the attempt to show, by statements and examples, what usages or licenses, found in English works, are proper to be regarded as peculiarities of poetic diction. It is purposed here, to enumerate sundry deviations from the common style of prose; and perhaps all of them, or nearly all, may be justly considered as pertaining only to poetry.
POETICAL PECULIARITIES.
The following are among the chief peculiarities in which the poets indulge, and are indulged:--
I. They not unfrequently omit the ARTICLES, for the sake of brevity or metre; as,
"What dreadful pleasure! there to stand sublime,
Like shipwreck'd mariner on desert coast!"
--Beattie's Minstrel, p. 12.
"Sky lour'd, and, muttering thunder, some sad drops
Wept at completing of the mortal sin."
--Milton, P. L., B. ix, l. 1002.
II. They sometimes abbreviate common NOUNS, after a manner of their own: as, amaze, for amazement; acclaim, for acclamation; consult, for consultation; corse, for corpse; eve or even, for evening; fount, for fountain; helm, for helmet; lament, for lamentation; morn, for morning; plaint, for complaint; targe, for target; weal, for wealth.
III. By enallage, they use verbal forms substantively, or put verbs for nouns; perhaps for brevity, as above: thus,
1. "Instant, without disturb, they took alarm."
--P. Lost: Joh. Dict., w. Aware.
2. "The gracious Judge, without revile reply'd."
--P. Lost, B. x, l. 118.
3. "If they were known, as the suspect is great."
--Shakspeare.
4. "Mark, and perform it: seest thou? for the fail
Of any point in't shall be death."
--Shakspeare.
IV. They employ several nouns that are not used in prose, or are used but rarely; as, benison, boon, emprise, fane, guerdon, guise, ire, ken, lore, meed, sire, steed, welkin, yore.
V. They introduce the noun self after an other noun of the possessive case; as,
1. "Affliction's semblance bends not o'er thy tomb,
Affliction's self deplores thy youthful doom."--Byron.
2. "Thoughtless of beauty, she was beauty's self."--Thomson.
VI. They place before the verb nouns, or other words, that usually come after it; and, after it, those that usually come before it: as,
1. "No jealousy their dawn of love o'ercast,
Nor blasted were their wedded days with strife."
--Beattie.
2. "No hive hast thou of hoarded sweets."
--W. Allen's Gram.
3. "Thy chain a wretched weight shall prove."
--Langhorne.
4. "Follows the loosen'd aggravated roar."
--Thomson.
5. "That purple grows the primrose pale."
--Langhorne.
VII. They more frequently place ADJECTIVES after their nouns, than do prose writers; as,
1. "Or where the gorgeous East, with richest hand,
Show'rs on her kings barbaric, pearl and gold."
--Milton, P. L., B. ii, l. 2.
2. "Come, nymph demure, with mantle blue."
--W. Allen's Gram., p. 189.
3. "This truth sublime his simple sire had taught."
--Beattie's Minstrel, p. 14.
VIII. They ascribe qualities to things to which they do not literally belong; as,
1. "The ploughman homeward plods his weary way."
--Gray's Elegy, l. 3.
2. "Or drowsy tinklings lull the distant folds."
--Ibidem, l. 8.
3. "Imbitter'd more and more from peevish day to day."
--Thomson.
4. "All thin and naked, to the numb cold night."
--Shakspeare.
IX. They use concrete terms to express abstract qualities; (i. e., adjectives for nouns;) as,
1. "Earth's meanest son, all trembling, prostrate falls,
And on the boundless of thy goodness calls."
--Young.
2. "Meanwhile, whate'er of beautiful or new,
Sublime or dreadful, in earth, sea, or sky,
By chance or search, was offer'd to his view,
He scann'd with curious and romantic eye."
--Beattie.
3. "Won from the void and formless infinite."
--Milton.
4. "To thy large heart give utterance due; thy heart
Contains of good, wise, just, the perfect shape."
--Id., P. R., B. iii, l. 10.
X. They often substitute quality for manner; (i. e., adjectives for adverbs;) as,
1. ----"The stately-sailing swan
Gives out his snowy plumage to the gale,
And, arching proud his neck, with oary feet,
Bears forward fierce, and guards his osier isle."
--Thomson.
2. "Thither continual pilgrims crowded still."
--Id., Cos. of Ind., i, 8.
3. "Level at beauty, and at wit;
The fairest mark is easiest hit."
--Butler's Hudibras.
XI. They form new compound epithets, oftener than do prose writers; as,
1. "In world-rejoicing state, it moves sublime."
--Thomson.
2. "The dewy-skirted clouds imbibe the sun."
--Idem.
3. "By brooks and groves in hollow-whispering gales."
--Idem.
4. "The violet of sky-woven vest."
--Langhorne.
5. "A league from Epidamnum had we sail'd,
Before the always-wind-obeying deep
Gave any tragic instance of our harm."
--Shakspeare.
6. "'Blue-eyed, strange-voiced, sharp-beaked, ill-omened fowl,
What art thou?' 'What I ought to be, an owl.'"
--Day's Punctuation, p. 139.
XII. They connect the comparative degree to the positive, before a verb; as,
1. "Near and more near the billows rise."
--Merrick.
2. "Wide and wider spreads the vale."
--Dyer's Grongar Hill.
3. "Wide and more wide, the overflowings of the mind
Take every creature in, of every kind."
--Pope.
4. "Thick and more thick the black blockade extends,
A hundred head of Aristotle's friends."
--Id., Dunciad.
XIII. They form many adjectives in y, which are not common in prose; as, The dimply flood,--dusky veil,--a gleamy ray,--heapy harvests,--moony shield,--paly circlet,--sheety lake,--stilly lake,--spiry temples,--steely casque,--steepy hill,--towery height,--vasty deep,--writhy snake.
XIV. They employ adjectives of an abbreviated form: as, dread, for dreadful; drear, for dreary; ebon, for ebony; hoar, for hoary; lone, for lonely; scant, for scanty; slope, for sloping: submiss, for submissive; vermil, for vermilion; yon, for yonder.
XV. They employ several adjectives that are not used in prose, or are used but seldom; as, azure, blithe, boon, dank, darkling, darksome, doughty, dun, fell, rife, rapt, rueful, sear, sylvan, twain, wan.
XVI. They employ the personal PRONOUNS, and introduce their nouns afterwards; as,
1. "It curl'd not Tweed alone, that breeze."
--Sir W. Scott.
2. "What may it be, the heavy sound
That moans old Branksome's turrets round?"
--Idem, Lay, p. 21.
3. "Is it the lightning's quivering glance,
That on the thicket streams;
Or do they flash on spear and lance,
The sun's retiring beams"
--Idem, L. of L., vi,15.
XVII. They use the forms of the second person singular oftener than do
others; as,
1. "Yet I had rather, if I were to chuse,
Thy service in some graver subject use,
Such as may make thee search thy coffers round,
Before thou clothe my fancy in fit sound."
--Milton's Works, p. 133.
2. "But thou, of temples old, or altars new,
Standest alone--with nothing like to thee."
--Byron, Pilg., iv, 154.
3. "Thou seest not all; but piecemeal thou must break,
To separate contemplation, the great whole."
--Id., ib., iv, 157.
4. "Thou rightly deemst, fair youth, began the bard;
The form then sawst was Virtue ever fair."
--Pollok, C. of T., p. 16.
XVIII. They sometimes omit relatives that are nominatives; (see Obs. 22, at p. 555;) as,
"For is there aught in sleep can charm the wise?"
--Thomson.
XIX. They omit the antecedent, or introduce it after the relative; as,
1. "Who never fasts, no banquet e'er enjoys,
Who never toils or watches, never sleeps."
--Armstrong.
2. "Who dares think one thing and an other tell,
My soul detests him as the gates of hell."
--Pope's Homer.
XX. They remove relatives, or other connectives, into the body of their clauses; as,
1. "Parts the fine locks, her graceful head that deck."
--Darwin.
2. "Not half so dreadful rises to the sight
Orion's dog, the year when autumn weighs."
--Pope, Iliad, B. xxii, l. 37.
XXI. They make intransitive VERBS transitive, changing their class; as,
1. ----"A while he stands,
Gazing the inverted landscape, half afraid
To meditate the blue profound below."
--Thomson.
2. "Still in harmonious intercourse, they liv'd
The rural day, and talk'd the flowing heart."
--Idem.
3. ----"I saw and heard, for we sometimes
Who dwell this wild, constrain'd by want, come forth."
--Milton, P. R., B. i, l. 330.
XXII. They make transitive verbs intransitive, giving them no regimen; as,
1. "The soldiers should have toss'd me on their pikes,
Before I would have granted to that act."
--Shakspeare.
2. "This minstrel-god, well-pleased, amid the quire
Stood proud to hymn, and tune his youthful lyre."
--Pope.
XXIII. They give to the imperative mood the first and the third person; as,
1. "Turn we a moment fancy's rapid flight."
--Thomson.
2. "Be man's peculiar work his sole delight."
--Beattie.
3. "And what is reason? Be she thus defin'd:
Reason is upright stature in the soul."
--Young.
XXIV. They employ can, could, and would, as principal verbs transitive; as,
1. "What for ourselves we can, is always ours."
--Anon.
2. "Who does the best his circumstance allows,
Does well, acts nobly; angels could no more."
--Young.
3. "What would this man? Now upward will he soar,
And, little less than angel, would be more."
--Pope.
XXV. They place the infinitive before the word on which it depends; as,
1. "When first thy sire to send on earth
Virtue, his darling child, design'd"
--Gray.
2. "As oft as I, to kiss the flood, decline;
So oft his lips ascend, to close with mine."
--Sandys.
3. "Besides, Minerva, to secure her care,
Diffus'd around a veil of thicken'd air."
--Pope.
XXVI. They place the auxiliary verb after its principal, by hyperbaton; as,
1. "No longer heed the sunbeam bright
That plays on Carron's breast he can"
--Langhorne.
2. "Follow I must, I cannot go before."
--Beauties of Shakspeare, p. 147.
3. "The man who suffers, loudly may complain;
And rage he may, but he shall rage in vain."
--Pope.
XXVII. Before verbs, they sometimes arbitrarily employ or omit prefixes: as, bide, or abide; dim, or bedim; gird, or begird; lure, or allure; move, or emove; reave, or bereave; vails, or avails; vanish, or evanish; wail, or bewail; weep, or beweep; wilder, or bewilder:--
1. "All knees to thee shall bow, of them that bide
In heav'n, or earth, or under earth in hell."
--Milton, P. L., B. iii, l. 321.
2. "Of a horse, ware the heels; of a bull-dog, the jaws;
Of a bear, the embrace; of a lion, the paws."
--Churchills Cram., p. 215.
XXVIII. Some few verbs they abbreviate: as list, for listen; ope, for open; hark, for hearken; dark, for darken; threat, for threaten; sharp, for sharpen.
XXIX. They employ several verbs that are not used in prose, or are used but rarely; as, appal, astound, brook, cower, doff, ken, wend, ween, trow.
XXX. They sometimes imitate a Greek construction of the infinitive; as,
1. "Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme."
--Milton.
2. "For not, to have been dipp'd in Lethè lake,
Could save the son of Thetis from to die."
--Spenser.
XXXI. They employ the PARTICIPLES more frequently than prose writers, and in a construction somewhat peculiar; often intensive by accumulation: as,
1. "He came, and, standing in the midst, explain'd
The peace rejected, but the truce obtain'd."
--Pope.
2. "As a poor miserable captive thrall
Comes to the place where he before had sat
Among the prime in splendor, now depos'd,
Ejected, emptied, gaz'd, unpitied, shunn'd,
A spectacle of ruin or of scorn."
--Milton, P. R., B. i, l. 411.
3. "Though from our birth the faculty divine
Is chain'd and tortured--cabin'd, cribb'd, confined."
--Byron, Pilg., C. iv, St. 127.
XXXII. In turning participles to adjectives, they sometimes ascribe actions, or active properties, to things to which they do not literally belong; as,
"The green leaf quivering in the gale,
The warbling hill, the lowing vale."
--MALLET: Union Poems, p. 26.
XXXIII. They employ several ADVERBS that are not used in prose, or are used but seldom; as, oft, haply, inly, blithely, cheerily, deftly, felly, rifely, starkly.
XXXIV. They give to adverbs a peculiar location in respect to other words; as,
1. "Peeping from forth their alleys green."
--Collins.
2. "Erect the standard there of ancient Night"
--Milton.
3. "The silence often of pure innocence
Persuades, when speaking fails."
--Shakspeare.
4. "Where Universal Love not smiles around."
--Thomson.
5. "Robs me of that which not enriches him."
--Shakspeare.
XXXV. They sometimes omit the introductory adverb there: as,
"Was nought around but images of rest."
--Thomson.
XXXVI. They briefly compare actions by a kind of compound adverbs, ending in like; as,
"Who bid the stork, Columbus-like, explore
Heavens not his own, and worlds unknown before?"
--Pope.
XXXVII. They employ the CONJUNCTIONS, or--or, and nor--nor, as correspondents; as,
1. "Or by the lazy Scheldt or wandering Po."
--Goldsmith.
2. "Wealth heap'd on wealth, nor truth, nor safety buys."
--Johnson.
3. "Who by repentance is not satisfied,
Is nor of heaven, nor earth; for these are pleas'd."
--Shakspeare.
4. "Toss it, or to the fowls, or to the flames."
--Young, N. T., p. 157.
5. "Nor shall the pow'rs of hell, nor wastes of time,
Or vanquish, or destroy."
--Gibbon's Elegy on Davies.
XXXVIII. They oftener place PREPOSITIONS and their adjuncts, before the words on which they depend, than do prose writers; as,
"Against your fame with fondness hate combines;
The rival batters, and the lover mines."
--Dr. Johnson.
XXXIX. They sometimes place a long or dissyllabic preposition after its object; as,
1. "When beauty, Eden's bowers within,
First stretched the arm to deeds of sin,
When passion burn'd and prudence slept,
The pitying angels bent and wept."
--James Hogg.
2. "The Muses fair, these peaceful shades among,
With skillful fingers sweep the trembling strings."
--Lloyd.
3. "Where Echo walks steep hills among,
List'ning to the shepherd's song."
--J. Warton, U. Poems, p. 33.
XL. They have occasionally employed certain prepositions for which, perhaps, it would not be easy to cite prosaic authority; as, adown, aloft, aloof, anear, aneath, askant, aslant, aslope, atween, atwixt, besouth, traverse, thorough, sans. (See Obs. 10th, and others, at p. 441.)
XLI. They oftener employ INTERJECTIONS than do prose writers; as,
"O let me gaze!--Of gazing there's no end.
O let me think!--Thought too is wilder'd here."
--Young.
XLII. They oftener employ ANTIQUATED WORDS and modes of expression; as,
1. "Withouten that, would come an heavier bale."
--Thomson.
2. "He was, to weet, a little roguish page,
Save sleep and play, who minded nought at all."
--Id.
3. "Not one eftsoons in view was to be found."
--Id.
4. "To number up the thousands dwelling here,
An useless were, and eke an endless task."
--Id.
5. "Of clerks good plenty here you mote espy."
--Id.
6. "But these I passen by with nameless numbers moe."
--Id.
THE END OF APPENDIX FOURTH