The Life of Benvenuto Cellini/Index
Appearance
INDEX |
Acciaiuoli, Carlo, Master of the Mint at Florence, i. 294. |
Accolti, Benedetto, Cardinal of Ravenna, i. 172 ; ii. 109. |
"Age of the Despots," a synonym for the Italian Renaissance, i. 8. |
Agnolo, Giulian di Baccio d ii. 283, 312. |
Agnolo, Giuliano d', ii. 312. |
Agnolo, Michel, a Sienese sculptor, i. 145, 148, 151. |
Agostino, tailor to the Duke of Florence, i. 318. |
Alamanni, Luigi, poet, i. 191, 198; ii. 88-91, 114, 147. |
Albizzi, Girolamo degli, ii. 305; mediates between Cellini and the Duke of Florence, ii. 305. |
Albret, Henri d', ii. 124. |
Aldobrandini, Bertino, i. 188, 210, 215n. |
Aleotti, Giovanni, Master of the Wardrobe to Pope Clement VII., i. 240. |
Alicorno, Traiano, chamberlain to Pope Clement VII., i. 199, 201, 241, 276. |
Allegretti, Antonio, poet, i. 207, 303, 307. |
Allori, Angelo (II Bronzino), painter, ii. 309; writes sonnets on Cellini's Perseus, ii. 295, 309. |
Altoviti, Bindo, Tuscan Consul at Rome, ii. 269-271 ; |
Cellini's bust of, xx, xxi, i. 53. |
Alvarez, Pietro, of Toledo, Viceroy of Naples, i. 265. |
Amalfi, Duke of, ii. 99. |
Ambruogio, secretary to Pope Paul III., i. 304. |
Amerigo, a Florentine enameller, i. 135. |
Ammanato, Bartolommeo, sculptor, ii. 315, 323, 324,332. |
Ancestry, Cellini's, i. 73. |
Angelica, the Sicilian, Cellini's inamorata, i. 40, 250, 252, 253, 257, 263, 266. |
Angelo, Michel. See Buonarroti, Michel Angelo. |
Anguillara, Count of, i. 144; ii. 138. |
Anguillotto of Lucca, i. 210. |
Annebault, Claude d', Admiral of France, ii. 180, 189. |
Antea, Signora, a Roman courtesan, i. 218. |
Anterigoli, Piermaria (Lo Sbietta), ii. 325 ; Cellini buys a farm from, ii. 325; attempts to poison Cellini, ii. 331; |
succeeds in swindling Cellini, ii. 340. |
Antonio, Cellini's music-teacher, i. 88. |
Apollo and Hyacinth, Cellini's unfinished statue, ii. 253. |
Apostolic Camera, books of the, i. 31 ; ii. 9 ; jewels of the, i. 179; ii. 9. |
Architecture, Cellini's discourse on, i. 46. |
Arno, the gate of, Cellini gets commission to build, ii. 283. |
Arsago, Pagolo, Cellini works with, i. 103. |
Ascanio, apprentice to Cellini, i. 336-341, 347, 348, 354; ii. 19-21, 87, 92, 93, 96-99, 104, 109, 110, 114, 116-118, 122, 154, 188, 200, 201, 218; his misconduct, i. 338. |
Ashbee, C. R., translator of Cellini's "Trattati," xii. |
Assafetida, used in necromancy, i. 254, 255. |
Aureole rests on Cellini's head, i. 23 ; ii. 76; observations of H. D. Pearsall on, i. 23 n. |
Autobiography, Cellini's, his greatest achievement, xxiv; its value as a picture-gallery of the writer's day, xxiv; Symonds's translation the best that has ever been produced, xxv ; not free from boasting and exaggeration, xxvi ; its artlessness and dramatic reality, xxvii ; trans- lated into German by Goethe, i. 5, 58 ; its perennial freshness, i. 5 ; a valuable record for the student of human nature, i. 6 ; its power of fascination akin to that of the classic romances, i. 6 ; its peculiar success due to two circumstances, i. 6 ; its literary merits, i. 43 ; its humour, i. 44 ; vivacity and elasticity of its style, i. 45 ; circulated in manuscript previous to its publication, i. 57 ; different readings of the extant MSS., i. 57 ; six printed editions known to the translator, i. 57 ; varying value of these editions, i. 58, 59; translated into French by Leopold Leclanché, i. 58; excellence of the German version, i. 58; the French translator, while showing much familiarity with sixteenth-century Italian, is sometimes careless, i. 59; gross inaccuracy and inadequacy of Roscoe's English translation, i. 59; translator's reasons for offering a new version, i. 60; selected passages showing Roscoe's inaccuracy, i. 60-65; difficulties encountered in translating, i. 65; the present translator's system, i. 67; reasons for writing, i. 71. |
Baglioni, Orazio, general of Pope Clement VII., i. 21, 49, 167,174,182. |
Balbo, Giovanni, i. 157. |
Balbo, Girolamo, Bishop of Gurck, i. 157. |
Baldini, Bernardone, jeweller to the Duke of Florence, ii. 225, 236, 238, 281, 292, 296, 323. |
Balducci, Giacopo, Master of the Pope's Mint, i. 224. |
Bandinello, Baccio, i. 19, 204; ii. 214, 218, 220, 234, 241, 242, 244, 247, 248, 283, 309-311, '316, 317, 322; his quarrel with Cellini, ii. 247-252; his statue of Hercules and Cacus, ii. 248, 317; his high valuation of Cellini's Perseus, ii. 311; his death, ii. 321; his Pieta in the church of the Annunziata, ii. 322. |
Bandini, Giovan, i. 219. |
Bargello, the chief constable in Italian towns, i. 209; attempts to arrest Cellini, i. 301; arrests him, ii. 5, 44. |
Bartolini, Onofrio de', Archbishop of Pisa, ii. 310. |
Bartolommeo, surgeon, married to Cellini's younger sister, i. 184. |
Basin, the Cardinal of Ferrara's, i. 354, 358; ii. 16, 88, 101,106,109,111,123,126. |
Bastiano. See Del Piombo. |
"Bathers, The," cartoon by Michel Angelo, xvii, i. 98. Bellarmati, Girolamo, military architect, ii. 190. |
Bembo, Pietro, man of letters, i. 341; his kindness to Cellini, i. 341. |
Bendedio, Alberto, agent of the Cardinal of Ferrara, i. 140; ii. 103, 106-109. |
Bene. See Del Bene. |
Benedetto, Ser, a Sienese notary, i. 258. |
Benintendi, Niccolo, i. 285; fixes a quarrel on Cellini, i.286. |
Benintendi, Piero, i. 285, 287-290. |
Benvegnato of Perugia, the Pope's chamberlain, i. 161— 164. |
Berlinghieri, Berlinghier, i. 213. |
Bernardi, Giovanni, a celebrated maker of medals, i. 257. |
Bettini, Baccio, patron of the arts, i. 324. |
Bianchi, B., editor of Cellini's autobiography, i. 57. |
Biliotti, Zana de', accountant to Pope Clement, i. 223. |
Bologna, Cellini sent to, to learn music, i. 88. |
Bologna, Gian, sculptor, ii. 324n. |
Bourbon, Constable of, said to be killed by Cellini, xxvii, i. 20, 167; his attack on Rome in 1526, i. 165. |
Bozza, servant in Sant' Angelo, ii. 25, 52. |
Brandini, Giovanbattista, ii. 308. |
Bronze-casting, Cellini's success in, ii. 134, 267, 268. |
Bugiardini, Giuliano, painter, i. 190. |
Buonaccorsi, Giuliano, treasurer to Francis I., ii. 223. |
Buonaccorti, Giuliano, a Florentine exile, i. 353. |
Buonarroti, Michel Angelo, i. 97, 114, 156; ii. 248, 270-274; his cartoon of "The Bathers," xvii, i. 98; Torrigiani's quarrel with, i. 99; his praise of Cellini, xxi, i. 189, 190; his David, ii. 21 In. |
Busbacca, a Florentine courier, i. 344, 348, 350, 351. |
Bust, Cellini's, of Bindo Altoviti, xx, ii. 270, 271; of Cosimo de' Medici, xxi. |
Button, Pope Clement's, i. 197, 217, 224, 228, 236, 330. |
Cagli, Benedetto da, judge in criminal cases, ii. 6, 47. |
Camera Apostolica, the Roman Exchequer, i. 124n.; ii. 9. |
Camerini, Eugenio, editor of Cellini's autobiography, i. 57. |
Capitolo, Cellini's, written in the castle of Sant' Angelo, ii. 55,60, 72, 75, 77-83, 87. |
Capua, Archbishop of, i. 195. |
Caradosso, a maker of medals, i. 134, 154, 197. |
Carmine, the Chapel of the, fresco painting in, by Masaccio, i. 98 n. |
Carnesecchi, Piero, i. 270. |
Caro, Annibale, a distinguished writer, i. 17, 207, 261, 303, 307. |
Carpani, Gio. Palamede, editor of Cellini's autobiography, i. 57. |
Carpi, Giacomo da, a physician, i. 138; his treatment of the "French disease," i. 139; a connoisseur in the arts of design, i. 139; imposes on the Duke of Ferrara, i. 140. |
Carucci da Pontormo, Jacopo, painter, praises Cellini's Perseus, ii. 295. |
Castel del Rio, Mona Fiore da, Cellini's housekeeper, ii. 262. |
Castoro, Francesco, a goldsmith, gives Cellini work, i. 87. |
Castro, Duke of. See Farnese, Pier Luigi. |
Caterina, Cellini's model and mistress, ii. 156-158, 160, 161,167-172,176. |
Cavalletti, Scipione, Bolognese illuminator, i. 89. |
Cellini, Andrea, Benvenuto's grandfather, i. 72, 75. |
Cellini, Benvenuto, a kind of Steinbock, xi; his garrulity and impulsiveness, xii; his autobiography his best monument, xii; his failure to catch the true spirit of the Renaissance, xiv; a great goldsmith, but not of the line of the best creative artists, xv; secret of his limitations, xvii; his faculty of appreciation, xvii; compared with the master spirits of the Renaissance, xviii; his bust of Bindo Altoviti a work of great merit, xx; aspires to rival |
the creations of Donatello and Michel Angelo, xxii; his Perseus not a work of the highest genius, xxiii; general truthfulness of his autobiography, xxiv; his artlessness and good faith, xxvii; his claim that he shot the Constable of Bourbon, xxvii, i. 20; virility of the man and of his narrative, xxx; his method not analytical or introspective, i. 5; his language, despite faulty construction, rises to the level of the most adroit romance-writers, i. 6; his intense egotism, i. 7, 10; his belief in himself, i. 8; his frequent homicides and acts of violence, i. 9; a clear-sighted and impartial critic, i. 10; analysis of his character, i. 11; a good and dutiful son and a loving brother, i. 12; his treatment of a natural daughter, i. 12; his religious feelings, i. 12; his veracity, i. 14; his own statement concerning the truthfulness of his narrative, i. 15; his straightforward means of attaining his ends, i. 16; his portrait as drawn by contemporaries, i. 17; some specific cases in which his veracity has been challenged, i. 19-26; his trustworthiness discernible in his vast picture-gallery of historical personages, i. 26-28; his character sketches genuinely humorous and true to life, i. 29; his trustworthiness confirmed in many instances by corroboration and documentary evidence, i. 29, 30; two important passages in his life imperfectly explained,—his long imprisonment in the castle of Sant' Angelo and his final departure from France, i. 31; elucidation of these two points, i. 31-35; his alleged villainy and violence, i. 36; arguments advanced by the translator in his defence, i. 37; his reply to Bandinello, who reproached him for his murders, i. 38; his instinct for revenge, i. 39; his sensual appetites, i. 40; his want of the gentler emotions of love for a woman, i. 40; his place among the world's three or four best autobiographers, i. 40; his Memoirs a model of vernacular Tuscan prose and an indispensable aid in studying the Italian Renaissance, i. 41; his tenacious memory, i. 43; his vivid word-painting, i. 44; author of various treatises on art, i. 45, 46; his many-sidedness, i. 46; ambitious of making his mark as a poet, i. 46; his verses not the productions of a literary master, yet they are confirmatory of his keen and stringent personality, i. 46; his strong predilection for the arts of de-sign, i. 47; his father's desire to make him a musician, i. 47; his love for drawing and his inborn mastery over technical processes, i. 47; his comprehensive study of the various departments of the goldsmith's trade, i. 47; a goldsmith until his fortieth year, i. 48; his ambition to rival the great sculptors, i. 49; his qualities those of a consummate craftsman, not of an imaginative artist, i. 50; his work characterized more by manual dexterity than by the higher intellectual qualities, i. 50; his industry and progress in the art of sculpture, i. 53; five eminent pieces of sculpture the product of the last period of his active life, i. 53; his substantial title to fame as an artist rests upon his Perseus, i. 54; his reasons for writing his own life, i. 71; his parentage, i. 72-74; his sup-posed ancestry, i. 73; his birth and the reason for his name, i. 78; miraculously escapes a scorpion, i. 79; sees a salamander, i. 79; is taught music, i. 80; his great dislike for it, i. 80, 84, 88, 95, 96; is placed in the work-shop of a goldsmith, i. 84; banished from Florence, i. 87; sent to Bologna to learn music, i. 88; quarrels with his father, i. 93; leaves home and gets employment at Pisa, i. 93; returns to Florence, i. 95; his friendship with Francesco di Filippo, i. 99; leaves home again, for Rome, i. 100; his successful work with II Firenzuola, i. 103; returns to Florence, i. 105; his furious quarrel with Gherardo Guasconti, i. 106-110; flees to Rome, i. 113; works for the Bishop of Salamanca, i. 113; his commis-sion for Madonna Porzia, wife of Gismondo Chigi, i. 115; her generous payment of him, i. 118,119; becomes a member of Pope Clement's band, i. 123, 124; quarrels with the Bishop of Salamanca, i. 126-129; obtains commissions from various dignitaries, i. 130; opens a shop of his own, i. 130; gets into a quarrel with a soldier, i. 132, 133; practises the art of the seal-engraver, i. 134; learns the art of making coins and medals, i. 135; devotes himself to learning enamelling, i. 135; his reflections on his own abilities, i. 135; his marvellous recovery from the plague, i. 141-144; his escape from pirates, i. 144; his practical joke at a supper party, i. 145-151; his kindness to Luigi Pulci, and the shameless return made to him, i. 156-164; fights in the war between Charles V. and Francis I., i. 166; claims that he killed the Constable of Bourbon, i. 167; takes charge of the artillery in the castle of Sant' Angelo, i. 168, 169; some of his exploits, i. 167-182; nearly kills Cardinals Farnese and Salviati, i. 1 73; melts the settings of the Pope 's jewels to save them, i. 179; goes to Mantua, i. 185; commissioned by the Duke of Mantua to make a model for a reliquary, i. 185; quarrels with the Duke of Mantua, i. 186; returns to Florence, i . 1 8 7; praised by Michel Angelo, xxi, i . 1 8 9, 1 90; takes service under Pope Clement against Florence, i. 192, 193; goes to Rome, i. 193; is granted absolution by the Pope, i. 196; his success in designing a button for Pope Clement's cope, i. 198-202, 228; makes dies for Pope Clement's coinage, i. 204; is made stamp-master in the Pope's Mint, i. 205; erects a monument to his brother, i. 215; murders the soldier who shot his brother, i. 218; opens a shop in Rome, i. 220; his shop robbed, i.221; is accused of coining false money, i.224; made a mace-bearer to Pope Clement, i. 228; offends the Pope, i. 232, 233; his eyesight is impaired, i. 234; gets the sickness, i.237; recovers his health, i. 238; deprived of his place in the Mint, i. 242; arrested by the Pope's orders, i. 244; his adventures with a necromancer, i. 252-256; wounds Benedetto, the notary, and is reported to have slain Tobbia, i. 260; flees from Rome, i. 261; goes to Naples, i. 262; returns to Rome, i. 266; taken into favour again by Pope Clement, i. 270; kills Pompeo, i. 275; taken into favour by Pope Paul III., and ordered to strike his coins, i. 278; his life attempted by a Corsican, i. 281; forced to leave Rome, goes to Florence, i. 283; takes a journey to Venice, i. 284-292; a quarrel fastened on him by Niccolo Benintendi, i. 286; rudely treated by a landlord, i. 291; in revenge cuts four beds to pieces, i. 292; makes dies for Alessandro de' Medici, i. 293; returns to Rome, i. 300; his attempted arrest by the Bargello, i. 301; receives a pardon for his killing of Pompeo, i. 305; has a dangerous illness, i. 305; sonnet on his reported death by Benedetto Varchi, i. 311; recovers from his illness, i. 313; employed by Pope Paul III. on a present to Charles V., i. 326; makes a famous foil for the Pope's diamond, i. 331; leaves Rome and travels to Padua, i. 341; leaves Padua for France, i. 344; has a narrow escape from drowning, i. 346, 347; obtains an audience with the King of France, i. 353; saves the life of a French scrivener, i. 355; returns to Rome, i. 358; arrested on a false charge of stealing the Pope's jewels, ii. 5; account of his examination, ii. 6-12; his imprisonment by Pope Paul III., ii. 12-27; his escape, ii. 27-33; his recapture, ii. 45; conveyed to the Torre di Nona, ii. 45; his cruel imprisonment in Sant' Angelo, ii. 50; has an extraordinary vision, ii. 61; his sonnet to the castellan of Sant' Angelo, ii. 65; a plot to poison him fails, ii. 70; is released from the castle of Sant' Angelo, ii. 74; an aureole rests upon his head, ii. 76; his Capitolo to Luca Martini, ii. 77-84; engaged in the service of the Cardinal of Ferrara, ii. 87; his quarrel with the postmaster of Siena, ii. 96; goes to Paris to the court of Francis I ., ii . 1 10; his emoluments from the King, ii. 117; installed in the castle of Le Petit Nesle,ii. 119; visited in his workshop by the King, ii. 124; narrowly escapes being murdered while carrying home gold, ii. 128-130; his success in bronze-casting, ii. 134, 267, 268; receives letters of naturalisation from Francis I., ii. 136; is installed as lord of the castle of Le Petit Nesle, ii. 137; his high favour with the King, ii. 143; incurs the ill-will of Madame d'Etampes, ii. 144; worried by a lawsuit, ii. 151; his means of extricating himself, ii. 154; tried for a criminal offence, ii. 161; his quarrel with Primaticcio (II Bologna), ii. 164; his revenge on Micceri and his model Caterina, ii. 168-170; makes a statue of Jupiter for Francis I.,ii. 183; his colossal statue of Mars, ii. 188; rebuked by the King, defends his conduct, ii. 192-195; his departure from France, ii. 201; arrives at Florence, ii. 208; undertakes his famous statue of Perseus for Cosimo de' Medici, ii. 210; writes a letter to the King of France defending his conduct, ii. 223; accused of an unnatural crime, ii. 229; flees to Venice, ii. 230; returns to Florence, ii. 232; death of his illegitimate son, ii. 243; his great quarrel with Bandinello, ii. 247-252; his casting of the Perseus, ii. 259-266; loses the favour of the Duchess of Florence, ii. 276-281; receives a commission from the Duke of Florence to build the gates of Prato and Arno, ii. 283; his Perseus wins great praise when exhibited to the people, ii. 295-298; the Duke's promises to him, which are not kept, ii. 297, 299, 304; goes on a pilgrimage of thanks for the success of his Perseus, ii. 301; offers his crucifix to the church of S. Maria Novella, ii. 322; buys the farm Delia Fonte from Lo Sbietta, ii. 325; attempt to poison him by Lo Sbietta, ii. 331; swindled by Lo Sbietta, ii. 340; buys the farm Del Poggio from Lo Sbietta, ii. 341; finishes his crucifix and places it on exhibition, ii. 342; his death, ii. 349; account of events not included in his autobiography, ii. 349-354; his pedigree, ii. 357. |
Cellini, Cecchino, brother of Benvenuto, i. 92, 188, 209; his valour, i. 86; banished for quarrelling, i. 87; wounded in an encounter with the guard of the Bargello, i. 211; dies of his wound, i. 215; Benvenuto erects a monument to his memory, i. 215; his epitaph, i. 215. |
Cellini, Cosa, Benvenuto' s sister, i. 77, 184. |
Cellini, Cristofano, Benvenuto's great-grandfather, i. 72, 75. |
Cellini, Elisabetta, Benvenuto's mother, i. 72, 76. |
Cellini, Giovanni, Benvenuto's father, i. 72, 75; an excellent musician, i. 76; weds Elisabetta Granacci, i. 77; makes musical instruments, i. 80; a wonderful mechanic, i. 80; a devoted servant of the Medici, i. 82; his epigram on the Medici, i. 83; his prophecy regarding Piero, a pupil who insults him, i. 89; insists on Benvenuto's studying music, i. 80, 84, 89, 95; his pleasure in his son's success, i. 121; dies of the plague, i. 187. |
Cellini, Liperata, Benvenuto's sister, i. 187, 188, 310. |
Cellini, Luca, a valiant soldier, i. 74. |
Cellini, Piera, Benvenuto's wife, ii. 350. |
Cellini, coat-of-arms of the, i. 216 |
Cellini, pedigree of the, ii. 357. |
Cellino, Fiorino da, mythical founder of Florence, Cellini claims descent from, i. 20, 73. |
Cennini, Bastiano, i. 296. |
Centano, Andrea, ii. 41. |
Ceri, Rienzo da, i. 132, 167. |
Cesano, Gabriel, ii. 88-91. |
Cesena, Giangiacomo of, a musician, i. 123. |
Ceserino, Gabbriello, a patron to Cellini, i. 131. |
Cesi, Agnolo da, i. 352. |
Chalice, Pope Clement's, i. 229, 232-234, 236, 238, 240, 241, 246, 250, 326. |
Charles V., i.326, 327; ii. 178, 189; war in 1521 between |
Francis I. and, i. 165n. |
Cherubino, a famous clockmaker, ii. 93. |
Chigi, Agostino, i. 114. |
Chigi, Gismondo, i. 114. |
Chigi, Madonna Porzia, wife of Gismondo, i. 115, 130; her generous payment of Cellini, i. 118, 119. |
Chioccia, Bartolommeo, a workman employed by Cellini, ii. 155. |
Cibo, Cardinal Innocenzio, i. 130. |
Cibo, Lorenzo, Marquis of Massa, i. 284. |
Cioli, Francesco (Il Moschino), ii. 324 n. |
Cioli, Simone, sculptor, ii. 324 n. |
Cisti, captain in the Bande Nere, i. 209. |
Clement VII., Pope, i. 123, 130, 165; attacked by the Colonnas and driven into the castle of Sant' Angelo, i. 165n.; asks aid from the Duke of Urbino, i. 171; makes war on Florence, i. 191; Cellini takes service under, i. 192, 193; quarrels with Cellini, i. 234-250; takes Cellini into favour again, i. 270; his death, i. 273. |
Cocchi, Antonio, editor of Cellini's autobiography, i. 57. |
Coinage, Pope Clement's, Cellini makes dies for, i. 204. |
Coliseum, necromantic night-scene in the, i. 25, 43, 252256. |
Colonna, Stefano, ii. 246. |
Colonna, the house of, attack on Rome by, i. 165. |
Commune, Florentine, arms of the, i. 83. |
Concino, Bartolommeo, ii. 338. |
Conversing Benedetto, of Pistoja, Governor of Rome, ii. 6, 35. |
Cornaro, Cardinal Francesco, i. 130, 276, 314; ii. 19, 33, 41. |
Cortese, Tommaso, Pope Clement's Datary, i. 203. |
Crespino, the Bargello, ii. 5. |
Crucifix, Cellini's, i. 54; ii. 319, 322; its value as a work of religious art, xxii; completed, ii. 342; purchased by the Duke of Florence, ii. 342n. |
Danti, Vincenzio, ii. 323. |
Deed conferring on Cellini the lordship of Le Petit Nesle, i. 30; ii. 137. |
Defects in Cellini's more ambitious works, i. 52; attributable to his composite temper, i. 49. |
Del Bene Albertaccio, one of Cellini's friends, i. 274, 276,341. |
Del Bene, Alessandro, i. 165. |
Del Bene, Baccio, i. 35; ii. 344. |
Del Bene, Ricciardo, i. 353. |
Del Guasto, Alfonso, Marchese, i. 333. |
Del Moro, Raffaello, goldsmith, i. 194, 205, 332. |
Del Nazaro, Mattio, a Veronese in the service of Francis I., ii. 156. |
Del Nero, Francesco, servant of Pope Clement VII., i. 223, 224. |
Del Piffero, Cecchino. See Cellini, Cecchino. |
Del Piffero, Ercole, Cellini works for, i. 88. |
Del Piombo, Sebastiano, celebrated painter, i. 207, 227, 230. |
Del Poggio, farm, Cellini purchases, ii. 341. |
Del Sansovino, Giacopo, sculptor. See Tatti. |
Delia Barca, Giacopino. See Delia Sciorina, Giacopo. |
Delia Fonte, Cellini's farm, ii. 329, 335. |
Delia Chiostra, Ulivieri, i. 94. |
Delia Croce, Baccino, i. 209, 250. |
Delia Sciorina, Giacopo, i. 192, 194, 197. |
Delia Tacca,Giovan Francesco, Milanese goldsmith, ii. 40. |
Diamond, pounded, mixed with Cellini's food, ii. 68. |
Diego, a Spanish youth, i. 147. |
Dies, Cellini makes, for Pope Clement's coinage, i. 204; spurious coins made from Cellini's, i. 224. |
Donatello, ii. 233; his Judith and Holofernes, ii. 21 In. |
Donnino, a goldsmith, i. 226. |
Drawing, Cellini's love for, i. 47. |
Dream, Cellini's, about his father, i. 124; in the dungeon of Sant' Angelo, ii. 53, 75. |
Duranti, Durante, chamberlain of Pope Paul III., i. 329; ii. 68; plots Cellini's death, ii. 68. |
Egotism, Cellini's, i. 5, 7, 10, 19. |
Enamelling, Cellini devotes himself to the mastery of, i. 135. |
Ercole del Piffero. See Del Piffero, Ercole. |
Escape, Cellini's, from the castle of Sant' Angelo, ii. 2733. |
Este, Ippolito d', Cardinal of Ferrara, i. 353; ii. 3, 73, 74, 87-89, 91-93, 101, 103, 111-113, 117, 123, 126, 140, 177,199,205. |
Estouteville, Jean d', Provost of Paris, ii. 119n. |
Etampes, Madame d', mistress of Francis I., ii. 124, 138, 149-151, 163; Cellini incurs her ill-will, ii. 144; her machinations against Cellini, ii. 181, 185, 186, 191, 192. |
Eyesight, Cellini's, failure of, i. 234. |
Fa, Jacques de la, ii. 163. |
Fagiuolo, Girolamo, i. 242. |
Fano, Lodovico da, i. 207, 303. |
Farnese, Cardinal Alessandro (afterwards Pope Paul III.), i. 173; ii. 73. |
Farnese, Jeronima, wife of Pier Luigi, ii. 48. |
Farnese, Pier Luigi, son of Pope Paul III., i. 280; ii. 5, 6, 12, 38, 67, 206. |
Faustina, a prostitute, i. 141. |
Faustina, sister of Cellini's apprentice Paulino, i. 122. |
Felice, Cellini's partner, i. 250, 258, 300, 307, 309, 310, 312, 313, 317, 321-323, 341, 358; ii. 18. |
Ferragosto, a religious festival, i. 123. |
Ferrara, Cardinal of. See Este, Ippolito d |
Fiaschino, chamberlain to the Duke of Ferrara, ii. 105, 109. |
Filippo, Francesco di, his friendship with Cellini, i. 99, 105. |
Fiorino, one of Cæsar's captains, Cellini claims descent from, i. 73. |
Firenzuola, Giovanni, goldsmith, Cellini works for, i. 101. |
Flood, the Roman, of 1530, i. 227. |
Florence, built in imitation of the city of Rome, i. 72; Cellini's apocryphal derivation of its name, i. 19, 73; Cellini banished from, i. 87; Cellini returns to, i. 183; Cellini leaves, for Mantua, i. 184; Pope Clement makes war upon, i. 191. |
Florence, the Duchess of, Cellini loses the favour of, ii. 276-281; her patronage of Bandinello, ii. 315, 316. |
Foiano, Fra Benedetto da, a priest who was starved to death in prison, i. 32; ii. 56. |
Fontainebleau, Cellini makes models for the door of the palace at, ii. 140. |
Fontainebleau, Nymph of, xxi,i. 52; cast by Cellini, ii. 173. |
Fontana, Domenico, jeweller in Naples, i. 264. |
Foppa, Ambrogio. See Caradosso. |
Francis I. of France, i. 198, 239; ii. 12, 19, 111; war in 1521 between Charles V. and, i. 165; his patronage of Cellini, ii. 112. |
Franzesi, Mattio, poet, i. 306, 307. |
"French disease," i. 139, 237. |
Friendship, Cellini's, uncertain, i. 11. |
Fusconi, Francesco, a famous physician, i. 305, 309-315. |
Gaddi, Agnolino,,i. 253, 255. |
Gaddi, Giovanni, clerk of the Camera, i. 207, 227, 260, 300, 306-308, 310. |
Gaddi, Niccolò, Cardinal de', i. 172; ii. 3, 4. |
Gaio, a foolish Milanese jeweller, i. 331-333. |
Galleotti, Pietro Pagolo, goldsmith, i. 296, 299, 319. |
Galluzzi, Bernardo, a cashier of Bindo Altoviti, ii. 75. |
Gambetta, a prostitute, ii. 220; makes a shameful charge against Cellini, ii. 229. |
Ganymede, antique statue of, restored by Cellini, i. 53; ii. 246,253,256. |
Gates of Prato and Arno, Cellini gets commission to build, ii. 283. |
Gattinara, Gio. Bartolommeo di, ii. 10. |
Giangiacomo, of Cesena, musician, i. 123. |
Giannotti, Giannotto, i. 102. |
Giliolo, Girolamo, treasurer of the Duke of Ferrara, ii. 102, 105. |
Ginori, Federigo, i. 190, 198. |
Giovanni, Pier, a chamberlain to Pope Clement VII., i. 243 . |
Giovenale, Latino, de' Manetti. See Juvenale, Latino. |
Goethe, translation of Cellini's autobiography by, i. 5,58. |
Goldsmith, Cellini's reputation as a, xx, xxi, i. 42. |
Goldsmith's art, Cellini's treatise on the, i. 45. |
Gonzaga, Ercole, Cardinal, i. 186. |
Gonzaga, Ippolito, ii. 200. |
Gonzago, Federigo, Marquis of Mantua, i. 185. |
Gorini, Lattanzio, ii. 214, 216, 241, 283. |
Granacci, Elisabetta, Cellini's mother, i. 72, 76. |
Granacci, Stefano, Cellini's maternal grandfather,!. 72, 76. |
Grolier, Jean, ii. 182. |
Guadagni, Felice. See Felice. |
Guasconti, the, Cellini's quarrel with, xxvi, i. 106. |
Guidi, Giacopo, secretary to Cosimo de' Medici, ii. 303. |
Guidi, Guido, physician to Francis I., friend to Cellini, ii. 146, 201,218. |
Hadrian's Mausoleum, a Roman fortress, i. 175. |
Hercules and Cacus, Bandinello's statue of, ii. 248. |
Holy Sepulchre, the, Cellini's vow to visit, ii. 61; Cellini starts on a pilgrimage to, ii. 116. |
Homicide, view of Cellini's age concerning its justifiableness, i. 14, 38. |
Il Bachiacca. See Verdi, Antonio, and Verdi, Francesco. |
Il Bologna. See Primaticcio, Francesco. |
Il Bronzino. See Allori, Angelo. |
Il Caradosso. See Caradosso. |
Il Fattore, painter, i. 113, 120, 131. |
Il Lamentone. See Lamentone. |
Il Magalotto. See Magalotti, Gregorio. |
Il Moschino. See Cioli, Francesco. |
Il Rosso, painter, i. 131, 351, 352; ii. 150, 184. |
Il Tribolino. See Pericoli, Niccolo de |
Imprisonment, Cellini's, in the castle of Sant' Angelo, i. 13,17; ii. 12-27. |
Jacomo, of Perugia, a surgeon, ii. 33. |
Jacopo, of Carpi, a surgeon, i. 138; ii. 108. |
Jewels of the Apostolic Camera, the, Cellini entrusted with, by Pope Clement VII., i. 179; Cellini is arrested on a false charge of stealing, ii. 5. |
Julius II., Pope, i. 83. |
Julius III., Pope, ii. 269. |
Jupiter, Cellini's statue of, ii. 123, 124, 131-133, 137, 173, 174, 177, 179, 183, 184, 186, 187. |
Juvenale, Latino, poet, i. 278, 279, 326, 334. |
Lamentone, Il, courier from Florence to Venice, i. 284289. |
Landi, Antonio, ii. 225, 238. |
Landi, Pier, friend of Cellini,i. Ill, 189, 193, 316. |
Lastricati, Alessandro, ii. 263. |
Lautizio, seal-engraver, i. 134; ii. 89. |
Leclanché, Leopold, translator of Cellini's autobiography into French, i. 58. |
Leo X., Pope, i. 83 n. |
Leoni, Leone, a goldsmith, ii. 69. |
Lionardo da Vinci. See Vinci, Lionardo da. |
Lippi, Fra Filippo, i. 99. |
Lippi, Francesco, i. 99. |
Lorraine, John of, Cardinal, ii. 124-126, 145. |
Lotto, Pier Maria di, i. 182. |
Lucagnolo, a goldsmith, i. 113; his rivalry with Cellini, i. 116-120. |
Luigi, Pier, son of Pope Paul III. See Farnese, Pier Luigi. |
Macaroni, a Roman workman employed by Cellini, ii. 155, 160. |
Mace-bearer to the Pope, Cellini is made, i. 228. |
Macherone, Cesare, a forger, i. 225, 227. |
Machiavelli, his epitaph on Piero Soderini, i. 82. Macon, Antoine le, secretary to Margaret of Navarre, ii.136. |
Maffio, captain of the Bargello's guard, i. 212, 213. |
Magalotti, an exile at Ferrara, i. 288-290. |
Magalotti, Gregorio, Governor of Rome, i. 244. |
Mannellini, Bernardino, workman to Cellini, ii. 221, 230, 261. |
Manno, an excellent workman, i. 317. |
Mantua, Marquis of. See Gonzago, Federigo. |
Marcone, the goldsmith, i. 96; Cellini apprenticed to, i. 85. |
Margaret of Austria, i. 295n.; ii. 31n. |
Marmagna, Monsignor di, ii. 121. |
Marretti, Girolamo, a Sienese, i. 189. |
Marriage, Cellini's, ii. 350. |
Mars, Cellini's statue of, ii. 163, 187. |
Martelli, Niccolò, his estimate of Cellini as a craftsman and a man, i. 17. |
Martini, Luca, man of letters, i. 317; Cellini addresses a Capitolo to, ii. 77. |
Martino, Piero di, a rascally goldsmith, ii. 240. |
Masaccio, painting by, in the Church of the Carmine, i. 98. |
Maurizio, Ser, Chancellor of Florence, i. 284. |
Medal, Gabbriello Ceserino's, by Cellini, i. 131; Girolamo |
Marretti's, i. 189; Federigo Ginori's, i. 190, 198; Pope |
Clement VII.'s, i. 250, 269; Duke of Florence's, i. 298, 320; Duke of Ferrara's, ii. 103, 104. |
Medici, Alessandrode', Duke of Florence, i. 213, 283; Cellini makes dies for, i. 293-297; murdered by Lorenzino, i. 324. |
Medici, Bernardo de', i. 277n. |
Medici, Caterina de', ii. 124n. |
Medici, Cosimo de', Duke of Florence, xvii, i. 9, 86, 284, 325; ii. 209; Cellini makes his famous statue of Perseus for, ii. 211; his promises to Cellini, ii. 297, 299. |
Medici, Ferdinando de', son of Cosimo, ii. 290 n. |
Medici, Francesco de', son of Cosimo, ii. 290 n., 334. |
Medici, Garzia de', son of Cosimo, ii. 290n. |
Medici, Giovanni de', son of Cosimo, ii. 290 n. |
Medici, Giovanni de' (Pope Leo X.), i. 83. |
Medici, Giovannino de', i. 86. |
Medici, Giuliano de', i. 83 n. |
Medici, Giulio de'. See Clement VII. |
Medici, Ippolito de', i. 261, 266, 268, 277. |
Medici, Lorenzino de', i. 80, 296, 298, 299, 320; ii. 231; murders the Duke Alessandro, i. 324. |
Medici, Lorenzo, the Magnificent, i. 80. |
Medici, Ottaviano de', i. 296, 297, 317, 319. |
Medici, Piero de', i. 80; his tomb at Monte Cassino, i. 262. |
Medici, exile of the, i. 189. |
Medici, palace of the, i. 98, 318. |
Medici, the house of, friendly to Cellini and his father, i. 82, 83; the latter a devoted servant of, i. 82. |
Medicean arms, i. 83 n. |
Medicean dynasty, the second, i. 86 n. |
Medicean party, the, Cellini's house loyal adherents of, ii. 209. |
Medici, tomb of the, in San Lorenzo at Florence, by Verrocchio, xiv, xix. |
Medusa, Cellini's statue of, for the Perseus, ii. 219, 228, 233,243,255,256. |
Micceri, Pagolo, a workman employed by Cellini, i. 37,39; ii. 155; his hypocrisy, ii. 156, 157; Cellini's revenge on, ii. 168. |
Michel Angelo. See Buonarroti, Michel Angelo. |
Michele, a goldsmith, ii. 20. |
Micheletto, an engraver of jewels, i. 198. |
Mint, Pope Clement VII. 's, i. 224, 238; Cellini is made stamp-master in, i. 205; loses his place in, i. 242. |
Mirandola, Count of, ii. 138, 200, 205. |
Molini, Giuseppe, editor of Cellini's autobiography, i. 57. |
Monaldi, Sandrino, ii. 52, 56. |
Money, false, circulated in Rome, i. 224. |
Monte Aguto, Niccolò da, i. 284, 316, 319, 320. |
Montelupo, Raffaello da, i. 168 n.; ii. 10n., 11. |
Monte Varchi, Benedetto da, poet, i. 58, 112; his sonnet on Cellini's reported death, i. 308, 311. |
Monte Varchi, Francesco da, physician, i. 317; ii. 333. |
Montluc, Jean de, ii. 12, 72. |
Montorsoli, Giovanni Angelo, ii. 298. |
Morality, Cellini's, not closely joined to religion, i. 13. |
Morals of Italian society in Cellini's day, i. 9. |
Murder in Cellini's day a venial error, i. 37. |
Music, Cellini begins the study of, i. 80; his dislike for, i. 80, 84, 88, 95, 96; sent to Bologna to learn, i. 88. |
Nardi, Jacopo, the historian, i. 285, 286. |
Naturalisation, letters of French, given to Cellini, i. 30; ii. 136. |
Navarre, King of, ii. 124, 126, 185. |
Necromancer, Cellini's adventures with a, i. 252-256. |
Neptune, Cellini's model for a marble, ii. 315, 319, 327, 334, 336, 342-344. |
Nesle, Le Petit, Cellini goes to live in, ii. 119; is installed as lord of, ii. 137. |
Niccolò, goldsmith, of Milan, Cellini works with, i. 185. |
Nobili, Antonio de', ii. 306. |
Norcia, Francesco da, a famous physician, i. 305, 309-3 15. |
Nugent, Thomas, translator of Cellini's autobiography, i. 58. |
Orange, Prince of, wounded by Cellini during the sack of Rome, i. 20, 180; ii. 11. |
Orazio Baglioni. See Baglioni. |
Orbec, Vicomte d', ii. 122, 127. |
Orsini, Cardinal, i. 181. |
Orsino, Gierolimo, Duke of Bracciano, i. 359. |
Paccalli, Giuliano, ii. 272. |
Pagolo, apprentice of Cellini, ii. 88, 92, 93, 97-100, 104, 109, 110, 114, 117, 118, 122, 154, 200. |
Palazzo del Te, i. 185. |
Palazzo Vecchio, i. 97 n. |
Pallavicini, a friar, ii. 14. |
Pantasilea, a prostitute, i. 146, 158, 159. |
Parentage, Cellini's, i. 72. |
Particino, a wood-carver, ii. 283. |
Pascucci, Girolamo, a Perugian workman employed by |
Cellini, i. 341, 358; ii. 4, 20. |
Pasqualino d' Ancona, ii. 283. |
Paul III., Pope, i. 9, 32, 33, 278; ii. 4, 34, 35, 66, 73, 74, 101, 102; takes Cellini into favour, i. 278; employs Cellini on a present to Charles V., i. 326. |
Paulino, Cellini's boy, i. 122. |
Pa via, Bishop of, ii. 200, 201. |
Pearl necklace, the Duchess of Florence's, i. 16; ii. 276. |
Pearsall, H. D., observations of, regarding the aureole which Cellini says surrounded his head, i. 23 n. Pecci, Pier Antonio, of Siena, i. 268. |
Pedignone, soldier in Sant' Angelo, ii. 25. |
Pedigree of the Cellini, ii. 356. |
Penni. See II Fattore. |
Pericoli, Niccolo de', a Florentine sculptor, i. 283-290. |
Perseus, Cellini's bronze statue of, xvii, xx, xxii, xxiii, i. 43, 54; ii. 210, 219, 232, 242, 245, 255, 293, 303, 304, 307-310; casting of, ii. 259-266; praised when exhibited to the people, ii. 295-298. |
Pilgrimage of thanks, Cellini's, for the success of his Perseus, ii. 301. |
Pilli, Raffaello de', surgeon, ii. 254, 333. |
Piloto, goldsmith, i. 156, 275. |
Pirates, Cellini attacked by, i. 144. |
Pitigliano, Count of, ii. 138. |
Plague, great, in Rome, i. 136, 138, 141; Cellini's marvellous recovery from, i. 141-144. |
Plon, Eugène, an authority on Cellini and his works, xii, i. 50n., 54n., 57n. |
Poetry, Cellini's desire to excel in, i. 46. |
Poggini, Gianpagolo and Domenico, eminent die-casters, ii. 221,227, 236, 239. |
Politics, Cellini's abstention from, i. 193 n. |
Polverino, Jacopo, ii. 308. |
Pompeo, a Milanese jeweller, i. 36, 199, 241, 249, 260, 262; picks a quarrel with Cellini, i. 274; slain by Cellini, i. 275. |
Portrait, Cellini's, of Pope Clement VII., i. 250; of the Duke of Ferrara, ii. 102; of the Duke of Florence, ii. 222,232. |
Prato, the gate of, Cellini gets a commission to build, ii. 283. |
Primaticcio, Francesco (II Bologna), a painter, ii. 150, 163-165,169,175,184. |
Prinzivalle della Stufa, an upright judge, i. 107, 108. |
Pucci, Antonio, Cardinal, ii. 19. |
Pucci, Roberto, i. 232; ii. 34. |
Pulci, Luigi, Cellini's kindness to, i. 157; his shameful ingratitude, i. 159; his death, i. 164. |
Quarrel, Cellini's, with his father, i. 93; with Gherardo |
Quasconti, i. 106-110; with the Bishop of Salamanca, i. 126-129; with a soldier of Rienzo da Ceri, i. 132, 133; with the Duke of Mantua, i. 186; with Baccio Bandinello, ii. 247-252. |
Quistelli, Alfonso, ii. 308, 335. |
Rastelli, Giacomo, a famous surgeon, i. 206. |
Ravenna, Cardinal of. See Accolti, Benedetto. |
Reality the supreme merit of Cellini's autobiography, xxix. |
Recalcati, Ambrogio, secretary to Pope Paul III., i. 278. |
Religion, Cellini's, not closely joined to morality, i. 13. |
Renaissance, the Italian, its treatment of the professional idea, xii; a time of intense personal pride, xiii; its elevating power, xiv; its lavish production of great men, xvi; its typical products the artist and the bravo, i. 8; Cellini its most eminent exponent in craftsmanship of several kinds, i. 40; his Memoirs a valuable aid to its study, i. 41; his Perseus its last great product, i. 56. |
Riccio, Pier Francesco, majordomo of the Duke of Florence, ii. 214, 216, 267, 274; his malice against Cellini, ii. 216. |
Ridolfi, Niccolò, Cardinal, i. 130. |
Rigogli, Giovanni, i. 187. |
Romano, Giulio, i. 114n., 145; Cellini visits him, i. 185. |
Rome, the sack of, xxvii; Prince of Orange wounded in, i.20, 180; Cellini's exploits in, i. 167-182; Constable of Bourbon killed in, i. 167. |
Romoli, Vincenzio, Cellini's servant, i. 252-254, 300, 303, 312. |
Roscoe, Thomas, translator of Cellini's autobiography, i. 58; inaccuracies and deficiencies of his text, i. 59-65. |
Rossi, Gio. Girolamo de', Bishop of Pavia, ii. 71, 147. |
Ruberta, Cellini's servant, ii. 171. |
Rucellai, Luigi, i. 276. |
Safe-conduct, Cellini's, from Pope Clement VII., i. 297, 301. |
St. Paul, Comte de, Francois de Bourbon, ii. 197. |
Salamanca, Bishop of, Cellini works for, i. 113; his impatience, i. 125; delays paying Cellini, i. 126-129; repents of his conduct toward Cellini, i. 130. |
Salimbene, Francesco, Cellini works with, i. 100, 105. |
Salt-cellar, Cardinal of Ferrara's,ii. 89, 126, 131, 137, 173. |
Salviati, Alamanno, ii. 306. |
Salviati, Jacopo, i. 84, 173, 195. |
Salviati, Giovanni, Cardinal, i. 130, 232, 239; ii. 109. |
Salviati, Piero, ii. 313. |
Sanga, Battista, secretary to Pope Clement VII., i. 208. |
San Gallo, Antonio da, a famous architect, i. 352. |
San Gallo, Francesco da, sculptor, ii. 283. |
Sansovino, Giacopo del. See Tatti. |
Santacroce, Antonio, chief of the Pope's gunners, i. 169. |
Sant' Angelo, the castle of, Cellini is imprisoned in, ii. 6; escapes from, ii. 28; recaptured and again confined in, ii. 49. |
Santa Fiore. See Sforza, Ascanio. |
Sauthier, Pierre, a famous printer, ii. 148 n. |
Savello, Giovanbatista, i. 262. |
Savoy, Marguerite, Duchess of, ii. 185. |
Sbietta, Lo. See Anterigoli, Piermaria. |
Scheggia, Raffaellone, ii. 338, 340. |
Schio, Girolamo, Bishop of Vasona, confidential agent of Pope Clement VII., i. 223 n., 230. |
Schomberg, Nicholas, Archbishop of Capua, i. 195. |
Scorpion, Cellini miraculously escapes a, i. 79. |
Scorzone, model and mistress to Cellini, ii. 176. |
Sculpture, Cellini's treatise on, i. 45; his industry in the art of, i. 53. |
Serristori, Averardo, ii. 269, 272. |
Sforza, Almeni, chamberlain of the Duke of Florence, ii. 244, 297, 300. |
Sforza, Ascanio, Cardinal Santa Fiore, ii. 38. |
Sforza, Sforza, i. 336. |
Sguazzella, a Florentine painter, with whom Cellini lodged in Paris, i. 353. |
Sistine Chapel, i. 98 n., 114n. |
Soderini, Francesco, i. 320, 324. |
Soderini, Piero, his good-will to Cellini and his father, i. 82; Machiavelli's epitaph on, i. 82 n. Solosmeo, Antonio, of Settignano, sculptor, i. 262. |
Sonnet, Benedetto Varchi's, on Cellini's reported death, i. 311; Cellini's, to the castellan of Sant' Angelo, ii. 65. |
Spini, Gherardo, i. 46n. |
Sputasenni family, Cellini's kindness to the, i. 11; ii. 350. |
Stamp-master, Cellini is made, in the Pope's Mint, i. 205. |
Steinbock, Wenceslas, Cellini compared to, xi. |
Strozzi, Cattivanza degli, i. 209. |
Strozzi, Fra Alessio, i. 110. |
Strozzi, Filippo, i. 179, 23 In., 345. |
Strozzi, Piero, a noted soldier, ii. 135, 138, 198. |
Stufa, Pandolfo della, ii. 310. |
Style, Cellini's, i. 45, 46, 66. |
Targhetta, Miliano, a famous Venetian jeweller, i. 331. |
Tassi, Francesco, editor of Cellini's autobiography, i. 57. |
Tasso, Giovan Battista del, wood-carver, i. 100; ii. 215, 283. |
Tatti, Giacopo, a famous sculptor, i. 283, 289; ii. 231; his treatment of Il Tribolino, i. 290. |
Time, Italian method of reckoning, i. 127n. |
Titian, Cellini pays a visit to, in Venice, ii. 231. |
Tobbia, a Milanese goldsmith, i. 239, 243, 247, 250. |
Torello, Lelio, the Duke of Florence's Master of the Rolls, ii. 311. |
Torre di Nona, Roman prison, i. 213; Cellini confined in, ii.45. |
Torrigiani, Piero, sculptor, i. 96; the legend of his death, i. 97n.; his assault on Michel Angelo, i. 99. |
Tournon, Francois, Cardinal de, ii. 92. |
Translations of Cellini's autobiography, i. 58, 59. |
Trespontina, church of the, ii. 31. |
Trotti, Alfonso de', a dilettante of the arts, ii. 106-109. |
Trustworthiness of Cellini's narrative, i. 26. |
Truth, Cellini's attitude toward, i. 16. |
Tuscan dialect, difficulty of translating the, i. 65. |
Ugolini, Antonio, ii. 68, 71, 72. |
Ugolini, Giorgio, castellan of Sant' Angelo, ii. 13, 35, 49, 56, 58, 65, 66; his odd fancies, ii. 22; his death, ii. 68. |
Ugolini, Piero, ii. 67. |
Urbino, servant of Michel Angelo, ii. 273. |
Urbino, Francesco, Duke of, failure of, to send help to Pope |
Clement VII. during the sack of Rome, i. 171. |
Urbino, Gian di, a captain in the war against Pope Clement VII., i. 178. |
Urbino, Raffaello da, i. 113, 352. |
Val d'Ambra, home of Cellini's ancestors, i. 74. |
Valenti, Benedetto, Procurator-Fiscal of Rome, i. 244, 245; ii. 6. |
Valori, Bartolommeo, i. 231, 232. |
Varchi, Benedetto da Monte. See Monte Varchi. |
Vasari, Giorgio, painter, architect, and historian, i. 10; ii. 324; his description of Cellini, i. 17; falsifies Cellini to the Pope, i. 316,318. |
Vase, Bishop of Salamanca's, i. 120, 122, 125-129; Cardinal Cibo's, i. 130; Cellini's two-handled, ii. 132, 137, 174,177,190. |
Vasona, Bishop of. See Schio, Girolamo. |
Vassellario, Giorgetto, of Arezzo. See Vasari. |
Vega, Juan de, Viceroy of Sicily, ii. 297. |
Veneziano, Bastiano. See Del Piombo. |
Veracity, Cellini's, xxiv, i. 14; ii. 213n., 252n. |
Verdi, Antonio (II Bachiacca), embroiderer, ii. 227. |
Verdi, Francesco (II Bachiacca), painter, i. 146, 159. |
Vergezio, Giovanni, i. 207n., 303. |
Villainy, Cellini's alleged, i. 36. |
Villerois, Monsignor di, first secretary to the King of France, ii. 120. |
Vinci, Lionardo da, ii. 117; his cartoon representing the taking of Pisa by the Florentines, i. 98. |
Violence, Cellini's, i. 36. |
Vision, Cellini's, in the castle of Sant' Angelo, ii. 61. |
Volterra, Daniello da, painter, i. 35; ii. 344. |