The Literati of New York/No. I/John W. Francis
Doctor Francis, although by no means a littérateur, cannot well be omitted in an account of the New York literati. In his capacity of physician and medical lecturer he is far too well known to need comment. He was the pupil, friend and partner of Hossack — the pupil of Abernethy — connected in some manner with everything that has been well said or done medicinally in America. As a medical essayist he has always commanded the highest respect and attention. Among the points he has made at various times, I may mention his Anatomy of Drunkenness, his views of the Asiatic Cholera, his analysis of the Avon page 201 waters of the state, his establishment of the comparative immunity of the constitution from a second attack of yellow fever, and his pathological propositions on the changes wrought in the system by specific poisons through their assimilation — propositions remarkably sustained and enforced by recent discoveries of Liebig.
In unprofessional letters Doctor Francis has also accomplished much, although necessarily in a discursive manner. His biography of Chancellor Livingston, his Horticultural Discourse, his Discourse at the opening of the new hall of the New York Lyceum of Natural History, are (each in its way) models of fine writing, just sufficiently toned down by an indomitable common sense. I had nearly forgotten to mention his admirable sketch of the personal associations of Bishop Berkeley, of Newport.
Doctor Francis is one of the old spirits of the New York Historical Society. His philanthropy, his active, untiring beneficence will forever render his name a household word among the truly Christian of heart. His professional services and his purse are always at the command of the needy; few of our wealthiest men have ever contributed to the relief of distress so bountifully — none certainly with greater readiness or with warmer sympathy.
His person and manner are richly peculiar. He is short and stout, probably five feet five in height, limbs of great muscularity and strength, the whole frame indicating prodigious vitality and energy — the latter is, in fact, the leading trait in his character. His head is large, massive — the features in keeping; complexion dark florid; eyes piercingly bright; mouth exceedingly mobile and expressive; hair gray, and worn in matted locks about the neck and shoulders — eyebrows to correspond, jagged and ponderous. His age is about fifty-eight. His general appearance is such as to arrest attention.
His address is the most genial that can be conceived, its bonhommie irresistible. He speaks in a loud, clear, hearty tone, dogmatically, with his head thrown back and his chest out; never waits for an introduction to anybody; slaps a perfect stranger on the back and cells him "Doctor" or "Learned Theban;" pats every lady on the head and (if she be pretty and petite) designates her by some such title as "My Pocket Edition of the Lives of the Saints." His conversation proper is a sort of Roman punch made up of tragedy, comedy, and the broadest of all possible farce. He has a natural, felicitous flow of talk, always overswelling its boundaries and sweeping everything before it right and left. He is very earnest, intense, emphatic; thumps the table with his first [fist]; shocks the nerves of the ladies. His forte, after all, is humour, the richest conceivable — a compound of Swift, Rabelais, and the clown in the pantomime. He is married.