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The Man Who Laughs (Estes and Lauriat 1869)/Chapter 24

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The Man Who Laughs (1869)
by Victor Hugo, translated by Anonymous
Part I. Book II. Chapter XV.
Victor Hugo2387864The Man Who Laughs — Part I. Book II. Chapter XV.1869Anonymous

CHAPTER XV.


PORTENTOSUM MARE.


MEANWHILE a thickening mist had descended on the drifting wretches. They were ignorant of their whereabouts, they could scarcely see a cable's length around. Despite a furious storm of hail which forced them to bow their heads, the women had obstinately refused to go below again. No one, however hopeless, but wishes, if shipwreck be inevitable, to meet it in the open air. When so near death, a ceiling above one's head seems like the first outline of a coffin.

They were now in a short and chopping sea. A turgid sea indicates its constraint. Even in a fog the entrance to a strait may be known by the boiling appearance of the waves. And it was so in this case, for they were unconsciously skirting the coast of Alderney. Between the Caskets and Ortach on the west and Alderney on the east, the sea is cramped and hemmed in. In this uncomfortable position the sea suffers like anything else; and when it suffers, it is irritable. Consequently, that channel is a thing to fear. The "Matutina" was in that channel now.

Imagine under the sea a tortoise shell as big as Hyde Park or the Champs Elysées, of which every striature is a shoal, and every embossment a reef. Such is the western approach of Alderney. The sea covers and conceals this shipwrecking apparatus. On this conglomeration of submarine breakers the cloven waves leap and foam; in calm weather a chopping sea, in storms a chaos reigns. The shipwrecked men observed this new complication without endeavouring to explain it to themselves. Suddenly they understood it. A pale vista broadened in the zenith; a wan tinge overspread the sea; the livid light revealed on the port side a long shoal stretching eastward, towards which the power of the rushing wind was driving the vessel. What was that shoal? They shuddered. They would have shuddered even more had a voice answered them, "Alderney!"

No other isle is so well defended against man's approach as Alderney. Below and above water it is protected by a savage guard, of which Ortach is the outpost. To the west are Burhou, Sauteriaux, Anfroque, Niangle, Fond du Croc, Les Jumelles, La Grosse, La Clanque, Les Eguillons, Le Vrac, La Fosse-Malière; to the east, Sauquet, Hommeau Floreau, La Brinebetais, La Queslingue, Croquelihou, La Fourche, Le Saut, Noire Pute, Coupie, Orbue. These are hydra-headed monsters of the protecting reef. One of these reefs is called Le But,—the Goal,—as if to imply that every voyage ends there. This obstruction, simplified by night and sea, looked to the shipwrecked men like a single dark belt of rocks, a sort of blot on the horizon.

Shipwreck is the height of helplessness. To be near land, and unable to reach it; to float, yet not to be able to do so in any desired direction; to rest the foot on what seems firm and is fragile; to be full of life, and yet o'ershadowed by death; to be a prisoner in space; to be walled in between sky and ocean; to have the infinite overhead like a dungeon; to be encompassed by the treacherous winds and waves; to be seized, bound, paralyzed,—such a load of misfortune stupefies and crushes us. We imagine that in it we catch a glimpse of the sneer of the opponent who is beyond our reach. That which holds you fast is that which releases the birds and sets the fishes free. It seems nothing, and is everything. We are dependent on the air which is ruffled by our mouths; we are dependent on the water which we catch in the hollow of our hands. Draw a glassful from the storm, and it is but a cup of bitterness; a mouthful is nausea, a waveful is extermination. The grain of sand in the desert, the foam-flake on the sea, are fearful symptoms. Omnipotence takes no care to hide its atom; it changes weakness into strength; and it is with the infinitely little that the infinitely great crushes you. It is with its drops that the ocean overwhelms you. You feel you are a plaything. A plaything: ghastly epithet!

The "Matutina" was a little above Alderney, which was not an unfavourable position; but she was drifting towards its northern point, which was fatal. As a bent bow discharges its arrow, the nor'-wester was shooting the vessel towards the northern cape. Off that point, a little beyond the harbour of Corbelets, is that which the seamen of the Norman archipelago call a "singe,"—that is, a current. The "singe" is a furious kind of current. A wreath of funnels in the shallows produces a wreath of whirlpools on the surface. You escape one only to fall into another. A ship caught hold of by the "singe" whirls round and round until some sharp rock cleaves her hull; then the shattered vessel stops, her stern rises from the waves, the bow completes the revolution in the abyss, the stern sinks in, and the entire wreck is sucked down. The circle of foam broadens, and nothing is seen on the surface of the waves but a few bubbles here and there.

The three most dangerous currents in the whole Channel are—one close to the well-known Girdler Sands; one at Jersey between the Pignonnet and the Point of Noirmont; and that of Alderney.

Had a local pilot been on board the "Matutina," he could have warned them of their fresh peril. In place of a pilot, they had their instinct. In situations of extreme danger men are endowed with second sight. Without knowing exactly what awaited them, they approached the spot with horror. How could they double that cape? They had no means of doing it. Just as they had seen, first the Caskets, then Ortach, loom up before them, they now saw the point of Alderney, all of steep rock. It was like a number of giants rising up one after another to offer them battle. Charybdis and Scylla make but two; the Caskets, Ortach, and Alderney make three. The phenomenon of the horizon, invaded by the rocks, was again repeated with the grand monotony of the deep. The battles of the ocean have the same sublime tautology as the combats of Homer. Each wave, as they neared it, added twenty cubits to the apparent cape, already greatly magnified by the mist; the fast decreasing distance seemed to render destruction more and more inevitable. They were on the edge of the seething current already! The first ripple that seized them would drag them in; another wave surmounted, and all would be over!

Suddenly the hooker was driven back, as if by a blow from a Titan's fist. The wave reared up under the vessel and fell back, throwing the waif back in its mane of foam. The "Matutina," thus impelled, drifted away from Alderney. She was again on the open sea. Whence had come the succour? From the wind. The breath of the storm had changed its direction. The wave had made them its toy; now it was the wind's turn. They had saved themselves from the Caskets. Off Ortach it was the wave which had been their friend; now it was the wind. The wind had suddenly veered from north to south. A sou'-wester had succeeded the nor'-wester. The current is the wind in the waters; the wind is the current in the air. These two forces had just counteracted each other, and it had been the wind's will to snatch its prey from the current.

The whims of ocean are incomprehensible; they are, perhaps, an embodiment of the perpetual. When one is at their mercy one can neither hope nor despair. They do and then undo. The ocean amuses itself. Every shade of wild, untamed ferocity is phased in the vast and cunning sea, which Jean Bart used to call "that big brute." To its claws and their gashings succeed soft intervals of velvet paws. Sometimes the storm hurries on a wreck, at others it works out the problem with care; it might almost be said that it lingers over it. The sea can afford to take its time, as its victims learn to their cost.

We must own that occasionally these lulls in the torture announce deliverance. Such cases are rare. However this may be, men in extreme peril are quick to believe in rescue; the slightest cessation in the storm's threats is sufficient,—they tell themselves that they are out of danger. After believing themselves as good as buried, they announce their resurrection. It appears that their luck has turned; they declare themselves satisfied; they are saved; they cry quits with God.

The sou'-wester set in with a whirlwind. Shipwrecked men have never any but rough helpers. The "Matutina" was dragged rapidly out to sea by the remains of her rigging, like a dead woman trailed by the hair. It was like the freedom granted by Tiberius, at the price of violation. The wind treated with brutality those whom it saved; it rendered service with fury; it gave help without pity. The wreck was breaking up under the severity of its deliverers. Hailstones, big and hard enough to charge a blunderbuss, smote the vessel; at every rise and fall of the waves these hailstones rolled about the deck like marbles. The hooker, whose deck was almost even with the water was being beaten out of shape by the heavy sea and its clouds of spray. On board it each man was for himself. They clung on as best they could. As each sea swept over them, it was with a sense of surprise that they saw that all were still there. Several had their faces torn by splinters. Happily despair makes stout hands. In terror a child's hand has the grasp of a giant; agony makes a vice of a woman's fingers; a girl in her fright can almost bury her rose-coloured fingers in a piece of iron. With hooked fingers they hung on somehow, as the waves dashed over them; but each wave increased their fear of being swept away.

But their fears were suddenly relieved.