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The Old Leaven

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The Old Leaven (1866)
by Adam Lindsay Gordon

First published in The Australasian, 10 November 1866

4261230The Old Leaven1866Adam Lindsay Gordon

A DIALOGUE.

MARK.
So Maurice you sail to-morrow, you say,
And you may or may not return,
Be sociable man! for once in a way,
Unless you're too old to learn.
The shadows are cool by the water side
Where the willows grow by the pond,
And the yellow laburnum's drooping pride
Sheds a golden gleam beyond.
For the blended tints of the summer flowers,
For the scents of the summer air,
For all nature's charms in this world of ours,
'Tis little or naught you care,
Yet I know for certain you haven't stirr'd
Since noon from your chosen spot,
And you've hardly spoken a single word,
Are you tired, or cross, or what?
You're fretting about those shares you bought,
They were to have gone up fast,
But I heard how they fell to nothing—in short
They were given away at last.

MAURICE.
No, Mark, I'm not so easily crossed;
'Tis true that I've had a run
Of bad luck lately, indeed, I've lost:
Well! somebody else has won.

MARK.
The glass has fallen, perhaps you fear
A return of your ancient stitch,
That souvenir of the Lady's mere,
Park palings, and double ditch.

MAURICE.
You're wrong! I'm not in the least afraid
Of that, if the truth be told
When the stiffness visits my shoulder blade,
I think on the days of old;
It recalls the rush of the freshening wind,
The strain of the chesnut springing,
And the rolling thunder of hoofs behind,
Like the Rataplan chorus ringing.

MARK.
Are you bound to borrow, or loth to lend?
Have you purchased another screw?
Or backed a bill for another friend?
Or had a bad night at loo?

MAURICE.
Not one of these, you're all in the dark,
If you choose you can guess again,
But you'd better give over guessing, Mark,
It's only labour in vain.

MARK.
I'll try once more, does it plague you still,
That trifle of lead you carry?
A guest that lingers against your will
Unwelcome, yet bound to tarry.

MAURICE.
Not so! that burden I'm used to bear,
'Tis seldom it gives me trouble,
And to earn it as I did then and there,
I'd carry a dead weight double.
A shock like that for a splintered rib
Can a thousandfold repay—
As the swallow skims thro' the spider's web
We rode through their ranks that day!

MARK.
Come, Maurice, you shan't escape me so!
I'll hazard another guess;
That girl that jilted you long ago,
You're thinking of her, confess!

MAURICE.
Tho' the blue lake flushed with a rosy light,
Reflected from yonder sky,
Might conjure a vision of Aphrodite
To a poet's or painter's eye,
Tho' the golden drop with its drooping curl,
Between the water and wood,
Hangs down like the tress of a wayward girl,
In her dreamy maidenhood;
Such boyish fancies seem out of date
To one half inclined to censure
Their folly, and yet—your shaft flew straight,
Though you drew your bow at a venture.
I saw my lady the other night
In the crowded opera hall,
Where the boxes sparkled with faces bright;
I knew her amongst them all.
Tho' little for these things now I reck,
I singled her from the throng
By the queenly curves of her head and neck,
By the droop of her eyelash long.
Oh! passionless, placid, and calm and cold,
Does the fire still lurk within
That lit her magnificent eyes of old,
And coloured her marble skin;
For a weary look on the proud face hung,
While the music clash'd and swell'd.
And the restless child to the silk skirt hung,
Unnoticed tho' unrepelled.
They've paled, those rosebud lips that I kist,
That slim waist has thickened, rather,
And the cub has the sprawling mutton fist
And the great splay foot of the father.
May the blight ——

MARK.
Hold hard there Maurice, my son,
Let her rest since her spell is broken,
We can neither recall deeds rashly done,
Nor retract words hastily spoken.

MAURICE.
Time was when to pleasure her girlish whim,
In my blind infatuation,
I've freely endangered life and limb;
Aye, perill'd my soul's salvation.

MARK.
With the best intentions we all must work
But little good and much harm,
Be a Christian for once, not a Pagan Turk
Nursing wrath and keeping it warm.

MAURICE.
If our best intentions pave the way
To a place that is somewhat hot,
Can our worst intentions lead us, say,
To a still more sultry spot?

MARK.
'Tis said that charity makes amends
For a multitude of transgressions.

MAURICE.
But our perjured loves, and our faithless friends,
Are entitled to no concessions.

MARK.
Old man, these many years side by side,
Our parallel paths have lain,
Now in life's long journey diverging wide,
They can scarcely unite again,
And tho' (from all that I've seen and heard)
You're prone to chafe and to fret
At the least restraint, not one angry word
Have we two exchanged as yet.
We've shared our peril, we've shared our sport,
Our sunshine and gloomy weather,
Feasted and flirted, and fenced and fought,
Struggled and toil'd together;
In happier moments lighter of heart,
Stouter of heart in sorrow,
We've met and we've parted, and now we part
For ever, perchance, to-morrow.
She's a matron now; when you knew her first
She was but a child, and your hate,
Fostered and cherished, and nourished and nursed,
Will it never evaporate?
Your grievance is known to yourself alone,
But Maurice, I say, for shame!
If in ten long years you haven't outgrown
Illwill to an ancient flame.

MAURICE.
Well, Mark, you're right, if I spoke in spite,
Let the shame and the blame be mine.
At the risk of a headache, we'll drain this night
Her health in a flask of wine;
For a castle in Spain, tho' it never was built;
For a dream, tho' it never came true;
For a cup, just tasted, tho' rudely spilt,
At least she can hold me due.
Those hours of pleasure she dealt of yore,
As well as those hours of pain,
I ween they would flit as they flitted before,
If I had them over again.
Against her no word from my lips shall pass
Betraying the grudge I've cherished,
Till the sand runs down in my hour-glass,
And the gift of my speech has perished.
Say! why is the spirit of peace so weak,
And the spirit of wrath so strong?
That the right we must carefully search and seek,
Tho' we readily find the wrong.

MARK.
Our parents of old entailed the curse
Which must to our children cling,
Let us hope, at least, that we're not much worse
Than the founder from whom we spring.
Fit sire was he of a selfish race
Who first to temptation yielded,
Then to mend his case, tried to heap disgrace
On the woman he should have shielded.
Say! comrade mine, the forbidden fruit,
We'd have pluck'd that I well believe,
But I trust we'd rather have suffered mute
Than have laid the blame upon Eve.

MAURICE (YAWNING.)
Who knows? Not I, I can hardly vouch
For the truth of what little I see,
And now if you've any weed in your pouch,
Just hand it over to me.

This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:

  • published non-government works whose author died before January 1, 1955,
  • anonymous or pseudonymous works and photographs published before January 1, 1955, and
  • government works published more than 50 years ago (before January 1, 1974).

This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.

Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.


This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.

Public domainPublic domainfalsefalse