The Robes of the Righteous
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I am a saintly reformer,
basking in goodly reknown
Sure of applaud of the righteous,
cinctured in purity's gown.
Young men and old men revere me,
women and girls out of school
Come to me telling their secrets,
seeking my counseling cool.
Little they know of my story
when I was the water-front's toast.
Back in the days of my glory
down on the Barbary Coast.
Young and my lips full and crimson,
flaming with passionate blood,
My love was the leap of an ocean,
my passion the swing of the flood.
Changing and varied my fancies
yet no woman ever gave more
For I joyed in the man on my body
just as much as the one just before
Ah, nights that were lurid and gorgeous,
under the bar lamps blaze
Flutter of cars on the table,
faces that leered through the haze
Of smoke drifting up from the stogies,
the red liquor flowing free
And the shout of the salty ballass
that sailors sang from the sea.
The money scattered like water,
the pagan thrill of the dance
The hand that groped in my clothing,
the burning and meaning glance
Then the look as the stair I mounted,
the man that left the floor,
The joyous and panting waiting,
the stealthy knock at my door—
What if they knew, the elders,
that I was a Barbary whore?
Hiding my charms with meekness
under purity's gown
Sure of applaud of the righteous,
basking in goodly reknown.
This work is from the United States and in the public domain because it was not legally published with the permission of the copyright holder before January 1, 2003 and the author died 88 years ago. This is a posthumous work and its copyright in certain countries and areas may depend on years since posthumous publication, rather than years since the author's death. Translations or editions published later may be copyrighted.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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